Cosmopolis
Cosmopolis
R | 17 August 2012 (USA)
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Riding across Manhattan in a stretch limo during a riot in order to get a haircut, a 28-year-old billionaire asset manager's life begins to crumble.

Reviews
Hellen

I like the storyline of this show,it attract me so much

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filippaberry84

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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Ginger

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

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Candida

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

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Michael Ledo

A film that leaves you feeling, "WTF?" This avant-garde work oozes with symbolism and metaphors. The first one you should pick up on is the rat. The rat symbolizes a universal currency when society is at its lowest point. Toward the end of the film, Eric's barber comments "You're hair is ratty." Investor Eric Packer (Robert Patterson) represents all rich people whose world must be destroyed to make way for the new. This is your basic Phoenix or Shiva philosophy. Eric is being driven through NYC as all kind of events are happening outside of his limo. Eric is shielded from these events as his financial world goes to ruin. The world outside passes by almost in a surreal fashion and at times he blocks it out altogether.We have the destruction idea as Eric has bet against the Yuan, Chinese currency. The theory implies that China is the new empire built upon the ashes of our American empire. Don't bet against it.The people who enter Eric's cab appeal to be bits and pieces of his psyche. This is brought out when one woman who prattles on about philosophy (some key metaphor points) and claims she is his "Chief of Theory." Sarah Gadon plays Eric's trophy wife, a woman he knows nothing about and hasn't slept with. Their whole relationship was odd and clearly symbolic of...God knows what. Eric builds his world on formula and balance when life has neither.For people who like their films straight forward, forget it. Good luck with this one.Parental Guide: F-bomb, sex, full frontal nudity (Patricia McKenzie). Perhaps the longest "finger wave" in film history.

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inamaxmoore

Some won't get it the first time & most won't even after the 5th, but if you're a deep open-minded person like myself...you'll get it! Some of the best dialogue I've ever watched along with Robert Pattinson showing us just how far his range of character acting can go, what a master! HE absolutely nailed it in this film!

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wlee08

I can appreciate that a lot of people don't "get" this movie, or find it pretentious or pedantic or just strange. But I'll have a go at what I liked about it. I liked that it walked a very fine balance between reality and dream, incorporating poetry and symbolism. I liked the complexity of the dialog - so complex at times that it seems the intention is not so much to be understood as to give an impression. It felt in places like Ingmar Bergman's The Seventh Seal; it stares at the issue of mortality head-on. It also felt a bit like Fellini's Roma (the long highway scene) I thought the deadpan acting was perfect. And it was suspenseful, in the sense that you really will be kept wondering what will happen next to the main character.

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encorespod-730-851331

I recently saw this movie and loved it, I came onto to IMDb and was surprised to see it had some very unflattering reviews, I think that's because some people just didn't get it.Yes the dialogue is contrived and strange, until you realise why.The whole movie sounds like a poem because it is, the characters are inside out, instead of hearing their boasts we hear their thoughts and if you don't get that point, I can see how you would think this is a bad movie.However when when you see the genius behind this creative device it all starts to make sense, thats why I'm giving this a decent score.All in all the movie itself could be any other like it, the underlying theme rather wreaks of 'Collateral' but the turning of the whole movie into a poem and the way the characters introversions are extroverted, genius.I liked it for that alone, it was a refreshing break from the staleness of forumlaic sensory diversion.I didn't know it was a Cronenberg until I saw the credits at the end but when I saw that name, it made sense, he always had a thing for the weird and twisting the boundaries of perception.In this he truly succeeded, even if the storyline itself doesn't stand up to scrutiny, the creativity of the concept has to be admired.

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