Too much of everything

Sorry, this movie sucks

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Its a bit like blues brothers and a bit like thelma and louise.Crazy woman goes on a whirlwind adventure, dragging her family and hangers-on with her.Paxton only got a bit part, but it's an interesting movie with a great soundtrack.

Jonathan Demme directs this joyous unrelentlessly kitschy celebration of 50's America: opportunity, rock'n'roll, and the road. He follows three generations of women and the men they pick up, for a crime spree from California to the old family homestead in Arkansas.hat do we have here? The film debut of both Bill Paxton and Dennis Quaid. And Dick Miller appears! Oh, and it is directed by Jonathan Demme (his second feature) and produced by Julie Corman? Excellent! The actual film is pretty silly, with bank robbery and general hijinks that seemed par for the course in the mid-1970s, at least in the world of Roger and Julie Corman. What I enjoyed most about this film was actually the soundtrack -- a great use of classic songs in this movie, which probably took much of the budget.

A mid-seventies drive-in flick from producer Roger Corman that wouldn't likely warrant much notice but for the fact it's the second feature from director Jonathan Demme (Silence of the Lambs).Typical story of the exploitation genre, begins decades earlier with family patriarch shot while being evicted from his farm in Arkansas. Flash forward to the 50's and Melba (Cloris Leachman) the farmer's daughter along with her mother (Ann Sothern) and daughter (Linda Purl) are evicted from their beauty parlor in California. Melba with family and hangers on (Stuart Whitman, Don Most) in tow decides they will return to the family farm and buy it back by initiating a cross country crime spree more in keeping with the 30's than the 50's.There are elements here that hint at a talented director in the making but the budget and the material with which the film is saddled really keep this from being any more than a cheap exploitation flick intended for the drive- in's.The film manages some of the sex and violence that one would associate with this kind of film but strangely they are both somewhat subdued by the odd decision to make this film for a PG rating. The laughs were not forth coming for me, perhaps the low brow approach would be more effective in an accommodating theater or drive-in. Either that or its directed to a different audience than I represent or its just outdated.

This lively celebration of America in the 1950's is one of director Jonathan Demme's earliest and best films. After losing their beauty parlor to repossession men in Long Beach, California, grandmother Ann Sothern, mother Cloris Leachman, and daughter Linda Purl hit the road and turn to a life of crime, hoping to eventually make their way to family homestead in Arkansas. CRAZY MAMA recreates a convincing '50's atmosphere, offers some of that decade's greatest music, and features an excellent cast. The film's brightest moments are supplied by Ann Sothern, one of the finest actresses to ever grace the screen. Sothern's daughter is actress Tisha Sterling who plays her mother's character as a young woman in the opening scenes of the film.