I like the storyline of this show,it attract me so much

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Close shines in drama with strong language, adult themes.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Its a bit like blues brothers and a bit like thelma and louise.Crazy woman goes on a whirlwind adventure, dragging her family and hangers-on with her.Paxton only got a bit part, but it's an interesting movie with a great soundtrack.

Jonathan Demme directs this joyous unrelentlessly kitschy celebration of 50's America: opportunity, rock'n'roll, and the road. He follows three generations of women and the men they pick up, for a crime spree from California to the old family homestead in Arkansas.hat do we have here? The film debut of both Bill Paxton and Dennis Quaid. And Dick Miller appears! Oh, and it is directed by Jonathan Demme (his second feature) and produced by Julie Corman? Excellent! The actual film is pretty silly, with bank robbery and general hijinks that seemed par for the course in the mid-1970s, at least in the world of Roger and Julie Corman. What I enjoyed most about this film was actually the soundtrack -- a great use of classic songs in this movie, which probably took much of the budget.

I watched this movie as if it was the third in AIP's "Mama" trilogy. Big mistake. Of course 'Bloody Mama', 'Big Bad Mama' and 'Crazy Mama' have only tenuous links at best, and Roger Corman has no actual hands on relationship to this one, I realize that. Sadly 'Crazy' reaches neither the twisted brilliance of 'Bloody' or the sheer trashy good times of 'Big Bad'. In fact, it's pretty crappy all round.Jonathon Demme's second feature as director, following up his sleazy women in prison flick 'Chained Heat', which wipes the floor with this limp effort. I won't blame Demme entirely, and must mention the sit-com-ish script, and the largely unappealing Cloris Leachman in the lead role, who isn't fit to kiss Shelley Winters or Angie Dickinson's boots. The rest of the cast are mainly familiar faces from TV, including Ralph Malph and Thurston Howell III, but also keep an eye open for Roger Corman legend Dick Miller, and Doughboy from 'Taxi Driver'.'Crazy Mama', though set in the 50s rather than the Depression, follows the loose structure of the previous Mamas - strong matriarch falls on hard times and turns to crime - but goes nowhere with it. Less sex, violence and darkness, and more (alleged) laughs, this is almost Disney Corman, and that means it will please just about nobody. The only notable thing about this disappointing fare is the good soundtrack of oldies. Apart from that I can think of absolutely NO reason to recommend it.

This lively celebration of America in the 1950's is one of director Jonathan Demme's earliest and best films. After losing their beauty parlor to repossession men in Long Beach, California, grandmother Ann Sothern, mother Cloris Leachman, and daughter Linda Purl hit the road and turn to a life of crime, hoping to eventually make their way to family homestead in Arkansas. CRAZY MAMA recreates a convincing '50's atmosphere, offers some of that decade's greatest music, and features an excellent cast. The film's brightest moments are supplied by Ann Sothern, one of the finest actresses to ever grace the screen. Sothern's daughter is actress Tisha Sterling who plays her mother's character as a young woman in the opening scenes of the film.