Crossplot
Crossplot
| 25 November 1969 (USA)
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A successful London ad-exec hires a beautiful Hungarian girl to pose for some modeling shots, little realising that she has overheard an assassination plot and is now being hunted by some dangerous killers.

Reviews
TrueJoshNight

Truly Dreadful Film

Evengyny

Thanks for the memories!

Steineded

How sad is this?

Mathilde the Guild

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

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Marco Trevisiol

This story of a suave ad exec (Roger Moore) getting caught up in an assassination plot never reaches great heights. As well, the film is blighted by cheap special effects, especially the regular use of obvious rear projection that makes scenes like the death of the chief villain in the action finale laughable instead of captivating.Despite all that, the film is a fun timewaster. This is partly because the film's plot is fast-paced and inventive enough to keep one interested and the location footage of London (when they're not using rear projection) right at the end of the Swinging Sixties is fascinating to see.But the film's main asset is Moore. While he was never perceived as a great actor, he always had plenty of charisma and charm and he utilises that to be a likable roguish hero who helps keep one interested throughout.While no classic, 'Crossplot' is a pleasant diversion and especially interesting to see why the producers of James Bond thought Moore would be a good fit for the role.

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RDOwens

This really wasn't a good movie.Roger Moore in his pre-James Bond days, one can easily see him taking on Bond here. It is reminiscent of Pierce Brosnan waiting his turn for the role.I've always enjoyed Moore's other roles. He was always charming. He is here too. Unfortunately, the script is weak.There's lots of late-60s hair, fashion, and context here. For that, it is an interesting look back.But if one is seeking high drama, a good caper, or anything particularly intelligent, this is not your movie.

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lewdrum73

It was great to see Roger Moore in his post-Simon Templar pre-Bond role. He wasn't fighting off the guys in his usual spy-guy image. It was rather refreshing also to see him get into situations like this. Plus, the charm and beauty of Martha Hyer was always a pleasure to watch. There is a scene where he falls in the water trying to save her. Simon Templar would not put himself in such a way like that. Also when he fights off the bad guys you'll notice the sequences seem not so much as a spy-guy karate-chop image but he still ends up being the hero. There was a vulnerable side of him I enjoyed. I would also like to see this movie on video. It was on cable a couple of days ago.

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nobita

This film, basically a vehicle for Roger Moore, is a 90 minute television-style action adventure film. Roger Moore plays an advertising executive who utilises an Eastern European girl in a promotional campaign who just happens to be sharing a house with spies and unwittingly discovers their darstadly plot. This now provides a perfect opportunity for Roger Moore to slip into his Simon Templar/James Bond persona and save the day.This film lies somewhere between an extended Saint episode and an early James Bond movie, but as Roger Moore was the best James Bond, (as we all know), this film is nevertheless enjoyable just for his suave, Mr smooth 1960's London swinger acting. The original Austin Powers.Nothing exceptional, however this film is reasonably enjoyable in a mild mannered way. You could certainly do worse.

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