Yawn. Poorly Filmed Snooze Fest.

Slow pace in the most part of the movie.

Good movie but grossly overrated

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

It's really interesting to look at some of these old movies from the 40s and 50s. They had a directness and economy of style and language that is lacking in so many movies and TV series these days.Modern screen writers could learn a lot from watching them. Note, if you will, that few have the same writer and director - a fact that makes them far, far better than the vast majority of writer/director movies these days, certainly at least as far as story goes.Dakota is typical John Wayne fare. John Wayne plays John Wayne and we love him for it. We know who the good and bad guys are and the script is not without its subtleties. We know who's going to win but not always who the casualties may be.A (relatively) young Walter Brennan plays, er, Walter Brennan - yes, and that's why we love him! - and the whole thing is packaged in an economy. bite-sized package, ideal Saturday morning fare and, of course, a must for anyone who loves Westerns and John Wayne.Side note - the plot does, in part, include 'fields of wheat;, a phrase that will resonate (possibly in an ironic way) with viewers in the UK in 2018!

This was one of those B-movie Westerns John Wayne had to pay his dues, and learn his craft in, on his way to superstardom and becoming a household name. His acting chops, while coming along and becoming more multidimensional, are still developing, and he gets by more or less on his charisma and big smile. Joseph Kane provides decent, pedestrian direction--all of the exciting scenes are directed by Wayne's longtime associate, Yakima Canutt (the one who would later direct the outstanding chariot race in 'Ben-Hur: A Tale of the Christ'), and Vera Ralston is great as the loving wife who just seems to do the wrong thing at the worst possible time.Ward Bond and Mike Mazurki are excellent as the bad guys, and Walter Brennan (as the most bipolar ship captain one will EVER find in cinema) and Nick Stewart (as his harped-on assistant) steal every scene they're in. Ona Munson even throws in an entertaining song-and-dance number, and provides an interesting love possibility for Wayne, if he wasn't such a one-woman guy.This was released on Christmas Day in the States, and it's no lump of coal in one's stocking, but a small, likable gift for fans of the genre. Worth a watch if you like Westerns, and a purchase and rewatch for Wayne enthusiasts.

John Wayne elopes with the daughter of a wealthy immigrant family. Taking off for Fargo, he squares off against nasty Ward Bond, who had his life-savings stolen and is in the process of taking land in anticipation of the coming railroad.One of the minor Republic vehicles the Duke cranked out in the nineteen-forties, this starts out well, though it runs out of steam mid-way, ending up being okay but unspectacular and unmemorable.Production values and performances are good, but this seems bloated, even at 83 minutes. Republic should have tightened it up and made it one of their hour-long programmers.The best thing about this is crusty, old riverboat captain Walter Brennan. He and his sidekick almost steal the movie.

This is possibly the best of the one hour movies that John Wayne made for Republic Pictures. From the opening sequence the film moves at a brisk pace. Although the theme is one of helping people protect their lands and their future, there are also lighter moments of comedy.