Darkdrive
Darkdrive
| 01 November 1997 (USA)
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Set in some distant future, one man must restore order when a mainframe system crashes in a virtual reality prison where computers control the inmates thoughts.

Reviews
Matcollis

This Movie Can Only Be Described With One Word.

AboveDeepBuggy

Some things I liked some I did not.

Chirphymium

It's entirely possible that sending the audience out feeling lousy was intentional

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Siflutter

It's easily one of the freshest, sharpest and most enjoyable films of this year.

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junk-monkey

I often watch movies that make no sense in which characters keep doing stupid things that make no sense for them to do merely to keep the plot going ("Do NOT ever go into that cellar!), or built on premises that defy most known logic to start with (The Giant Claw springs to mind for some reason) but Darkdrive really does make no sense. It starts out by looking like it is going to make sense - in an incredibly clunky, by the numbers clichéd manner; the first act is almost a paint-by-numbers assemblage of stock action thriller lines - but by the end all semblance of logic had been thrown out of the window and driven away to the local dump.At the start of the movie our hero is a whizz-kid programmer working for a morally dubious corporation who runs the penal system of the future by digitising villains into a virtual prison - called guess what? 'The Matrix' - and 'terminating' the bodies. By the end of the movie he is trapped in the self same virtual reality prison with his dead wife and a little girl who had a couple of lines at the start of the show, caught in some endless looping mashup of Groundhog Day / Existenz / Overdrawn at the Memory Bank but with more guns and swearing. The hero meets himself and turns out to be the baddie as well. Though how he got there before he got there to find himself is never explained. In fact no one knows why anyone is in there - or indeed how they got there (Mrs Hero for instance was blown up by a booby-trapped picnic hamper in the middle of a field*, nowhere near the brazzillion tons of special effects - OK, a chair and an arc lamp - needed to get her husband Tronned). It almost becomes hypnotically wonderful, as if David Lynch had directed Time Cop. (A feeling heightened by great chunks of the music which was as near to being Laura's Theme from Twin Peaks as you could get without being sued.) I may watch it again.* Never, EVER! tell your husband you're pregnant just after he's walked out on an Evil Corporation.

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jim goodwin

I agree that the plot is incomprehensible, but it takes you on a weird trip that can be fun. The music is worth the price of admission. The love theme was inspired, as was the entire score, by Eraserhead. It's a bit of a cross between Ennio Morricone and Angelo Badalimente. Hey, I'm not even Italian; I just love those guys. I put on the soundtrack around the house sometimes just to get into a trippy vibe. The later at night the better. I wrote this music right after Distorted Reality (composer tool) came out, and the score is a showcase of the DR samples. The true gem here is the vocal by Giancarlo. We had a great time writing and recording that song. Honestly, this is the best music I ever wrote for a film. Check it out!

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Claudio Carvalho

When I saw the name of Julie Benz on the cover of this VHS, I have decided to see the movie since I am a great fan of her character Darla, in Angel series. Further, she has one of the most beautiful faces of the cinema industry. However, this movie is such a mess, that is almost impossible to understand the plot and write a summary of the story. The intention of this confused screenplay might be a noir version of `The Matrix', but it never works. The characters are not well developed and it is almost impossible to the viewer understand their motives. For example, who is the girl showed in the end of the story? Why Julie Falcon dies many times? In the end, the unique worthwhile scene along the whole film is when Julie Benz is showed naked, unfortunately with the presence of her husband Falcon. My vote is one.Title (Brazil): `Fuga Alucinante' (Hallucinated Escape')

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FoolishWander

This movie is one of, if not the absolute worst movies I have ever had the misfortune of seeing. I only rented it because I happen to like Julie Benz, but she couldn't save it for me. The plot is hopeless, and the acting is worse. The special effects are dated, so you really have no excuse for seeing this, unless you like to suffer.It doesn't even fall into the so bad it's good type movie.

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