The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

The acting in this movie is really good.

.Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Beth Winter (Diane Keaton) rescues a lost dog from the side of a road. Her husband Joseph (Kevin Kline) is a self-important surgeon. Beth brings the dog Freeway home and her daughter Grace (Elisabeth Moss) falls for the vet. At Grace's wedding in the mountains, their nephew Bryan (Mark Duplass) develops a crush on Carmen (Ayelet Zurer) who runs the place. Joseph's sister Penny (Dianne Wiest) has a new boyfriend Russell (Richard Jenkins) who is using her money to start a pub. Joseph carelessly loses the dog in the woods. It sets off a big search for Freeway.I'm not sure if the stakes are high enough here. It's a bunch of family members with minor issues looking for a dog. It's not like the audience grows to love the dog. It's more of an excuse for each family member to work out their issues. Lawrence Kasdan and his wife have created the lightest and mildest of family drama. The great cast of actor showed up to play but the writing is not up to the task.

When you put Kevin Kline (why doesn't he get more roles? He's a lovely, subdued actor, and we certainly need more subdued actors), Dianne Wiest, Elisabeth Moss, Richard Jenkins, and Diane Keaton on the same set, you know the movie will have meat. It's not so much star-studded as talent- studded, which is much better if you like good film. By "good film" I mean a story that resonates with the viewer as real; a story filled with the tension that is our every day life, and best of all, a story that doesn't end with the hero saving the day and riding off into the sunset on a horse. The ending of this movie says, "There are good days and bad days and days you like your family and days you do not." The movie I'm talking about is called Darling Companion.The story centers around a rescued dog. The dog goes missing and everyone gets off the personal roller-coaster of their lives to try to find him. And that's when the lessons begin.The dog in this movie makes you want to rush out to adopt all homeless dogs. I don't know where they got him, but he is filmed from all the right angles. He isn't shot in close-ups like Lassie, but shown as part of a family's world in the way that dogs often come to be—the glue that holds everything together. I love the dog, whose real name is not in this review because after searching the Net for quite some time, I just couldn't find it. It should be in the cast list, but it's not. I'm just saying.The film is written by Lawrence Kasdan, whom we all remember from The Bill Chill. So apparently, in real life, Kasdan and his family adopted a dog and then lost him in the Rockies, where they extended their vacation three weeks until they found him. Darling Companion is based on that experience. It's like his famous Big Chill in that the plot is less important than the relationships between the characters. I like that about his films, and Darling Companion has that same rewarding interaction among its characters, which brings it all together. The husband and wife. The mother and daughter. The sister and brother. The mother and son. Is Kasdan the only writer/director who does that? Is he the only one who gives us one-on-one interactions in the context of a plot that really isn't all that important? Was there any resolution to the question of why Alex killed himself in The Big Chill? Where was the dog all those days he was missing in Darling Companion, and did anyone care?Sidebar. Can I mention here that the best part of The Big Chill was the music? We can all agree on that right?So here is a list of what you can take away from this movie: Dealing with a difficult mom; loving and hating your significant other at the same time; not caring what others think of you and being you anyway; making choices based on what feels good rather than what looks good; turning a car around, even on the highway, if you think you see something you should not turn away from.That's worth ten dollars right?

Slow story, whiny characters, irritating boomer reactions, weirdo gypsy, and rednecks. I started to read the in-flight magazine instead. The beginning is slow and when you hope for more momentum, it starts to get annoying with petty bickering over obvious topics. The attempt at humor showing displaced urban boomers as completely inept in the great outdoors is hard to watch. It further deteriorated to the point where I found myself thinking what the !?! is this and unplugged the headphones. I enjoyed silence for the rest of the 3 hour flight. I wish that I had the Harbor Freight tool catalog that rubitony had. Menopause Melodrama gets my vote for title.I will say that Freeway the dog did a great job. He was right on cue and did not overact.

With a cast like this, how can you go wrong??? Getting involved with all of these relationships was enough to make me like this film but with Keaton and Kline doing what they do best, this was an enjoyable and delightful experience. With four Academy Award winners taking on the leads, not only do you get a great performance, but who doesn't like cute little dog that sends all of the characters out on a hunt to find the lost pet. Okay, it doesn't have any gun shots, muggings or superpowers flying though the air, but it sill have me entertained for an hour and a half. We all get a chance to see horror films, thriller stories and action movies, but you don't get a chance to see a film like this very often. A must-see for anyone who has a heart.