Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

This fast-paced film will have you on the edge of your seat, and totally blown away by the ending. The realism is convincing (not the usual melodrama one might expect for a plot involving adultery and deception), and Fardeen, Esha, and Isha all deliver excellent performances.The errant husband (Fardeen), living is his own fantasy world of having the perfect wife at home (Isha) and the sexy mistress on the side (Esha), soon finds 'reality' crashing down around him, and his world becomes a living nightmare, with a vengeful ghost only he can see -- and she terrorizes him mercilessly, in every part of his life, no matter how personal or intimate the situation; amazingly-crafted scenes throughout the film.The climax, totally-unexpected, is jaw-dropping -- don't miss this movie!

Post RGV Sholay, I dreaded to watch another Film Factory product. With expectations pined below zero, I begun watching the movie.Should the ghosts and spirits movie necessarily scary? RGV seems to have been inspired by Shaun Of The Dead which was a horror flick loaded with comedy.Fardeen Khan's role is akin to Pyaar Tune Kya Kiya only more sleazy husband.Isha Koppikar doesn't have much scope as a doting housewife and obviously running on older version when it comes to matters behind the closed doors. Seriously if you put the jigsaw pieces together it reveals what RGV is fetish about! Eesha Deol gets the meaty pie and this time she dons the Urmila's role in Pyaar Tune Kya Kiya. Only more freer, vengeful and spirited.... literally and figuratively.Zakir Hussain (a RGV regular) gets it wrong completely this time – he irritates. And so does Kota Srinivas Rao, both the roles should have been chopped completely.Upendra Limaye role should have been given more depth. And her killer-looks assistant was hilarious.Background score adds to the eerie atmosphere.The RGV style of camera-work is predominant here. Thankfully not struck (permanently at least!) to heroine's back as in his earlier works. Seriously is the cinematographer partner in crime too? Last but not the least, stop the close-up camera work. We have had enough! Darling does invoke good laughs thanks to the efforts by the lead actors. Though the end is contrived.

I kind of like Darling, I love it when direction and writing is so shoddy that I can tell what's going to happen and instead of insulting my intelligence the director makes me feel special by doing everything that I thought would happen (ie the ending). RGV has lost the plot, he needs to go into hiding and think of something special and even when he does that, his film will still tank simply because the audience isn't going to trust him anymore. It's going to take at least two or three films (even if they are all good) before the audience touches his films once again.The film itself is dreadfully slow paced. I have no idea what genre the film is (even after watching it) so I think I'll view it as a comedy/horror/drama. The writing is rushed beyond belief and is hindered by the non-acting of Esha Deol and Fardeen Khan (they should stop and find something else to do), when they look like they're supposed to be passionate and kissing each other they come off looking as two drunken teenagers stumbling around. Another thing is that Esha's character is hardly established, so – there's no real reason for the audience to feel anything for him. Khan's character is a boob that cheats on his wife (without any reason, so without providing one – there's no room for him to be a sympathetic character, why even bother if you're not going to have at least one sympathetic main character?). Though the film starts to pick up pace once Deol's character is re-introduced in the film as a ghost.Break down is like this.Deol is pregnant but Khan is married. Khan wants an abortion. Deol wants the baby and attacks Khan in a rage. Khan protects himself by shoving her, yes by shoving a pregnant woman. She trips and falls, hits her head and dies. With her eyes wide open.End breakdown.I didn't mind the music; the videos are introduced through fairly interesting but used ideas such as a dream and watching a film within a film. Either way, they brought nothing to the story.The writing makes me wonder what the person was smoking. It kind of reminded me of some play by Noel Coward that I can't remember (in which a man is haunted by his dead wife, so if you know what I'm talking about please say what it is). There are a couple of hilarious scenes such as Deol's ghost hiding under the table and touching Khan's new secretary on the leg making her think that Khan's character is …well…molesting her. Other than that, the laughs come from the dismal direction and awful writing and horrendous acting.One thing to watch out for…Deol's ghosts father comes to pay Khan a visit, he begs him to use his power so they can find Deol's character. And RGV decides that it's an episode of NYPD Blue and begins to zoom in and out of close ups like the world is going to end tomorrow (either that or the camera man had taken some sort of illegal substance before the scene was shot).Overall…2/10. One star is because you have to vote a one, and the second is because the film provided some unintentional laughs.So this, I'd actually say watch it if you want to see something so horrible that its actually strangely…passable (hope you take note of the fact I didn't use good).

The movie starts out well, but around the middle part starts to falter. You realize that the director had a thread-bare plot which he tries to stretch out to the maximum, causing the film to feel begrudgingly slow.The performances are okay. Fardeen Khan does well as the man in over his head. Esha Deol was interesting and a convincingly good antagonist. Isha Koppikar, unfortunately, was not up to the mark. Fardeen's friend, Sameer, had an interesting role, but it feels like his role was chopped up at the editing table.The two police characters - Bhaskar Reddy and Malti - were terrific every time they were on screen. He the talkative one, she the stone-faced silent one.I wasn't exactly bored by the film, but I was aware of the slow pace.