Plot so thin, it passes unnoticed.

While it doesn't offer any answers, it both thrills and makes you think.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Jennifer Lynch, daughter of cult filmmaker David Lynch, a recovering addict and hard- working single mother, returns to the director's chair with an ambitious project that is to test her skills and the entire crew's sanity. What follows is a document that brings you behind the scenes on the set of Lynch's Bollywood/Hollywood action film about a man- eating snake goddess. Penny Vozniak, the director, is the one responsible for this "behind- the-scenes" madness that witnesses how Lynch slowly loses her grip over a much- extended eight-month shoot. And the result is this crazy journey into the shire madness behind the camera. Among the many setbacks suffered are a technician's strike forcing production to move to Kerala; an 11-day wait for dailies to become available; and cops being called in following complaints about filming at prayer time in a Muslim neighborhood. Showing signs of flagging under pressure, Lynch is told bluntly by producer Menon: "If you can't hack it, quit." A must see.