Devils on the Doorstep
Devils on the Doorstep
NR | 18 December 2002 (USA)
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During the Japanese occupation of China, two prisoners are dumped in a peasant's home in a small town. The owner is bullied into keeping the prisoners until the next New Year, at which time they will be collected. The village leaders convene to interrogate the prisoners. The townspeople then struggle to accommodate the prisoners. One is a bellicose Japanese nationalist, the other a nervous translator. Will the townspeople manage to keep the prisoners until the New Year?

Reviews
CheerupSilver

Very Cool!!!

Dorathen

Better Late Then Never

Humaira Grant

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

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Roy Hart

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

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LivingDog

I usually only watch Japanese Samurai movies and Japanese anime'. I tried a few Chinese Martial Arts movies and was really annoyed with them. The production, acting and plot are very poor.I ordered this from NETFLIX thinking (for some reason) that it was a modern Japanese samurai story. So when I saw it was made in China - not just Hong Kong, but mainland China - I was hesitant to watch it. Having nothing else to watch I decided to watch this movie thinking it was about their form of martial arts and give this genre' a chance - one more time.First off, it takes place during the Japanese occupation of China. (I won't say any more.)My impression was that this movie is nothing short of perfect. It is film of the highest form. I don't say that about many movies, although I like movies in general, I have said this for only a few. Everything is done right - from cast to production to editing. If I was a director this movie would have made me think over my entire career - and have me learn from it. 12 out of 10.-LD______________________my faith: http://www.angelfire.com/ny5/jbc33/

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danc1987

There is no question that the Japanese occupation of mainland China during WWII was marked by unimaginable cruelty and actions so barbaric that any sane human being would shudder at the description of them. This is all obvious to anyone who has had an unbiased, detailed education of that dreadful time period. On the surface, Jiang Wen's film touches on these acts to illuminate what it must have been like for the Chinese to cope with the Japanese "devils". But a thorough viewing of the film reveals so many more questions not just about the Chinese and Japanese but about the universal relationship between war and humans. Wen directs this film in a peculiar way. He uses comedy that forces us to laugh at things that we shouldn't. You find yourself smirking or smiling in moments until you catch yourself and remember that the whole scene in which you were laughing at was where character's lives were at stake. Most people will read this and not see what is so masterful about this approach. What makes Wen's quirkiness work is that it illuminates the naivety of human beings while at the same time brings these characters to life, which in the end leaves us trembling with emotion. It is a film that transcends common conceptions about war. A masterpiece.

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blowaway

This is the second time I see this film. As a Chinese, I feel a strong urge as well as an obligation to write some comment about it. I can safely conclude that the film vividly showed what the real situation was during the Japanese occupation in China back in WW2.It is totally different from those main-stream anti-Japanese war films we can see throughout our early life, which still can be seen being replayed in CCTV (China Central Television) over and again again. In those films, almost all Chinese, young or old, men or women, were all warriors fighting against the Japanese invaders. We all know that it wasn't true. From this film, we can see how ignorant and stupid those Chinese peasants were. It gives us a chance to review what was really going on during that time. It is a history we cannot deny. As a matter of fact, this film was banned in mainland China by some kind of a "censorship" mainly because it revealed so much truth.The director of the film, Jiangwen, is my only favorite director from China. You can say he is ambitious, a genius or whatever. But i say that he is a director with a sense of responsibility to our nation, to our people, to those heroes and civilians died in the war. He is not afraid to dig up the less-bright side of the history and present it to us, to those younger generation who never go through the war. It reminds us never to forget history.

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shaid

"This review may contain a spoiler"The plot is simple. 2 war prisoners, one Japanese the other a Chinese translator, are dumped in the hand of a small village and asked to keep them alive until they would be collected in 5 days time, however the 5 days have passed and no one come to collect those 2 prisoners.So what do we do with those 2 ?Through this simple story the director,producer,writer and actor Wen Jiang manage to show the 2 societies and their different attitude towards things and manage to raise some question of good and bad,collaboration in war time.What is a collaborator? How do you survive a difficult situation, what price are you willing to pay and many more. The film is shot in black and white as a symbol to the fact that we tend to see the world in black and white.the acting is superb and I have only praises for the film. The film criticise also the Chinese government after the war and say though not in so many words that they were no better than the occupation.The film is a bit too long and as a western I probably lost some of the nuances but nevertheless it is still a good and powerful film,not to be missed.

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