Dinner Rush
Dinner Rush
R | 01 September 2000 (USA)
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One unlucky evening, Louis Cropa, a part-time bookmaker, discovers that his restaurant has become a hotbed of conflicting characters. In addition to having to please a whiny food critic, Louis must fend off a hostile takeover from a pair of gangsters, to whom his sous-chef is in debt. Further, Louis has an argument with his son, the star chef, whose culinary creativity has brought success to the business.

Reviews
Nonureva

Really Surprised!

Protraph

Lack of good storyline.

Executscan

Expected more

Bessie Smyth

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

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sol1218

(Some Spoilers) The film "Dinner Rush" comes across like a combination of the Food Channel's Guy Fieri "Diners Drive-ins & Dives" and the "Sopranos". We have successful Tribeca restaurateur Louis Carpo, Danney Aiello, being hassled by these two mobsters from Queens Carmen & Paolo, Mike McGlone & Alex Corrado, who are trying to muscle their way into Louis' five star Italian Restaurant "The Trattoria" which has been in the Carpo family for some three generations. These two murderous thugs go so far as offing in a mob hit Louis' good friend and partner in the "Trattoria" Enrico Coventie, Fran Borgiorno, just to show him that they mean business. The business that they want is to become part owners of the eatery even though they, despite stuffing their faces with fine Italian food and wines, know nothing at all about the restaurant business!The two mobster have an ace up their sleeves in getting Louis to go along with their efforts to get part, and later all, of his business by having his compulsive gambler son and second or #2 chef at the "Trattoria" Ducan, Kirk Acevedo, in their hip pockets for $13,000.00 in gambling debts. By Paolo & Carmen using Ducan's gambling as a way to get to Louis has them feel he'll pay them off in making them partners in his eating establishment. This all backfires on them with Louis taking the 13 grand out of the till and paying them off in order to get the two mobsters off his and Duncan's back.It's obvious right from the start that Poalo & Carmen only want to get hold of Louis' restaurant which is knocking them, the customers, dead with the mind boggling dishes put out by Louis' #1 son and top chef in the joint Udo, Edwardo Ballerini, a man who loves cooking his dishes as much as Paolo and Carmen love eating them. Running the kitchen like a hard as nails US Marine Drill Sergeant Udo won't tolerate the slightest infraction of the Culinary Code of Ethics! We see earlier in the movie Udo can one of his cooks on the spot in him dicing , a major violation of the Code, instead of chopping chives. Udo for his part feels that he's being short changed by his dad in not being made a partner in the restaurant, which both Paolo & Carmen want to be, even though his dad thinks that his dishes are just out of this world and are filling the place to capacity every night!***MAJOR SPOILERS*** Louis being the man of peace, and having superhuman self restraint, that he is was more then willing to give up his bookie operation to Paolo & Carmen in order to keep them out of his life and restaurant but when they hit his best friend Enrico and then shook down #2 son Duncon that's when they went too far much too far with him. And that's when Louis decided to pay them off big time using his beloved restaurant "The Trattoria" as a trap in luring those two rats to their deaths!Very probably the very best of the many Mafia restaurant mob hit-jobs movies that's a lot like the real hit on gangster Dutch "The Dutchman" Schultz back in October 1935 in a Newark New Jersey spaghetti joint. Louis Carpo at first tries to reason with the smug and arrogant Queens thugs who seemed to have greatly underestimated him in his non violent attitude towards them. All Louis wanted was to talk things over and come to some reasonable decision with Paolo and Carmen but the two thought that they had him boxed into a corner. They didn't realize that he set them up right from the start and in the process had them stuff themselves, like a last meal for a convict about to be executed, before he had the boom lowered on them!

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fiorerr

I am a hedonist and believe a film should entertain though I would not necessarily dis a film that only educated. Dinner Rush entertains but I suspect it would especially appeal to those of us who enjoyed the NYC restaurant scene of the eighties and nineties and did not take its pretensions too seriously. The flick maybe be limited in its appeal to, dare I say, NYC yuppies with a sense of humor. Within its context, though, it works very well. So you can give it an 8 or a 3 depending on where you come from. The flick's characters' behavior is not to far from what I knew and appreciated back then. The movie captures a slice of life from a time and place in our recent past. Personally I highly recommend it with the caveats stated above.

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nitesr2long

This is one the rare gems of independent cinema.I wish more people had seen this when it came out. It is a beautifully shot film about the life of a restaurant on a busy night. But there is so much more to this film. It combines a fascinating mob element that you don't fully understand until the end with the delicate flair of a master chef combining ingredients in a meal. The ending is immensely surprising and gratifying. All the performances are believable, especially Corbett who is in his best film. It is the dynamic of a trendy restaurant dealing with a record-breaking night, however that makes this film superb. It takes so many lives and elements and brings them together with aplomb. This is one of the best films in recent years.

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SmoothGrooves

I found this gem in the bargain bin at Wal Mart. How it got there, I don't know. The film stars Danny Aiello (Do The Right Thing), Mike McGlone (The Brothers McMullen) and John Corbett (Sex and the City). Set in the fast paced New York Italian restaurant "Gigino", we follow a restaurant owner (Aiello) and his son, the head chef, on a busy Friday night. The film is comprised of witty banter from different tables in the restaurant, following a uptight art critic, a mafiosi from Queens, a food critic and a real mystery man in Corbett's character. The staff has to deal with a power outage, whiny tables and a line chef who is into a bookie 35 grand. The film carries itself with panache every second, and no matter how often I see this picture, be it on DVD or on IFC, I just can't get enough. Check it out!

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