It's entirely possible that sending the audience out feeling lousy was intentional

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The acting in this movie is really good.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Tyrone Power is obviously, as the title suggests, a diplomatic courier. He is thrown into a new mission just after completing one and changes planes before he is given time to turn around. Exhausted, he promptly falls asleep, taking two seats, but Patricia Neal, the last one on, needs it and he ultimately sleeps on her shoulder.Right off the bat, they hit it off and have great chemistry. He would love to spend time with her, but he has his mission. This is a thoroughly engrossing espionage film that is a lot of fun and moves at a break-neck pace, with Ty constantly chasing the "bad guys" or being chased by them. Hildegarde Neff is great in a supporting role.I'm sure this is hard to find. (I taped it some time ago off Fox Movie Channel, and recently watched it.) But if you happen to catch it, you'll be very glad you did. Costarring Stephen MacNally and Karl Malden and with James Coburn and Charles Bronson in small roles, this is one good little film that should be discovered.

Tyrone Power plays a diplomatic courier called out on a special assignment which seems fairly simple: pick up some documents from an agent and take them to Washington. But of course, in a film like this, things don't work out right the first time. The "drop" doesn't go according to plan, so Power has to improvise, surrounded by an increasing number of characters whose loyalties are questionable. A couple of femmes fatales, a cross-dressing night club entertainer, some MPs, and the obligatory little bald pawnshop owner all liven up the plot, with plenty of twists en route to the finale. The influence of THE THIRD MAN is clear, with plenty of atmospheric European locations, and even a bit of zither music in a restaurant. Power is an engaging hero, and the two female leads (Neal and Neff) keep him guessing. Early appearances by Karl Malden, Charles Bronson, and Lee Marvin add interest for trivia buffs. Fans of Cold War espionage fiction will find DIPLOMATIC COURIER a great way to spend an evening.

Wonderful Tyrone Power vehicle that will have you guessing every minute along the way.When Power is assigned to deliver important papers, the person who is to receive them can't retrieve them and is eventually murdered. Suspicion centers on Hildegarde Knef, who does quite well in this film.Patricia Neal is in fine form as a wealthy looking widow of an official who comes along and tries to romance Power along the way. What else is this conniving woman up to?Diplomatic intrigue hasn't been this good in years. Power is sympathetic and will rescue Neff at the end when it appears that she has been truthful to him throughout the film.

As my summary suggests, I was taken aback by H. Neff's moving portrayal as the double agent in post-war Trieste. No gussied-up over emoting from her, just honest, gut-wrenching outpouring of uncontrived emotion delivered with articulation and intensity. When watching her explain herself to Mr. Power and others, I actually felt she must have been an agent in real life at some point. Those tears she shed while she delivered her rationale for her actions were the genuine type, not some Hollywood "tear-squirting" job. Why she never became a more sought-after actor, I'll never know. Maybe she was a little too deep and maybe too foreign for the superficially driven 1950's Hollywood system. Also impressive was Patricia Neal's interpretation of her femme fatale role.Also, I'll take exception to those who criticized T. Power's role. As I see it, he excelled in his performance as a world-weary, cynical Cold War courier. What do people expect? A rerun as a younger, pseudo-swashbuckling Caribbean pirate? I for one am glad he took a less glamorous and more substantive role such as this.On a somewhat sentimental note, it was nice to see some cameo-ish work from Lee Marvin, Michael Ansara and Chuck Buchinski (Bronson!) before their careers took off in the ensuing years. It made the film more fun to watch!