Does This Mean We're Married?
Does This Mean We're Married?
| 29 January 1992 (USA)
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It's a green-card marriage romance. Deena, an American standup comic living in Paris, has an expired visa. So, she marries Nick Foulliet, a struggling musician with a different woman for every day of the week. First the immigration investigation, and then a series of financial disasters push Deena and Nick into spending time together, and they fall in love. But can their in-name-only marriage become real?

Reviews
ThiefHott

Too much of everything

2hotFeature

one of my absolute favorites!

Stevecorp

Don't listen to the negative reviews

Ella-May O'Brien

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

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jandjself

I just love this movie and I have my TV programed to record it when it comes on again on Nov. 2nd. It is a really nice love story with a twist. The song that is played at the end of the movie is one you would not think would be a big hit but it is a song that stays in your head and I am now trying to find that song so I can hear it and play it. I really have no style of the shows I see or the songs I like to hear and there for makes me pretty open to seeing things new with an open mind. I would like to say there is some parts in this movie that is not meant for the whole family to watch. This movie does show skin. It is kinda like a lifetime movie for women, about women. I say watch the movie and you may just like it as much as I did.

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Neil Doyle

But a film has to have a story to keep it going and this one is so slight, it's almost invisible. It depends heavily on the charm of the two leading players, STEPHANE FREISS and PATSY KENST. They do well enough to keep the chemistry flowing, although some of Kenst's stand-up comic routines are for the birds. Freiss plays a free wheeling spirit, a down on his heels songwriter whose amorous nature leads to a split between the two.The story gets back on the track when they reunite. From there on, it's a charmer with some intriguing French scenery to add to the mix. If this were a big Hollywood romantic comedy, it would probably star someone like Julia Robert and Hugh Grant. Freiss and Kenst don't quite have that sort of star appeal, but they do nicely in what is basically the kind of breezy romantic comedy Hollywood seldom makes any more.There's a happy ending that has the two of them heading for the U.S. when the girl's mother dies--and presumably, their relationship will end in marriage.Summing up: Breezy trifle passes the time, nothing more.

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NED WYNN

I happened to catch this movie on a Sunday afternoon, and boy was I rewarded. This is a mind-bendingly awful film. It's so cheap and cheesy, it literally stops the channel surfer in mid button-smash. You just have to stop. You have to. The first thing I noticed was the frightful sound mix. If you wonder what Sound Mixing is at Oscar time, this is a good place to learn. The sound mix in this film is what the Oscar voters are not looking for. Listen to the sudden surges in volume. Listen to how the timbre of voices shift, like the way a trumpet sounds when you vary the mute, low then high, closed then open. This is bad sound mixing. It seems like more than 50% of this turkey was looped (dubbed). There is no naturalistic sound in this whole thing.I'm not going to even start dealing with the plot. Forget the plot. It's idiotic. It's a Green Card Comedy. That's as much as I can say. But let's talk about the script. I don't know if a worse script has ever been produced. The dialogue is uncannily like a 6th grader's concept of movie talk. There are sudden bursts of words that escape the French actor's mouth that defy elevation to sensible speech. He's like the world's most embarrassing person. This holds for both his character, which exudes Gallic slime, and the actor himself who just seems intensely fey.I can see what happened to Patsy Kensit's career. The girl never got good parts after awhile. She was in some high-profile films, but nothing seems to have panned out for her. There is nothing wrong with her skills. She's quite good. She is not nude in the version I saw, but that would not have really added much to the goings on (OK, yeah, it would have help a lot. Sorry, I got carried away). But catch enough of these kinds of turkeys, and a girl's bound to get a feeling she's being buried alive. Ms. Kensit is now in a successful, long-running English soap called Emmerdale. That's heaven for an actor. The idea of being a huge star eventually passes with youth, and now that she is closing in on 40 I am sure that she is glad to be on a good TV show. She does a valiant job in this thing, but to no avail.Anyway, I hope you all get a chance to see this movie. If you're like me at all, you need the laughs.

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Amy Adler

Deena (Patsy Kensit) is an American working as a stand-up comedian in Paris. Since she wants to stay in the country, her only recourse is to participate in an arranged marriage with Nick (Stephane Freiss). Nick is a poor musician who needs Deena's cash to keep afloat. Naturally, the dislike each other at first glance. As fate will have it, however, Deena is kicked out of her apartment and must move in with Nick. Yet, Nick is a ladies man who has a different woman every night; having Deena as a roommate thwarts his romantic intentions. Can these two declare a truce or possibly learn to like each other?This sweet story is similar to the film Green Card, with an European flavor. The two leads are attractive and delightful while the Paris setting provides an ambiance of intrigue. Although the stand-up comic routines of Kensit are markedly unfunny, the story itself has many humorous and touching moments. Fans of the romantic comedy genre will consider this film a fortunate find at the video store or library.

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