I like the storyline of this show,it attract me so much

Really Surprised!

It is a performances centric movie

One of the best movies of the year! Incredible from the beginning to the end.

Technically, the film is very strong. Excellent cinematography, great use of the location, which is the same location as the original film. I swear some of the furniture looks the same! There is one actor from the first film, the great Camilla Carr, who I wish worked more. The director did an outstanding job evoking dread and fear. Two thumbs up.

Man. Was I harsh on the first one. Now, after seeing the follow-up, the original was an all-but masterpiece.When I was a kid, like nine or so years old, I saw the original horror low-budget shockfest and I was scared to death. The low-budget of it all plus the "I'm not supposed to see this, but my parents are asleep and as long as I keep the volume low" aspect was what put me over the edge.So, when I just now (about two years, too late) realized there was a sequel, I decided to spend my Friday night with a double feature of the two Don't Look in the Basements. Because it had such an impact on me, the original still sent shivers down my spine as I recalled how I felt when I was under 10 and seeing such carnage.And then, I started the follow-up, close to 40 years after the original. And boy, this was bad.It appears the new creators had no clue what the original was about. Either they only saw clips of the 1973 film, or they only read a synopsis, they made a completely different movie using some of the main characters from back then and morphed it into a literal comedy.To give the synopsis, originally there was an isolated and experimental mental hospital that saw the attempted murder of the only doctor and a new nurse tricked by a patient into believing she was the new head doctor. Mayhem ensures and patient Sam murders everyone in order to save said new-nurse who escapes.That was part one. Part two takes place in real time (approx. 40 years later) and Sam returns to a "new" mental hospital run by an enormously incompetent staff and the tone/genre completely shifts. Oh, and some murders happen with generic results.While the actors involved give their all and the film was well shot, the movie couldn't have been more different than the original. It's like them making (another) sequel to Psycho 40 years later and making it a comedic spoof of Norman Bates tripping over the stairs leading from his mother's house to the motel.Normally, I would recommend even in the slightest for fans to see a follow-up to a movie they may have loved or deemed a "guilty pleasure," but in this case, stay away, stay far away. This "movie" was a waste. And especially for those who LOVED the original, which I'm starting to. You will see conclusions to the characters you initially rooted for end up being completely destroyed here.Don't look in the basement and certainly, don't look this one up.***Final thoughts: Okay, here's where I give my own guilty pleasure. Fine, there was one aspect I loved. One of the orderlies, the bigger one, "Bishop" - played by Scott Tepperman, was a pleasure to look at. Sure, him and the other psycho orderly were obviously inserted as comic relief, I still couldn't keep my eyes off such a hunk. At least, in such a terrible misfire, I could find pleasure in such the bear.

Don't Look in the Basement 2 (2015)** (out of 4)A mental hospital is the setting as boss Emily (Camilla Carr) tells her crew that they've got a new patient coming. It turns out that Sam (Willie Minor) was in a sanitarium where he murdered eight people in 1972. Dr. William (Andrew Sensenig) is given his case and it doesn't take long for everyone to realize that something isn't right.DON'T LOOK IN THE BASEMENT was a shocking hit back in 1972 even though it featured no stars or much of a budget. The film was directed by cult favorite S.F. Brownrigg and it remained popular throughout the last couple decades thanks to its public domain status, which meant people had easy access to it. This direct sequel took over thirty years to materialize and it was co-written and directed by Tony Brownrigg, the original director's son.It seems doing sequels to these older movies is something that is catching on because another 70s favorite, SILENT NIGHT BLOODY NIGHT also got the sequel treatment. I went into this expecting something quite awful and was shocked not to get that. In fact, I was rather amazed at the technical quality of the picture because you'd never know that you were watching a low-budget movie. The cinematography by Chuck Hatcher makes this seem like a Hollywood picture because of how great it is. The editing, the score and one of the songs played throughout were also extremely good.Another shock was the fact that all of the performances were extremely good and believable, which is something I rarely say for a film like this. If you're familiar with the first film then you'll remember Carr and it was great getting to see her return here. Brownrigg does a very good job in the director's chair but I must say that the only disappointing thing was the actual screenplay. There's simply not enough going on here to keep you glued to the screen for the rather short 82 minutes.I really wish that a better or fuller story had been done. Everything is here for a good movie but it falls just short because there's way too much talking going on and there's needed to be a bit more plot development. Still, DON'T LOOK IN THE BASEMENT 2 was a shocking surprise and manages to be better than the first film.

If you're a fan of the horror genre, you have to slog through a lot of crap and once in a while, you come across a truly pleasant surprise. "Don't Look in the Basement 2" is one of those happy surprises. For those who are unaware, "Don't Look in the Basement" was a 1973 horror film by S.F. Brownrigg that involved a young nurse going to an asylum where murder and mayhem ensues. It garnered some serious notoriety because it was acquired by Hallmark Pictures and was given the same marketing campaign as the original "Last House on the Left" ("It's only a movie... only a movie..."). And now, over 40 years later, comes a direct sequel directed by Anthony Brownrigg, son of the original director. In this one, a doctor goes to work at a small, country asylum after a tragedy involving his wife. The director of the asylum informs the staff that a very special patient is coming. And it is a man named Sam, who was one of the lone survivors of the events in the original film.Once Sam gets there, strange things start to happen. Patients and staff start acting strange, and seem to be taking on the persona of the characters of the original movie. And as you might expect, murder and mayhem seem to be on the menu again...The movie is way, way better than you'd expect. The acting is professional, there is creepiness, scares, intentional comic relief, and some truly disturbing scenes. It's well photographed and solidly directed. And it's got an actual, honest-to-goodness ENDING.It helps to have seen the original (otherwise the characters seem to be just acting weird instead of channeling other characters) but it's not a necessity. I was really surprised by how good this was. Definitely recommend it.