Watch something else. There are very few redeeming qualities to this film.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

I will keep it short since most users have already elaborated the details: it is a gem of a movie. The acting, script, direction, and even the scope of the plot are simply captivating. Not a single dull moment. The story comes full circle, there are no clichés, and the viewer's intelligence is respected. Like all excellent comedies, more is secretly conveyed through humor than drama ever can. Filled with laugh out loud moments. I don't want to give out too many details, but is not just about coming out, but growing out.8 out of 10 -- tempted to give a 9 and 10 does not exist in my book. I'm writing this right after watching it.

This movie tried really hard to be a good little gay themed movie and coming of age film in general but it was done in by its flaws. The actors were all excellent, especially the two brothers, but I never believed they were in High School. And that's where the problems with this started. They seemed more like college frat brothers. It was as though the screenwriter/director forced everything to fit what was written, which causes the viewer to go, "Huh?"...When the viewer starts going "Huh?" you've got problems. And by the end, the "Huhs?" started coming fast and furious. The film started reaching for emotional moments it hadn't really earned because they'd never been established during the story and then it tried to cover way too much ground following Dorian from High School to college (in Greenwhich Village yet, where he manages to keep away from men for two years! Please!). The other major problem was the characterizations of the parents. The father was such an unrelenting asshole and the mother was such a zombie you just couldn't become emotionally involved in the family plot lines. Seriously, these boys could've given the Menendez brothers a run for their money with parents like that. Actually, the guy who played the dad used to be on the soap "One Life To Live". He played Brad the tennis pro who raped his sister-in-law, the ex-prostitute, played by Judith Light...which is weird, since she's so involved in the Gay Rights Movement. Interesting.

I was desperately looking for a movie to rent one day. Somehow I stumbled across Dorian Blues. On the cover, it said it would be a favorite of the Napoleon Dynamite crowd. That made me think that the movie was going to be a little ridiculous. To my surprise it was a very good movie. I liked it so much that I had to watch it over and over again. I thought it was a very, very funny movie. All my friends loved it. Even the guys loved it. That is definitely saying a lot! Michael McMillian was the perfect choice for that part. Steve Fletcher was great as the father. His character was so mean that it was hilarious. I would recommend that all comedy fans watch this movie at least once. Hopefully you'll love it too.

Writer/director/producer Tennyson Bardwell is definitely a talent to watch. In his first venture into film, DORIAN BLUES, he has created an intelligent script with razor sharp dialogue, witty and acerbic and touching depending on the moment, and has cast his film with a fine groups of actors who obviously hold him in great respect, as the final product is a polished film that is always entertaining as well as informative. Few 'coming out' films flesh out the territory as succinctly and realistically as this.Dorian Lagatos (a fresh and talented Michael McMillian) is sour on the world that doesn't understand him. His family is the microscope on his world: a right wing radical father Tom (Charles Fletcher), a seemingly ditsy but subservient mother Maria (Mo Quigley), and a brother Nicky (another bright and hunky talent Lea Coco) who is everything Dorian isn't - a jock, a ladies' man, and a happy-go-lucky high schooler. Dorian has an 'epiphany': he discovers the reason he doesn't fit in is that he is gay! With his discovery he finds some solace from another edgy gay friend Spooky (Austin Basis) but still feels he must remain in the closet. Finally he confides in Nicky who surprisingly listens to him and accepts him - just so long as Dorian doesn't act out. Frustrated, Dorian leaves for New York for college while Nicky wins a sports scholarship to another college. In New York Dorian finds the gay life, feels 'normal' at last, falls in love, confronts rejection and the games people play, and then lives a despondent life until Nicky visits him: Nicky has lost his scholarship. The two brothers make the rounds of Dorian's milieu until they receive a phone call that their father has died. Returning home Dorian must still face his anger at his father, though dead, and it is this anger that his mother (far more sensitive than Dorian ever knew) confronts Dorian and the message of the movie is completed in a very realistic and understanding way. Life's philosophy is not wholly bound to one's sexual preferences.Michael McMillian and Lea Coco both give notice of being young gifted actors to watch. And the apparently 'film inexperienced' Charles Fletcher and Mo Quigley deliver radiant cameo roles. Indeed the entire supporting cast is excellent, perhaps due to the fact the Bardwell is a fine director! This is a gay coming out film that is intelligent, free of the usual visuals that distract the general audience, and one that has more healthy bits of psychology scattered throughout than many a feature film.Highly recommended. Grady Harp