Purely Joyful Movie!

Good story, Not enough for a whole film

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

A clunky actioner with a handful of cool moments.

Fun offbeat 80s puck rock comedy/drama about two New York punks, Jon Cryer and Daniel Roebuck, who travel out west and run afoul various rednecks, bikers, and lawmen in a southwest desert community on their way to LA. "Dudes" was directed by Penelope Spheeris, who made the seminal punk rock documentary "Decline of the Western Civilization," but this film isn't as much a document of punk culture as it is an oddball 1980s counterculture time capsule. Despite the two lead actors being decidedly un-punk rock, the film does feature legitimate musicians Lee Ving (FEAR) as a biker, John Densmore (The Doors) as a cop, Flea (The Red Hot Chili Peppers, FEAR) as a punk buddy of the two leads, and also an appearance by The Vandals during the film's opening. Ving is a particular standout as a nasty loudmouth biker. Seeing him this film really made me want to see him in more, although his filmography is sadly pretty short and primarily supporting roles (though I really do want to find a copy of his appearance on "Who's the Boss"). "Dudes" also gets time capsule value with the casting of Catherine Mary Stewart ("Night of the Comet" and "The Last Starfighter") as a local wrecking service owner who helps the dudes when their Volkswagen Beetle needs fixed. Also of note is that this was the fourth feature film shot by cinematography by Robert Richardson, who'd later go on to be the regular director of photography for the likes of Oliver Stone, Martin Scorsese, and Quentin Tarantino. Overall, "Dudes" is not as gritty as Spheeris' "Suburbia" nor is it as entertaining of a counter culture comedy/drama as "Something Wild," but the end result is an interesting time capsule that held my interest. There's also a decent soundtrack that features everything from Jane's Addiction to Carl Perkins.

Director Penelope Spheeris has produced mixed results when it comes to directing feature films. She's done some good movies ("Wayne's World", "The Boys Next Door"), but also some duds ("The Beverly Hillbillies", "Black Sheep"). "Dudes" is not one of her better efforts. Part of the problem is with the screenplay, which doesn't flesh out the protagonists enough, or explore their minds when they make the transition from punkers to gun-wielding vigilantes. It's even worse with the bad guys, who aren't fleshed out at all! Spheeris should have sent the screenplay back for a rewrite, but she shares some of the blame for making a tired feeling to everything, such as (yes) staging the climatic battle in an abandoned warehouse. There's some good scenery and photography, and the music isn't bad, but that's all that's good about this movie. Instead of watching it, track down the soundtrack instead.

Jon Cryer, Daniel Roebuck and Flea go for it on a twisted journey that puts guts and friendship on the line. The trip is set off course by a bunch of screw loose hillbilly's out to grease border jumpers and kill punks. They succeed in at least one of those things on camera within the first thirty minutes. Cathrine Mary Stewert, easily one of Canada's finest exports teaches Cryer how to shoot, and houses the battered collective as they undergo a series of mystical trips on her ranch. Lee Ving plays the bad guy and why he didn't get more work is beyond me as he comes off downright Terrifying in this romp. Penelope Spheeris directed and like most of her work this one is destined for V.H.S obscurity. I wish she could release a box set of her material, not only were her documentary's awesome but her straight productions were stellar as well. Pre-Fugitive Dan Roebuck, super early footage of the funkmaster himself "FLEA" and an always convincing Jon Cryer. Say what you will about the guy but he really fit the "weirdo gangster" role of the eighties better then anyone else. Dust off that vcr and snag a copy of this before it's too late.

This movie is fun. And it's great in that it is remarkably fun, as opposed to "about anything." If you can take it in context of "Punk-Western" as a "rock" movie and a western the bar is not set incredibly high to begin with, and this clears the hurdle with ease in merging two genres that usually droop into the exploitation movie quality level. Penelope Spheeris's prior works: Decline of Western Civilization and Suburbia were genuine and earnest portraits of punk-rock music, the first from a documentary perspective of the performers, and the second from the subjective fictional live of the fans of the genre. this is an attempt to launch these concepts into the language of mainstream genre cinema and succeeds better than adequately. Admirably, exceptionally, debate and quibble about the adjective. no matter what. this is approximately 1 1/2 hors of fun movie watching with that little extra to think about. And I occasionally entertain the bizarre notion of building a religion around Daredelvis. If one respects a youth culture as an anthropological phenomenon, tis film shines out as the "punk" take on westerns almost in the way that "LITTLE BIG MAN' was a 60's hippie western