SERIOUSLY. This is what the crap Hollywood still puts out?

A story that's too fascinating to pass by...

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

The film never slows down or bores, plunging from one harrowing sequence to the next.

As gay dramas with characters of Chinese heritage go, there are better structured, better written, and better filmed choices out there (the beautifully shot and sensitively written "Lilting" comes to mind), and although "Eat With Me" does a solid job of engaging with contemporary Asian-American identity - something sorely under-represented in Hollywood - there's little here that doesn't feel touched by stereotype or familiar tropes. However, this is a movie with its heart in the right place, and it's at its best when giving screen time to the wonderful Sharon Omi as Emma, a mother struggling to rebuild her relationship with her son (Teddy Chen Culver).Mostly, this is a fluffy, by-the-numbers piece, good-natured but lacking in any real depth or imagination. It's really memorable only for showing genuine empathy to Emma's character instead of focusing exclusively on her son's point of view, and it's that sensitivity that saves the movie from flopping entirely.Teddy Chen Culver, as Elliot, comes over as stilted and distant - which initially seems to be intentional, to convey the emotional repression shared by mother and son - but he never quite seems to open up, and the rest of the cast seem by turns equally ill at ease. Even a heavy- handed cameo from George Takei (was he promised his weight in dumplings to show up?) does little to lift the pace, though for anyone familiar with the struggle of balancing identity, family, pride, and vulnerability - or anyone who wants a crash course in cookery - this movie does have several moments recognizable enough to make you smile.

The characters aren't interesting, the story isn't interesting (or plausible), and the pacing is excruciatingly slow. I don't mind slow if it's good slow. This is bad slow.There is nothing original to be seen here. All these characters--even these Asian characters--have been seen before. The dialog is completely flat. If there's an uninteresting way to say something, this writer found it. There were a couple scenes where I could pretty much say the line to come before it was said--it was that predictable and trite.It was difficult for me to believe the central character was gay. A gay guy who owns a restaurant that's failing because the food is so dull? I don't think so. Not that we know what's wrong with the food exactly. We just know that nobody likes it. The miraculous turn-around ending of the movie was just as inexplicable. Better dumplings? Nice chairs, nice white tablecloths? Wait, what?Dumb me. I thought I might be in for an Eat Drink Man Woman quality movie, and perhaps that's what it aspired to, but this is the polar opposite of that film.

This movie was really bad. Not the worst movie I'd ever seen, but a waste of time nonetheless and infuriating to watch. Here are the reasons I hated it: - Acting. Some of the most inexpressive faces and bodies ever seen on the silver screen. No believability to the characters. You really felt they were "only pretending". The best actor of the group, to me, was the character Maureen. - Dialogue. I think a high school student could have written the dialogue. - Cinematography. Completely uninteresting way to film a movie. The angles and shots felt like they were taken by any random person simply holding up a video camera. - Predictable storyline. Slow pacing of movie. Overall, thoroughly unenjoyable to me - I also find the existing 8.3 rating on IMDb highly, highly suspect.

An absolutely charming film! It works on so many levels - as a comedy and as a heartfelt film about a mother coming to know and understand her son. The ensemble is very good, including a great appearance by the legendary George Takei at the end. All the characters are richly drawn, including a neighbor who could be a stock character but turns our to be excellent comic relief. I saw this at Frameline and the crowd went crazy for it. This should be a hit at LGBT film festivals all year. I highly recommend seeing it. It has heart and humor and the great food will make you hungry. This is one of the best LGBT films of the year, in my opinion