El Alamein
El Alamein
PG-13 | 18 November 2002 (USA)
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War seen through the eyes of Serra, a university student from Palermo who volunteers in 1942 to fight in Africa. He is assigned to the Pavia Division on the southern line in Egypt. Rommel and the Axis forces are bogged down; it's October, the British prepare an offensive. At first, boredom, heat, hunger, and thirst bedevil the Italians; then the Brits attack, and there's no luck or heroism in death. Finally, it's retreat in confusion. Serra, his sergeant Rizzo, and his lieutenant Fiori take a last walk toward home. It's said that each soldier gets three miracles; when Serra's are used up, what then?

Reviews
Matcollis

This Movie Can Only Be Described With One Word.

WasAnnon

Slow pace in the most part of the movie.

Adeel Hail

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

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Ariella Broughton

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

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stefano66

El Alamein is a movie well deserving of being watched and appreciated. Surely one of the best Italian movies from the turn of the millennium, and a an apt and just requiem for those who gave their lives, or their best years, in the sands of Sahara. The ensemble of imagery and music is haunting enough to give us an idea of what war in the desert was. The director takes no definite political stance, limiting himself to describe things as they historically were for too many of our soldiers and officers. The young student volunteer, Serra, goes to war excited at the prospect of conquering Egypt, but being a well-read, clever boy, soon realizes the failure of Mussolini's army, and the power of the British and Commonwealth enemy. The other roles are a bit more rhetorical, in the sense that they recall some old clichés: the wise sergeant, the numbed-out lieutenant, living in a sort of permanent shell-shock and crushed under his responsibilities. The best part of the movie is the dry (we are in the desert, aren't we?) narration of the soldier's life, made of boredom, heat, dirtiness, thirst and hunger, with sudden moments of absolute panic when the Brits, an ominous presence in the (short) distance, send ahead a marksmen, or launch random artillery or mortar attacks. The night battle scenes are short and frantic, while miles away from the video clip style so dear to Americans. They are made really creepy by a haunting soundtrack, plus some quite gory and realistic depictions of wounds, shell-shock people going crazy and disappearing on the battlefield and so on.It was just and sobering to end the movie on the sight of the memorial to Italian soldiers fallen at Alamein. That's what remains, of all that action, of all those futile efforts to swim against the current of history. A country tragically defeated, since then only partly free, subjected, in one way or another, to its captors, deeply divided and at the same time always ready to the serve the strongest: that has been the enduring legacy of Fascism. Maybe those dead, despite having fought for the wrong side, deserved better: they themselves were the betrayed.

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mulligen

No heroism. No victory in the end. Only the uneasy feeling of the omnipresent heat, the lack of anything else required for whatever war you're fighting and a growing feeling of despair. Yet the story touched me because it was brought in a way that made it quite believable. The optimistic student who goes to war in the belief that the Italian army will be in Caïro in no time at all, because he believed the public opinion and the promises of Il Duce back home like everybody else did. I must hereby add, that that feeling of believing the story was very much fed by the fact that in my opinion the director and his camera crew knew exactly what they were doing and I also would like to give a big compliment to the casting people. Maybe over the years I have seen better war movies, but not many and certainly not from Italy.

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cumgranosalis

a very crude, beautiful, rarely near-truth war movie, rhetoricless. it reflects the story of italian war drama, fought against allied extrapowered forces. the italian armed support of that campain is usually undervaluated by historian and worldwide literature to favour of little contribution given by rommel's africakorp. I think they have right to obtain a more correct history-revision to give truth to the truth. the movie soundtrack is very exotic and fashinating, so you can feel the right atmosphere of desert land. a particular appreciation for the use of italian realistic vintages motorcycles, trucks, guns and a beautiful FIAT 508C militarizzata (command-car)in the right camouflage. the movie has given a simple, real chronicle of the time. enjoy yourself-bye

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GTFM

A very realistic depiction of the famous World War II battle, from the point of view of some common Italian soldiers, this movie lack of any kind of rethoric, nor pacifistic neither heroic. It's something like a good Vietnam movie from American directors, as "Platoon" or "Hamburger Hill". A must for everyone who wants to know more about Italian war in Africa

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