ridiculous rating

Nice effects though.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Forrest Tucker (Jerry Barton), Carol Hughes (Betty Lambert), Evelyn Brent (Maude Lambert), Emmett Vogan (Doc Hughes), William Halligan (George P. Lambert), George Sherwood (Jones), Thornton Edwards (Pedro), I. Stanford Jolley (Karl), Stanley Price (Otto), Budd Buster (Pappy Clayton), Paul Scott (Colonel Lemon), Jack Lescoulie (Captain North), Billy Curtis (Judge Gildersleeve), Joe Hartman (would-be helper).Director: WILLIAM BEAUDINE. Original screenplay: Martin Mooney. Photography: Jack Greenhalgh. Film editor: Robert Crandall. Production manager: Peter Jones. Assistant director: Edward Montford. Sound recording: Buddy Myers. Producer: Jed Buell. Executive producer: George R. Batcheller.Copyright 23 May 1941 by Producers Releasing Corp. No recorded New York opening. U.S. release: 9 May 1941. 7 reels. 64 minutes. Television title: ROBOT PILOT.SYNOPSIS: The inventor of a remote-controlled airplane tries to sell his device to a big manufacturer. COMMENT: Aside from a long and extremely boring scene with Thornton Edwards giving exhaustively stupid directions to our hapless heroines, this little "B" emerges as a surprisingly pleasant romantic comedy (leavened by an extraneous bit of action drama right near the end). Martin Mooney has concocted a reasonably novel, clever story-line, peopled by attractive characters (including the inventor — a pleasingly sizable role for Emmett Vogan) who can handle dialogue with a bit of sparkle. By P.R.C. standards, production values are high. Beaudine's direction is at his most competent level. He draws interesting performances from all his players (except over-hammy Mr. Edwards) and makes good use of real locations.

While you cannot blame the original film makers, the DVD copy of "Emergency Landing" was VERY rough--with a lot of choppy scenes and a scratchy print. I sure that looks like it comes from a '20 Movie Pack' for $5 by Mill Creek--which it did.A very young and inexperienced Forrest Tucker stars in this film. While he later became a good supporting character playing various tough or gruff roles, here he just looks young and lost. I think casting him as the handsome hero was a bit of a mistake and Tucker's personality in the film does nothing to sell the material.The film is about a radio control device for airplanes. I loved the crappy special effects when they tried it out on a model plane, as the plane made completely impossible turns and it made it obvious that it was on a wire. Well, apparently the US Army Air Corps is not the only group who want this ridiculous machine and 'the enemy' have sent out spies to steal it. Since the film came out just before the US entered WWII and this studio was afraid to make waves, they just used generic baddies and made them neither German nor Japanese.There is a guy named 'Pedro' in the film who superficially looks a lot like Leo Carillo's 'Pancho' from "The Cisco Kid"--but Pedro is played in a much broader and cheesier manner. He's like a walking bad stereotype of a 1940s Mexican. I am sure many will cringe when they watch his antics. And, they might cringe when a lady automatically calls Pedro by name. He is surprised she knows his name and she responds "...every Mexican is named Pedro...or Pancho". Wow...how enlightened! But unfortunately, the non-Mexican characters aren't a lot better. Women whine, act petulant and cry, guys stare as if they can't stand the studio lights and the actors look mostly like they're in a high school play.The bottom line is that the film is bad--really bad. The script, editing, direction by William Beaudine and acting are all uniformly bad. And, unfortunately, while the film is about spies, it's amazingly stiff and dull.

"Robot Pilot" starts out like it might be positioning itself as an espionage thriller, but unfortunately (or fortunately depending on your disposition), never even comes close. There are probably more comic elements present than might have been originally intended, so if you approach the flick as a romantic comedy, you might be more pleasantly surprised. Even so, you'll have to endure some pretty stiff acting from then newcomer Forrest Tucker in the lead role of Jerry Barton, a pilot who's half of a team that's developed a remote control device for guiding aircraft. The first attempt at showcasing the new technology for the Lambert Aircraft Company ends in a nosedive, so with Jerry and Doc Williams (Emmett Vogan) sent off packing, they arrive at their desert cabin to start all over again.Most of the rest of the story consists of Barton teaching the women a lesson after catching them with some gasoline taken from a government fuel shed. Make that teaching Betty Lambert (Carol Hughes) a lesson, as her Aunt Maude (Evelyn Brent) eventually learns that Barton is in cahoots with Betty's father to take the wind out of her sails. Throughout the story, it appears that Aunt Maude is having the best time of it all, while casting a romantic eye in the direction of good old Doc.The espionage angle is brought back to the forefront when a Lambert test bomber is hijacked by veteran character actor I. Stanford Jolley. That plane crashes, but it brings Jolley hobbling along until he arrives at Doc's remote cabin. Think about it for a moment, and I know these old films relied on this kind of coincidence, but how is it that Betty and Maude, and then Lambert employee Karl (Jolley), make their way clear across the country from 'back East', and wind up virtually within a mile or two of a remote cabin in a desert, which just happens to be where former Lambert employee Barton is holed up with his partner. Sort of defies all the laws of probability, yet it happens all the time in flicks of the era.I guess that's why the presence of Billy Curtis in the finale is so surprising and bewildering. As the traveling midget circuit Judge, Curtis slaps the girls with a twenty dollar fine for 'stealing' twenty gallons of gasoline, prompting Aunt Maude to directly deadpan the camera - "Did you see what I saw?" I think it might have been just another way of asking the viewer what they thought of the picture.

There is little to recommend this. It's a silly tale of some people trying to develop a remote control plane to be used in war. Most of it is a meaningless romance where spoiled people are holed up in the desert. One is trying to teach the others a lesson. Some gasoline is stolen, some bad guys come to mess things up, but mostly not a thing happens. There is a lot of screaming and pratfalls. The main character is pretty tiresome. The joke goes on and on and on. The plane, which should be the star of the show, is practically non-existent. It would be interesting to see what technology there was at the time. I'm sure the truth of that question would be much more interesting than anything that happens in this film.