Enchanted April
Enchanted April
PG | 31 July 1992 (USA)
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Four English women, unhappy with their lives, rent an Italian villa on holiday.

Reviews
Hellen

I like the storyline of this show,it attract me so much

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2hotFeature

one of my absolute favorites!

Micah Lloyd

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

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Rio Hayward

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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nycritic

This is the kind of movie England can do in its sleep, and that's meaning it as a compliment. Because of the success of very British comedies of manners situated at the end or beginning of the Twentieth Century, most notably adaptations of E. M. Forster novels, this very Merchant-Ivory like production was received in the light it brought when it was released in 1992. It was an exceptional year for actress Miranda Richardson, having appeared as the wife of Jeremy Irons who discovers her husband has been having an affair in the worst possible way in DAMAGE, and as the IRA terrorist who eventually dons a wig and gets a nasty comeuppance in THE CRYING GAME. Here, she plays a quiet, serene type of woman in Rose Arbuthnot, one who with Josie Lawrence who plays Lottie Wilkins, embarks on a trip that is filled with self-discovery. They are joined by an unlikely pair of ladies: one Caroline Dester, played by the enigmatic Polly Walker who resembles a very vamp Louise Brooks (and not just in the style of hair she wears), and Mrs. Fisher (Joan Plowright). This foursome will eventually merge together into becoming deep friends only because the story is so filled with spring and an overwhelming, dreamy sweetness it almost preordains it, but this is fine; it's the movie it wants to be. Alfred Molina and Jim Broadbent (then relatively new to American audiences) fill out the cast as the husbands of the two main characters, and all in all, Mike Newell makes with his movie a living thing of near-magical elements, full of quiet moments and wonder.

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citsmitha

I first saw this movie back in the early '90's when it was first released. Room With a View was also newly out. Enchanted April had so much more to offer! I found it much more real and earthy, the characters more believable for being 'normal'. By the end of the film I felt the same as I did when I first saw the BBC production of Pride and Prejudice, I was yearning for the characters to find what they were looking for whether it was isolation, peace, liberty or love. You get a sense throughout that Italy is so far removed from everything they have ever known, that they are so decadent for taking a risk and leaving behind all that is humdrum and constricting. But in the heat of the spring in April, everyone's lives loosen and unravel (in line with the Victorian corsets) and are slowly rebuilt to everyone's satisfaction. What a little gem of a film! How come it isn't more well known?

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bdywrkr

For anyone who's judged others at first meeting, here is the perfect tutorial on depth of character. The grumpy old lady has a soft, thoughtful heart - and needs new friends. The flighty, unsure, 'ditsy' dame who makes inappropriate, uncomfortable comments - sees deep into your soul and has pure love for all. The cold, prim, proper, neglected wife has passion simmering that could boil over at any minute - given the right setting. The perfect beauty - rich, sweet, partying, pursued by throngs - wants peace, quiet, and love without possessiveness. By taking the time to look beyond the surface, you will find treasures in everyday life, from the least expected sources. All it takes is patience and a touch of enchantment.

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Chris Y

I first saw Enchanted April about five years ago. I loved it so much that my husband surprised me with a copy the following Christmas. It's about two women who decide to rent a castle in Italy for the month of April, leaving their humdrum lives behind them. They are very sad women at the outset of the film, and you can't help but root them on as they plan this get-away with two other women they invite along to share the expenses. This is perhaps the most feel good movie I have ever seen. It' pure and simple, with no car chases, no animosities and no deaths. It was made with care and in very good taste. You cannot help but smile all through it -- except when you're crying happy tears!

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