Sunset Boulevard
Sunset Boulevard
PG | 10 August 1950 (USA)
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A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.

Reviews
ChikPapa

Very disappointed :(

Actuakers

One of my all time favorites.

Mjeteconer

Just perfect...

InformationRap

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

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Eric266

They don't make movies like this anymore. Great dialogue, well-rounded characters, excellent direction, a nice pace, and fantastic acting. I've never really followed Holden's career and I've never seen Swanson before in a movie, but these two are phenomenal.Holden is a hack writer, Joe Gillis, who literally stumbles upon washed up actress Norma Desmond (Gloria Swanson) in her creepy mansion. They form a bond borne of both desperation and neediness. He needs money, she needs attention. Along the way, Joe meets Norma's butler/companion, Max, a fellow writer, Betty (Nancy Olson), and Joe's buddy, Artie (a pre-Dragnet Jack Webb).At first Joe sees this as a great way to get some money (his car is about to be repossessed). But as Norma slowly descends into madness, she starts pulling Joe with her. Ultimately, Norma completely loses her senses and Joe suffers for it. Holden and Swanson make the slow, painful descent completely believable. I'm sure there are other actors/actresses out there who could have pulled off these roles, but its hard to think of any. Holden is a smart aleck who makes jokes and writes dialogue with equal talent. Swanson is downright scary as the actress Hollywood wants to forget, but she refuses to let them off easy. She reminded me of that girlfriend who you break up with, but she refuses to accept it.I really loved the dialogue. Joe narrating the proceedings is an interesting quirk if you know the beginning of the movie (everything is told in flashbacks). The banter between the two is sometimes caring, sweet, and loving. Other times its harsh, angry and downright ugly. They both need each other, but being together is the worst thing for them.Hollywood has made some really great movies over the years. However, CGI, sex, and explosions have taken the place of great plots, dialogue and acting. Even though I was not born until 1966, I love these old movies. You just can't fake this kind of talent.

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quantreal2

Right away you feel transported to another Dimension. A Hollywood Universe unlike you've ever seen before. Now Watch this film!

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giora77

What a wonderful and witty script, filled with cynicism and an immaculate set up of two characters-Joe Gillis and Norma Desmond-who are so different that they perfectly drive each other deeper into each other's hubris. The more I learned about the history of that time, and the wise allegory the film makes so ahead of its time, the more I appreciate this cinematic gem. It's hard to know where to begin. The larger than life settings are awesome in the true sense of the word: from the formidable and grotesque mansion (with more trinkets than those owned by the world's best hoarders), to the real film sets in Paramount Studios, and the humdrum writing office turned into a courting stage filled with spark and excitement. The acting is fantastic, and Gloria Swanson seems to have been born for this part-perhaps her creation of Norma was inspired by her own experience, being a silent film star herself.The intelligent plot and character development brings both Desmond and Gillis to self-destruct, and bury each other further in delusions, while staying entirely convincing throughout. The misery of both of them, and their consequent desperation and need for each other, makes the viewer even more engrossed in the picture and the inevitable fate of the two.There are not enough words to describe the magnificence and precociousness of this film-it simply needs to be experienced and taken in. How lucky to have been able to watch it on the big screen! Thank you TCM.

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juliette-20138

This film was very well done with every aspect, from cinematography to plot. Gloria Swanson's wide-eyed facial expressions held such intensity that you could feel the crazy as if it were right next to you. The way the film is shot intensifies this mood even more: black and white that emits a powerful, severe feeling. I found the narration to be extremely effective; I felt very involved in the story as an audience member. All of the characters' (Max, Norma, Joe especially) psychological struggles were very fascinating to follow as well. The complexity hiding beneath the surface in this film is captivating.The plot is also odd but relatable in a way; I found the movie to be very applicable.. Not only do some recent movies parallel Sunset Blvd. (like Black Swan), but we can also see ourselves in Norma. As everyone knows, it is incredibly difficult to give up a dream you have worked so hard for, and although this film takes it to the extreme, we are warned of the devastating effects of a close mind not willing to see the greater picture. This film definitely critiques the Hollywood facade and illustrates the real effects of such a pressure cooker.

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