I love this movie so much

Sadly Over-hyped

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Not everything in the film version of "Mr. Roberts" avoided the redolence of the mid-1950s--particularly the cornball aspects of a lot of "service comedy" then. Still."Mister Roberts" was made when World War II was not a distant memory, and some fidelity to that remembered collective experience is respected even in the vein of comedy. "Ensign Pulver" is perhaps not much more broad, but it is much more crude and is no longer interested in capturing the sensibility of the period in which it is set. Instead it panders to the period in which it was made, as if to say the gold standard of comedy then was found on TV in "Get Smart" and "Batman." In short, its sensibility was what was then called Camp. This is understandable except for the fact that the director and collaborator on the original material, Joshua Logan, directed "Ensign Pulver" and should have had a stake in staying true to the impulses behind the creation of this story and these characters. After all, Henry Fonda, having spent years as Mr. Roberts onstage, fought his old pal John Ford (and got a punch in the mouth for it) during the early filming of "Mister Roberts" in order to uphold the integrity of Logan's vision. But Logan himself in "Ensign Pulver" seems to have thrown that integrity overboard with the blessed palm tree.

Perhaps if this film had no connection at all to the superb Mister Roberts, it might rate three stars for being simply a terrible comedy misfire of stunning proportions. That could be forgiven, dismissed, and easily overlooked. However, this film exists only as a cynical effort to cash-in on the success of a treasured creative triumph which had been emotionally embraced by audiences worldwide. There is but one redeeming factor in this entire abomination of a sequel and that is the presence of Walter Matthau. He comes off well although the lifeless mess of a script gives him little to work with. The rest of the ensemble is a conglomeration of miscasting (the usually excellent Ives), actors lacking any talent whatsoever (Tommy Sands?!), and the completely charmless, irritating, and horrendously awful Robert Walker, Jr. He alone is enough to sink this stinking scow and was better suited to portraying psychopaths on TV when some delusional casting director actually believed Walker, Jr. would be just right for some doomed police procedural. While it is somewhat interesting to see young future stars at the start of their careers, the performances are really pretty bad and all of these now well-known actors were fortunate to have survived this wreck, let alone going on to win multiple awards, appearing in some of the most successful television programs/films ever produced, and earning many millions in cash. Besides a soulless script, Ensign Pulver was personally assassinated by director Josh Logan, acting without mercy and with a vicious abandon that is painful to witness. Even a gentle soul like Mr. Roberts himself might well have taken some drastic action if he had seen the ruthless damage inflicted upon this rusting tub of unpleasantness and would have desperately deflected Logan's grim pattern of relentless torpedoes. Alas, those who saw the original Mr. Roberts will most likely find this ghastly garbage barge a heartbreaking insult to the source material if not an outright greedy criminal assault upon a beloved classic.

Acceptance of 'Ensign Pulver' for what it is gets hampered by dumb Producer choice to cash in on 'Mr. Roberts.' In pacing and overall tone 'Ensign Pulver' has much in common with many WW2 themed light comedies made in the mid-1960's.This movie is worth watching in our current era first with an understanding of what it meant to be at the time; a mildly distracting 90 minutes of celluloid. It's not bad really.Second, the movie is worth watching by students of film/culture to note how moral ambiguity influenced 1960's Hollywood. In 'Mr. Roberts' Cagney has a great scene about why he hates 'college boys' yet there's nothing in the film that treats his character with sympathy.In 'Ensign Pulver' it seems pains are taken to give the Captain a back story so he comes across as a scarred victim of an unfortunate childhood.

While certainly not the movie of the year(or any year, for that matter), this follow-up to Mr. Roberts was a lot of fun to watch as an adolescent, and later as an adult. It is a totally different movie than Roberts, so don't expect the same caliber or even the same genre-it's just fun to watch! The dialogue is clever, though the characters maybe a little cardboard. Matthau is great as "Doc", Ives as the evil captain, and Walker as the grandiose-yet-cowardly, slingshot and marble carrying ensign. I enjoyed seeing the familiar faces of the many character actors whom you'll quickly recognize (if you are of sufficient age or TV exposure).