not horrible nor great

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Close shines in drama with strong language, adult themes.

Jack McCann (Gene Hackman) fights off his partner, witnesses a shocking suicide, and hallucinates about his wife Helen. During a long, harsh Arctic exploration, he stumbles into a cave where he literally unleashes a river of gold. Years later, he is filthy rich with his own island. He doles on his daughter Tracy (Theresa Russell) but dislikes her pick Claude Maillot Van Horn (Rutger Hauer) to marry. Charles Perkins (Ed Lauter) is his business partner. Mobsters Aurelio D'Amato (Mickey Rourke) and Mayakofsky (Joe Pesci) want to buy the island to build a casino but Jack refuses. It's WWII and everybody wants to kill Jack.The first act has so many surreal touches which doesn't always fit the rest of the movie. There are also some weirdness in the rest including a voodoo orgy and a crazy kill. All the strange touches distract from a more tense thriller. Although I can say that I've never seen a blowtorch used that way. This does have a killer cast which keeps it interesting. This is a cross between Hitchcock and an experimental art-house film. The trial is extraneous and adds no tension to the movie. That's par for the course.

Rarely has a film had so much potential, that goes unrealized. Gene Hackman and his gold discovery is beautifully photographed, yet so unlikely and unrealistic, that it seems surreal. From the moment things shift to the island, the movie plays like a beautiful montage, with story continuity only an afterthought. It becomes merely a series of images strung together with philosophical messages, huge time jumps, flashbacks, and metaphysical nonsense. Yet, the images of ultra violence, nudity, snow, gold flakes, and the Victorian splendor, will linger long after the movie ends. From that standpoint at least some of "Eureka"s potential is realized, but not enough to grab the greatness that was within grasp. - MERK

A waste of time. My wife had the same opinion. It should never been released. I wonder if the actors ever looked at this picture and if they did what they though of it? The cinematography was interesting but the picture still should have stayed in the box.

Nicholas Roeg's career, which spanned the seventies with one fascinating moody, atmospheric eye-opener after another (ie "Performance", "The Man who Fell to Earth" and "Don't Look Now"), seemed to be annihilated with this release. It is such an oddity, distributers didn't release it until 1986, once Hauer and Rourke were stars. This symbollic film about what drives a man finds Hackman reaching his lifelong goal too early in life- locating a motherload of gold. 30 years later in the Miami of the fifties, he's a bored millionaire, waiting to die. Following his brutal, no nauseating murder, the focus switches over to his son-in-law (Hauer) whose state of being is reminiscent of his younger self. Hauer's plight during the home stretch is pretty intense, even though it becomes a courtroom drama. A flawed, but unforgettable film with a great cast and token Roeg-esgue sex scenes.