Self-important, over-dramatic, uninspired.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Johnny Mack Brown stars in this poverty row western from Supreme Pictures in a tale with a resemblance to 3 Godfathers. Brown has a letter from sheriff Horace Murphy and so do Frank Campeau and John Beck a pair of outlaws. Now why a sheriff is sending for outlaws is a curious question. But our sheriff is in the pay of cattle baron Lloyd Ingraham and the local Ponderosa owner wants to drive out a bunch of homesteaders. Included in that is Beth Marion and a baby who Brown takes a fancy to.When our trio doesn't do the job, Ingraham and Murphy hire the infamous Lobo Joe and his gang played by Roger Gray. That's when the action heats up as our 3 heroes along with Marion and the baby are trapped in a cabin without their weapons. How they came not to be with weapons is what I won't reveal. It's a good action sequence though.What stunned me though was that the folks at Supreme Pictures thought it was a really cute gag to have the baby sucking on the barrel of Johnny Mack Brown's six gun. All I could say in this day and age when too often you read of kids accidentally shooting kids was YOIKES. The NRA will love it though.But for that I might give Everyman's Law a higher rating.