Family Business
Family Business
R | 15 December 1989 (USA)
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Jessie is an aging career criminal who has been in more jails, fights, schemes, and lineups than just about anyone else. His son Vito, while currently on the straight and narrow, has had a fairly shady past and is indeed no stranger to illegal activity. They both have great hope for Adam, Vito's son and Jessie's grandson, who is bright, good-looking, and without a criminal past.

Reviews
Mjeteconer

Just perfect...

Borserie

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

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Megamind

To all those who have watched it: I hope you enjoyed it as much as I do.

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Scarlet

The film never slows down or bores, plunging from one harrowing sequence to the next.

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ananumb

I found this movie a touching treatment of a grandson's love for his grandfather and the bonding experience they have together before life takes its toll. Although it is a relatively light movie, with a simple straight-forward plot that is easy to follow, I found many unspoken emotional cues. The importance of family and not betraying their trust is addressed, as well as family over-protection and over-care which doesn't always work or enhance the family relationship. The grandson's love and admiration of his grandfather's simple realistic 'fun' approach to life is interesting, although the subject the brings the family together might be immoral. The grandson's belief of not ratting out family and his grandfather's eventual taking of the hit show the importance of family, and the consequences of having them.I enjoyed it thoroughly and would recommend it as a soft gentle treatment

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Jerry Bank

Since this movie has been commented upon dozens of times there is no need to repeat the plot. I am a fan of Connery and Hoffman and usually enjoy their acting. They did OK in this one.I did not like the attitude expressed by the Broderick character. It is really not the most wonderful thing in the world to be a petty criminal. Connery seems to think it is, and Hoffman thinks it is not. We, the audience are meant to believe that criminality=freedom in this case.What I hated about the ending was that Connery, a Scot is given a traditional Irish wake, complete with Danny Boy. Would a good Scot put up with that, even while dead?!

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orocolorado

I watched this movie without reading the cover... however it is sure not funny. Sean Connery slowly dies in prison...what a big laugh.The movie has that feel of trying to turn Novel into Movie....it is very talky and has gaps in the plot. (Why would a kid with no offenses face 14 years with no parole for a nonviolent burglary? What happened with the payoff from the corrupt Chinese scientist?). In trying to cover the novel cover to cover it jumps from vignette to vignette in a choppy stiff manner. My impression is that it was trying to show that non violent "clean" burglary is better or at least no worse than legal tricks like buying condos that terminally ill cancer patients live in (something Broderick's girl friend does). OK, I can be twisted into this noir idea.However because of the choppiness the movie doesn't flow well. What exactly is the purpose of the Jewish household at Passover?? I realize it is the in-laws...but it seems like a sort of isolated island from the rest of story and this happens a lot. Who exactly was Connery's girlfriend? I guess they had to put that in because it is in Chapter 26 of the novel.This is the second bad movie I have seen Connery in. This one is light years better than Zardoz (the other terrible Connery movie)...but I am beginning to lose faith none the less.Rent something else.

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bob the moo

Jessie McMullen is a career thief. His son Vito runs a meat processing plant but has criminal links but has made sure that his son, Adam, has had the best education and not turned to the life of his father and grandfather. However this privilege has caused a rift between Adam and Vito and has drawn Adam to Jessie. When Adam brings Jessie in on a job, Vito reluctantly joins in as his only way of protecting Adam. However when Adam is arrested it causes conflict between the three.It is clear that the cast is the major draw for this drama, that is very talky but still reasonably effective drama that relies more on generational tensions than crime hi-jinks. The film sees a job planned and executed midway in the film, with the second half being the fallout for the failure of the job. The build up is pretty good and the second half just about manages to be involving even if it more or less talks itself to death.The director keeps it very heavy, but could really have done with developing the characters in a more entertaining manner, this would have made the heavier emotional conclusion a sweeter pill to swallow. As it is it is still pretty enjoyable as a drama and the cast do well to deliver the rather weighty material. Connery and Hoffman are far too close in age to play father and son and, even with makeup to make Hoffman look younger, it doesn't really work. However both are alright in their roles and carry the material. Broderick makes up a talented trio that make the film worth seeing. They interact really well and rise above the material.Overall this is a heavy but enjoyable drama. The material isn't great and it could have done with being a bit shorter or a bit lighter on it's feet. As it is the drama doesn't totally work as emotions aren't totally allowed to let rip until the end, but which time things are a little slow to be really gripping.

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