just watch it!

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

This film is so real. It treats its characters with so much care and sensitivity.

A clunky actioner with a handful of cool moments.

It's 1954 Algeria. Revolution is in the air. Daru (Viggo Mortensen) is a war veteran teaching little kids in a small remote school house. Another white teacher has been killed and he's warned to leave. He refuses since his family were longtime residents. One day, prisoner Mohamed (Reda Kateb) is brought to the school. Daru is told to bring him to town for trial. Mohamed had killed his cousin. He needs to end the blood feud by getting executed by the French. Their journey is disrupted by the two warring sides.There is beauty in the stark landscape. I like the setup until Mohamed refuses to escape after the attack. He's not much of a prisoner and that drains some of the tension. The level of duty for Daru is pretty low which also drains the tension away. Daru is projecting impossible goodness. There just isn't anything to prevent Daru from walking away. Mohamed don't seem to care about his life. There is no fight for life since both seem perfectly happy to die. I get that it's trying to say something about war and the human nature. That has some value but not much tension.

A quiet and touching study in love, respect, and morality beautifully acted by Viggo Mortensen and Reda Kateb. As the world swirls around each of them, each facing violence and death in their own universe, fate brings them together and each is saved by the other. A wonderful meditation on setting aside hatred and violence to reach the inner core that each of us carries within.Do not let the pace frustrate you; parts move as snails, which is what Viggo's parents were called by the French. Set in and amongst the bloody Algiers civil war of the 1950's, one comes to appreciate the need to reach out, not only to those with whom we interact, but to teach the children the universal humanity of us all.This movie, like the great Japanese movie Departures (2008), asks us to put aside the petty hatred, twisted customs, and violence of much of what we call life, and appreciate the beauty and love we can share with our fellow humans.An absolutely lovely film.

Far from Men is relevant to today's political and social situation. Set in a country torn apart by original inhabitants rebelling against invading forces -- and caught in the middle, the ordinary people trying to get on with their lives. Sound familiar? My friend and I could not speak when the film ended, it made such an impact on us. The performances by Kateb and Mortensen are so believable that the audience is swept up into their world rather than watching them act. Set in the stark desert of Algiers, the characters'futile scramble to some safe place is gripping and all-encompassing. One of those films whose scenes haunt you days and months after. Highly recommended: I would see it again.

If you want to talk about the enduring relevance of star power, consider the fact I only went to see Loin des Hommes to see Viggo Mortensen in action. Fortunately, the film surrounding him was pretty darn good too.The story takes place in the luscious, green…deserts of Algeria, specifically in 1954, during the Algerian War. (At least I can add it to the growing list of films about conflicts I had no prior knowledge of…) Daru (Viggo Mortensen) is a teacher to a small group of children. One day, his class is interrupted when he is asked to escort a prisoner, Mohamed, (Reda Kateb) to a city where he will face trial. Though he first rejects the idea, especially after he violently clashes with several of the prisoner's pursuers, he finds it in his heart to escort him. Letting him go by himself would only result in his death and Daru would feel partially responsible. Thus begins a road trip of sorts, albeit a very dark one.You can pretty much predict what'll happen (male bonding, etc.), but it doesn't diminish the film's impact in the slightest. If anything, their growing relationship is very believable. But the film's true achievement is its handling of themes like codes of conduct, laws and honor. Almost every source of tension arises from people's differing codes of conduct. Mohamed killed his nephew, because the cousin stole his grain. This would've meant the death of his family. Now, others feel compelled to kill Mohamed in retaliation. Mohamed, however, feels it right to turn himself in as this would ensure the cycle of revenge would end with him – otherwise his little brothers would be honor bound to avenge him again, and so on and so on. Though Daru is hesitant at first, his conscience compels him to escort Mohamed anyway, though his involvement causes several deaths. Later, Daru and Mohamed watch on as two surrendering rebels are mercilessly shot down. Daru tells the commanding officer he's committed a war crime, to which the officer replies he was merely following orders. Following those orders is inhumane , but disobeying isn't exactly a life- and career-enhancing option as well. The whole film deals with conflicts where people's orders, morality, beliefs and so on inevitably end in violence. In the middle of it all, Daru wants to avoid conflict, the impossibility of which is aptly shown during an early scene where his school is attacked by Mohamed's pursuers. Daru breaks a window, shouting how he doesn't want to harm them moments before shooting outside to secure his own safety.One final mentioning of Mortensen's acting can't be omitted. His acting is, as ever, quite natural. It's also stunning how he, an American, speaks several languages here in what is basically a foreign language film, and yet it never feels unnatural; it never feels like he's showing off or something. I recently read an interview with Mortensen where he said he just wants to be in films that he could easily watch years from now. Loin des Hommes is one he can definitely add to that ever-growing list.