I like the storyline of this show,it attract me so much

Perfectly adorable

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

In truth, there is barely enough story here to make a film.

'Rebecca' might be the best film Hitch made in the '40s, and it still holds up great today. As matter of fact, it is one of the greatest psychological thrillers of all times (and not only my personal opinion, I dare to think). It starts of as sweet romance, the first 30 minutes really look and sound like lighthearted romantic comedy where charming man with troubled past falls into innocent young woman. But soon, the darker note are pressing in, and the viewer is tangled into the twisted mystery world of Manderlay. It is one of those movies where repetitive viewing, when you already know all the twists and turns (which some might be quite shocking, but never preposterous) never fails to engage the viewer. Also the cast and performances. Hitchcock's movies always starred some of the greatest actors of the time and most of them gave their best performances in Hitchcock's movies. 'Rebecca' is not an exception. Laurence Olivier is perfect as charming wealthy man with troubled mind, and Joan Fontaine just shines as innocent, but never dumb or dull, simple girl who is not used with the high class British lifestyle. George Sanders always manages to come off as charming, even in his villainous roles.Masterpiece in every aspect.

The first 100 minutes is a little big too long, and is not intense enough. Nonetheless, the last 30 minutes are absolutely stunning, with twists and turns that you would never imagine. The titular figure "Rebecca" never appears, but we all know much about her by the end of the movie. After watching this movie, you should know why it is hard to win the Oscars by playing a role in Hitchcock's film: it is plot-driven, not performance-driven.

Scratch one thing off the bucket list - I finally got around to watching Alfred Hitchcock's "Rebecca." (A cinephilic uncle introduced me to a handful of the director's better known classics when I was an adolescent - "Rebecca" was one that we never got around to.) Based on my own enjoyment of it, I'd rate this film an 8 out of 10.Please bear in mind that this is one of the slower Hitchcock films. Until its plot accelerates toward its end, it spends much of its running length as a methodically paced, brooding Gothic romance and mystery. It's also a psychological thriller, and you can tell that Hitchcock is working to translate onto the screen its character-focused source novel. (I haven't read Daphne du Maurier's eponymous 1938 book.)"Rebecca's" final act brings the viewer into familiar Hitchcock territory with some interesting surprises. What I liked best about seeing the director's style, however, was his trademark sharp characters and dialogue - with both heroes and villains sparring in a dry-witted and rapid-fire fashion. It's something you don't often see today. I don't think all old movies are like this - some of the "classics" I've been recommended are absolutely vapid. But Hitchcock treated his viewer as intelligent adults, and I think it's part of the reason why people love him.

A young, sweet and naive girl from humble origins (Joan Fontaine) catches the eye of a wealthy aristocratic widower Maxim de Winter (Laurence Olivier). One whirlwind romance later they're married and moving back into his ancestral home called Manderley. But almost immediately she has to start dealing with begrudging staff and the proverbial ghost of the previous Mrs. de Winter.The film managed to surprise me pleasantly. Because let me tell you, the first third of this film is boring. It's so absolutely boring. A young woman moves into an old manor, terrible things start to happen, et cetera, et cetera. But, seeing that this was directed by Alfred Hitchcock, it really shouldn't have surprised me that it didn't remain that boring. The movie changed directions abruptly, and then again. When it got to the final few minutes, I'd call it outright brilliant.Hitchcock also manages to inflict the film with a lot of flair. It was his debut in the United States and was met with almost universal approval, including Hitchcock's first and only Academy Award for Best Picture. And I'd say it's earned. It's an old movie, but filled with a lot of neat tricks and touches. Things you'd nod your head approvingly at even in modern films. The mood is built with almost surgical precision, the soundtrack supports this beautifully and the characters keep revealing new sides of themselves.Is it the best film Hitchcock ever made? No, it's not, but it's still a great watch for all fans of mystery and suspense. And quite a different love story as well, if you're looking for that as well.