Fear X
Fear X
| 13 January 2003 (USA)
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When his wife is killed in a seemingly random incident, Harry, prompted by mysterious visions, journeys to discover the true circumstances surrounding her murder.

Reviews
Micitype

Pretty Good

Brightlyme

i know i wasted 90 mins of my life.

Maidexpl

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

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Jerrie

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

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baderfan

Getting past the past bereavements has always been a tough task to do; in which for the most suffered or the ones who made the others suffer, would be the most difficult. Fear X deliberately manages to distinguish between the suffered and the latter,in one single character; In other words, exactly like the approach used in David Lynch's masterpiece "Lost Highway"!Built up slowly and reasonably to the point of inaccurately calculated and annoying ambiguity, its deliberately failure to offer a precise conclusion, fails to offer something different or newer than the above-mentioned feature film, likewise made the intentional obscurity,pointless and the movie in every word stutters before the Lost Highway's extremely exquisite words./ C+

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Bloodwank

Fear X proceeds on two levels that are of interest to me. The troubled Harry Caine searches for the killer of his wife but more importantly the reason for her death, the basic thrust of the film therefore is the penetration of a mystery. But at its core it's a film about obsession, about a man meticulously constructing meaning where there may be none, with methodology that may work on strict rationale but to the outside observer comes across as less than sane. I enjoy puzzles and obsessive minds, especially those that approach a task with rigour, so parts of Fear X were fascinating to me, Harry watching security tapes from the mall in which he works security (his wife was killed in the car park), Harry taking photograph screen captures from said tapes and using them for his wall of information (a wall that we never get too much of a look at) bits and pieces like this. The splashes of light upon the mystery are of interest as well, they come as odd and unheralded jolts rather than as part of a traditional unveiling, there's a sense of arbitrariness and lack of control that works rather well. As far as plotting goes this goes left-field even of the realms of gialli where whodunnit set ups were at times almost an irrelevance. Of course, none of this would work without a quality actor to anchor things and the film has John Tuturro as Harry, giving a fine performance. He grips with low key intensity, his face a rarely troubled mask that nonetheless seems to hide deep feeling, a terrific creepily convincing turn. Solid support comes from Stephen McIntyre, a quietly emotive Deborah Kara Unger and particularly noble but conflicted James Remar, buts its Tuturro's show all the way. It could almost be excellent as well, nicely winding its intrigue for just about the entire first two thirds before things start to go wrong. Essentially, everything ends up rather pat, I've read plenty of reviews claiming the end doesn't explain things well enough but really the problem is that the ending is partly too conventional and partly just not that well handled. I won't spoil details, but I craved something a bit more outlandish or oblique in the explanation department and the film switches from lightly sprinkled hallucinatory sequences that work well to a climatic colourful freak out that doesn't. This said, the ending still has nearly as much to appreciate as the rest of the film owing to the performances and particularly cinematography. Moody lighting and hot claustrophobia make for much tension, even if plot-wise things are slipping away. Still, overall I rather enjoyed this one and I suspect it will lend itself nicely to rewatches. Not so good if you don't enjoy using your imagination and require everything spelled out, but worth a watch for fans of the offbeat and low key.

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dgrobinson-1

I loved this movie.I thought the character played by John Turturro was about coming to terms with the death of his wife. His wife dies in a random way, and we want there to be some purpose for every thing in life. Sometimes, there isn't a purpose.Harry (John Turturro) copes with the loss of his wife in his own way, burying his grief under layers of denial.The movie is about him coming face to face with that denial.I give this movie 9.5 out of 10, if only because it was lacking some production value that more money would have given it.The movie went into distribution hell after completion. I'm glad that it has surfaced in DVD so that others may enjoy it.

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theguys1

Red hallways and dark corridors. This is all this "thriller" has to offer. And it's not even scary. It doesn't even change your idea of the movie for a second. Bottom line: Fear X is the worst, most boring film I have seen in my life.It tries to tell the story of a man whose wife was notoriously murdered. He looks at the surveillance tape showing her death, he has senseless visions, he even sneaks into the house across the street and searches in there too. Well, at the beginning of the film, it creates the idea that he is really determined to find his wife's killer, but he doesn't look hard enough. Fear X is one of those movies that you can easily fall asleep during, and you can wake up and still follow the story perfectly. Most of the scenes last way too long, without those awkward silences packed in there, this failure of a film would be about 50 minutes long. I must say that I'm surprised that I got through the whole thing. I fell asleep halfway for only ten minutes, but I didn't miss anything. And I know. The movie starts out as a thriller and ends as a huge mess unfolding before your slowly imploding eyes. If you want to see the movie, rent it. Don't buy it. It's definitely not worth it.

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