Strictly average movie

Best movie ever!

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Let's say the inciting incident (or rather accident) happens early on in the movie. And while it is always important to know someone to mourn them (especially the way she's being mourned here), we do have to do that while on the journey. The journey of moving on, which may sound like a pun, but is anything but funny.So this is full on Drama and anyone who lost someone dear to them, by whatever circumstances, should be able to empathize even without a deep connection from the get go. Still this is heavy and the question is if you want to watch something like that. If you do there are the actors who really do their part as good as possible. Dianne West and our main character are the driving forces, but it's also nice to see Rosie Perez back in Action. Decent enough, if you can cope with it

I'm surprised this film gets any poor reviews. It is well scripted, stunningly acted, artfully filmed, and perfectly edited. The photography is the narrator, almost a character in itself-- intimate right up to the point of discomfiture yet neither artsy nor self-aware. The story seems, at least, to unfold as life unfolds-- you discover what's happened at the seeming pace of real-life awareness... but only seeming, of course, which is the film's brilliance. What I like best about Five Nights is that it deals with a universal situation without triteness or cloying sentiment. Sorry if this sound like a PR blurb, but this film is notable and beautiful and worth seeking out. It's baffling that anyone could miss this.

The reviews on it were right. The film is all about David Oyelowo and Dianne Wiest bouncing things off each other, and it's got that going for it, that two such great actors can hold down a film all by themselves, but you do have to like Oyelowo and Wiest a lot to really like the movie.It's one of those movies that does not really have a point or expresses it in such low key that only someone watching who has been in that position could really reflect on what is going on and fully feel the emotion.It's not that pin point of a situation. A man loses his wife in a car accident and the only one who can relate is his Mother-In-Law, but she is a pain in the neck even after her child's death (although she's dying from cancer so give her a break). This is a harsh situation while they're grievingAlso thought Rosie Perez was great too in the small role she had. Wish it had more of her because I like seeing her on the screen a lot.It was good that the director and writer did have three really good actors to implement their material. They were the redeemable factor in the mediocre film.

I made a point of booking early to see this film when it was announced at the Victoria Film Festival. I simply went on the fact that the two actors headlining would make it a powerful engaging movie.This was obviously a labour of love for David Oyelowo (producer) and his performance is to be quite honest "over the top" and I am a fan of his work. I was so disappointed with the dialogue between the Oyelowo and Weist, as much as this is a difficult subject matter, in my opinion the writer did not give them sufficient material to work with.I left the movie not having any emotional attachment to the previous 82 minutes watched and feeling my time wasted.