Fix
Fix
| 20 November 2009 (USA)
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FIX takes you from Beverly Hills to Watts, and places in between, in one day, as documentary filmmakers Bella and Milo race to get Milo's brother Leo from jail to rehab before 8pm, or Leo goes to prison for three years.

Reviews
Harockerce

What a beautiful movie!

TrueJoshNight

Truly Dreadful Film

Micah Lloyd

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

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Staci Frederick

Blistering performances.

yvonneuscgirl

I wasn't sure I was going to like this film, but it turned out to be very engaging. Kudos to Olivia Wilde. I really enjoyed the ride. Looking forward to this one on DVD. THe cinematography was especially wonderful. I went back and forth with believing this was a real documentary and a narrative film. It had a lot of wonderful elements. It was creepy, quirky, realistic, suspenseful, and in some ways it felt like those old Hope and Crosby road pictures. I didn't love the ending. Some of the supporting players were very good and believable. It was a fun ride through the many sites and sounds of LA. The music was very eclectic and it seemed that the script was written around the music. The scene in Watts was particularly realistic.

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Gustavo Sampaio

I had a chance to catch this film at a screening and wow, I am so glad I decided to go see it.Tao and the rest of the creatives really put together a wonderful team -- the ease and joy with which they worked is apparent in every shot. The character performances are bold, lovable, strong and somehow vulnerable at the same time. The locations are stellar -- it is a complete and all-encompassing homage to Los Angeles. And the cinematic guerrilla-style shooting really serves the piece -- allowing for some truly magical moments to unfold throughout the film that would not have otherwise been captured.The audience was laughing, or should I saw guffawing, at the beginning and also at the end of the piece. Yet we were also moved by some very touching, pulled-from-real-life dialogue and the patchwork of cultures that make up the fabric of a fabulously seedy, not-often-shown-in-the-movies LA.What else can I say? I loved it. Go see this film -- if you can, as fast as you can, with as many people as you can. You will not be sorry.

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Mihail Krepchev

"Fix" is a wonderfully shot, brilliantly acted and incredibly well directed film, which deserves all the praise that can be thrown its way. Tao Ruspoli takes the audience on a witty, energetic and truly emotional journey through Los Angeles in the course of one outrageous day in the lives of the characters. The jumpy hand-held camera style is not among my favorite film-making techniques and has gone horribly wrong on numerous occasions. However, if there ever was a film in which this works, it is "Fix". The sheer inventiveness of director/cameraman Ruspoli gives the film a gritty energy that is truly unique. Almost every single scene in this picture is a work of art itself. Add to that the extremely well-written (or amazingly improvised, I cannot tell) dialogue and the amazing performances of both Olivia Wilde and Shawn Andrews and you are left with a wholly satisfying experience. I would tip it for My Favourite Indie Film of the Decade. Seriously, I enjoyed it THAT much! Outrageously funny one second and deeply touching the next, this movie has all the advantages of an independent production and none of the down-sides (being too naive or too self-indulgent).

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nwsts

I suppose the "shaky camera" style is there to add a sense of realism. Well, it doesn't. It just makes you think your watching a high school project that was made with the parents Handycam. The entire movie is shot from the storyteller's Point Of View, which is very hard to do well, and in this case it isn't. (Try any episode of Peep Show to see this technique done well). Also annoying was the preposterous situations. Like drug dealers supposedly being "cool" with video taping the transaction and many more like this. The minor characters were almost universally unbelievable and very poorly acted. Most of the dialogue was sparse, uninteresting, and unrealistic. Shawn Andrews is the bright spot and adds a professional touch to an otherwise puerile film.

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