The film makes a home in your brain and the only cure is to see it again.

An old-fashioned movie made with new-fashioned finesse.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Angels Clifton Webb and Edmund Gwenn are tasked with bringing an unborn (not even conceived yet!) child into the world by getting a theatrical couple (Robert Cummings, Joan Bennett) with a rocky marriage to have a baby. Webb hatches a plan to take human form in order to better accomplish this task. But life as a human proves to be a distraction for him and Gwenn has to intervene.Webb is the star of the show, particularly as a Gary Cooper-inspired cowboy character. If you're a fan of Webb's you have to see this. Cummings and Bennett are fine, if a bit dull. Gwenn is likable as ever. Joan Blondell adds her usual brand of zing to things. Gigi Perreau is cute playing the would-be daughter and Tommy Rettig from Lassie is adorable in a small part. Jack La Rue is fun as an actor who's played one too many gangster parts. Loses momentum midway through but is still enjoyable. Old-fashioned ideas such as having a baby will save a troubled marriage will induce eye rolls for many viewers today, I'm sure. But it's all well-meaning and good-natured. Not for the cynics among us. Sweet, charming, and funny.

I remember this movie as a kid watching old movies on the independent station in Dallas. I would love to see it again but can't find it anywhere. Clifton Webb is hilarious as the angel. Bob Cummings was very popular at the time with his TV show "love that bob". I watched the movie because of him, but ended up not liking his character very much (i remember him being extremely selfish) But the harp-playing cowboy has stayed in my memory for 30 years. I don't remember anything about the kids other than they were growing older in heaven because their prospective parents kept putting off starting a family. If anyone knows where to find it please drop me a note

When Clifton Webb says this, he is referring to cowboy boots. In this exceptionally peculiar movie, he is an angel. So is Edmund Gwenn. Gigi Perreau and Tommy Rettig are also, though they are angels of a different, rather mawkish, sort.When Webb utters this comment, he is pretending to be a Texan and an angel of a different sort: a theatrical angel. You see, little Gigi wants to be born as a human child (as does little Tommy.) Gigi has chosen her prospective parents: Robert Cummings and Joan Bennett. (Does this seem to anyone else like an unlikely match?) They are a theatrical couple -- he a director, she a star. They live in a chic Manhattan duplex. Cummings is urbane and Bennett looks luscious.There are in-jokes about pets named Alfred and Lynn and tossed-off comments about Arlene and Martin. It has a swanky style.Webb is saddled (no pun intended) with a highly unflattering hair style when he plays the Texas millionaire. He gets top billing but for the most part his considerable talents are wasted. OH! And he falls for the as always delightful, here tanned and rather plump Joan Blondell. She is playing a famous playwright.The combination of the cynical story of the selfish theatrical people with the icky concept of angels waiting to be born as children makes for a fascinatingly strange concoction.

FOR HEAVEN'S SAKE, George Seaton's 1950 heavenly comedy, is worth seeing mostly for the very funny performance of Clifton Webb. Webb is the whole show, playing an angel who comes to earth to help overly busy couple Robert Cummings and Joan Bennett have a baby. Cummings and Bennett really have very little to do and are mostly wasted, though Joan Blondell has several funny scenes and is her usual breezy, likeable self. Not a classic heavenly fantasy like HERE COMES MR. JORDAN or IT'S A WONDERFUL LIFE, but enjoyable and worth seeing for Webb's fine comic performance.