Excellent, a Must See

It's a mild crowd pleaser for people who are exhausted by blockbusters.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

This is the saga of a house handed down from generation to generation and the stories of each of the owners. The episodes range from good to better-than-good, but the value here is in the all-star cast; virtually any famous or near-famous British star from the 30's and 40's is in this picture, and even a few 'Yanks'. The nominal stars are Kent Smith and Ruth Warrick, she the present (1942) tenant. He stops in to sell it, and they swap stories about the different owners throughout the 19th and 20th centuries.In all, seven directors and 21 writers are given credit for working on the film, as well as 79 actors and actresses. It is a "sentimental story with some amusing and affecting passages, but as the story is somewhat hackneyed it is well-served by some superb performances" (Bosley Crowther, NY Times, 3/43). But I think to arrive at the most satisfactory effect one should necessarily be from the Sceptered Isle. I am a 'Yank' and didn't get that effect, but it was still good entertainment. It was shown at the Columbus,O. Cinevent, 5/12.

This grand 1943 film once again proved that the British were at their best when they kept that stiff upper lip.This magnificent piece tells the story of a house from its inception in England in 1804 until the German blitzkrieg circa 1940.Nothing was spared in this provocative film regarding the cast. Practically everyone known in British films is in it and they all shine.As two people are dickering in selling the house, its rich history is brought back in a series of flashbacks. We go back to the Napoleonic Era and trace the house to Queen Victoria's era, World War 1 and eventually the second world war.The film provides plenty of heartbreak and sadness but is a definite testament of faith to the British people in the tradition of Mrs. Miniver.

Most of the "British Colony" of Hollywood, and many American and Canadian born actors (Buster Keaton and Gene Lockwood, for instance) appeared in this 1943 gem which manages to transcend it's original purpose. Like most of Hollywood's wartime product, FOREVER AND A DAY was supposed to cement allied friendship and emotional bonding between the U.S. and the British. But the design of the story actually told of two families who intermingled and grew in the period from 1804 to 1943: from the battle of Trafalgar to the London Blitz. The concentration of the story was around an old house built by Admiral Trimble (Sir C. Aubrey Smith, in a superb characterization) when the area was countryside at the time of Napoleon and Nelson. Trimble and his son (Ray Milland) rescue a young woman from her sinister guardian, Mr. Pomfret (Claude Rains, of course), but make him a personal enemy. The young woman marries Milland, but he is killed at Trafalgar. After the death of Aubrey Smith, Rains manages to get possession of the house due to Smith's debts. He kicks out the young widow and her son, and moves in...only to find himself never at ease in the house. Eventually he is found to have fallen and hit his head on a marble decoration after attacking a portrait of the old admiral (the scene is handled brilliantly in the movie).I won't go into the full film - it takes in 140 years of English (and by extension, world history) to tell how the Trimbles and Pomfrets keep confronting each other over the years. There are many wonderful performances, such as Charles Laughton as a tipsy butler, Cedric Hardwicke and Buster Keaton as plumbers installing a new invention - an indoor shower, and best Roland Young and Dame Gladys Cooper as wartime parents confronting heartbreak (made all the more unbearable by their understated approach). In the end you feel you have seen the story of a nation's spirit, invincible and principled like Admiral Trimble was at the start. This was one wartime propaganda film that turned out to be far beyond it's required propaganda values.

In 1943, while the War still raged, an incredible assortment of British performers living in Hollywood got together to make a morale booster of a movie to top all the others. Joining in the production was a first class collection of producers, directors & writers. Although seldom viewed now, FOREVER AND A DAY is a wonderful film, absolutely not to be missed.The story is of 140 years in the life of a London house, right up to the Blitz, and of the two families - sometimes feuding, sometimes merging - that called it home. Its endurance through history's onslaughts becomes a symbol of the British Nation's resolve to fight anything Hitler could throw against them.A partial listing of the cast illustrates its richness: Claude Rains, Ida Lupino, Merle Oberon, Ray Milland, Charles Laughton, Elsa Lanchester, Dame May Whitty, Dame Gladys Cooper, Dame Anna Neagle, Sir Cedric Hardwicke, Sir C. Aubrey Smith & Buster Keaton. Together, with many others, they combine to serve up cracking good entertainment.