Free Money
Free Money
R | 03 December 1998 (USA)
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A deranged prison warden with a nasty habit of killing escapees forces the boyfriends of his teenage twin daughters into a shotgun wedding, after they claim to be pregnant. All hope seems lost, until the husbands hatch a madcap plan to rob a money train to freedom.

Reviews
BroadcastChic

Excellent, a Must See

Spoonixel

Amateur movie with Big budget

Gurlyndrobb

While it doesn't offer any answers, it both thrills and makes you think.

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Guillelmina

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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Lee Eisenberg

I remember seeing Yves Simoneau's "Free Money" in the new release section of a video store, despite its never having been in the theaters. I thought it odd that a movie starring Marlon Brando would appear out of nowhere. It turns out that the movie got released in Singapore in 1998 (see the header about the movie on IMDb). As for the movie itself, it makes no pretense about being silly, with Brando as a sadistic warden whose daughters feign pregnancy to force their loser boyfriends into shotgun weddings. While Brando's role reminded me of his performance as Vito Corleone, it still didn't seem like the sort of role in which I would expect to see him. The rest of the cast is OK in their roles, but the plot is so routine that the movie isn't as entertaining as it could be. Worth seeing once.

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barrygermansky-1

Marlon Brando had long since lost interest in acting when he made this film. His performance as "The Swede" is the worst of his career, and that is precisely what he intended it to be. He doesn't overact. Instead, he simply acts in a bizarre fashion and pokes fun at his embarrassingly gargantuan girth. The scene where Brando climbs over the toilet stall is probably the worst, funniest moment in the history of cinema. As we witness him fall head-first into a toilet, it is hard to believe that we are watching the same actor who starred in A Streetcar Named Desire, On the Waterfront, and The Godfather.I guess the real question is why Marlon behaved like this in his later years. Was he sick of the movie business? Did he just like making a complete and utter fool out of himself? I guess we'll never know. But this film serves as a fascinating study as to what bad acting is all about.On that note, watch fellow acting veteran Donald Sutherland as he struggles to deliver his lines, embarrassed at himself for agreeing to participate in this travesty.

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merklekranz

Everyone in this movie, Marlon Brando, Donald Sutherland, Charles Sheen, Thomas Hayden Church, Mira Sorvino, seem to simply be going through the motions, yet occasionally, bright moments of very dark comedy arise from the murky script. Speaking of the script, it just never gives the feeling of being fully developed, the actors appear to be simply freewheeling as they go along. Nevertheless, the film is watchable, and there is a chance that repeat viewings may actually improve the experience. A curiosity at best for Brando's over the top performance, a bad film at worst for the uneven script, "Free Money" might have just enough weirdness to survive. - MERK

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nancysemblance

Watching Marlen Brando on screen is like watching a master carpenter chiseling intricate details into a piece of mahogany. Brando's acting is the ONLY thing that makes this movie watchable. The plot is inane and laughable (not comic). The other big name actors seem to be making desperate attempts to give the characters they portray some modicum of humanity... these characters have the humanity of wet cardboard. Everything about the technical side of this film is either mediocre or just plain awful. The director throws freeze-frame and slow-motion shots about with impunity. The incidental music is cartoonish and destroys any hint of dramatic effect. It's not something I really look for in a movie, but even the wardrobe was way off. The venerable Brando couldn't take focus away from the awful rags they had him decked out in. I've heard this movie called "David Lynch-esquire" and "irreverently funny"... it is neither. David Lynch films are borne of wicked creativity - this film was in no way creative. And don't confuse irreverence with stupidity.

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