Wonderful character development!

everything you have heard about this movie is true.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Animation historians may have heard of the studio called United Productions of America. They were best known for creating animated shorts such as the Oscar-winning Gerald McBoing-Boing, the suspenseful short adaptation of Edgar Allen Poe's The Tell-Tale Heart narrated by James Mason, and the Mr. Magoo television series. They've made two animated features during their run. The first was the 1959 loose adaptation of 1001 Arabian Nights released under Columbia. The second one became the 1962 film Gay Purr-ee, released under Warner Brothers and directed by Abe Levitow, who has worked on many a Looney Tunes short with his partner Chuck Jones prior to this.Set in France in the 1890s, also known as the Gay '90s as the title implies, the film is about Mewsette (Judy Garland in her only voice role), a country feline living on a farm with the mouser Jaune-Tom (Robert Goulet in his film debut) and his partner, a small blue kitten named Robespierre (Red Buttons). However, tired of her farm life, she hears about the beauty of living in the city of Paris, and decides to run away and catch the train. She is introduced by a black-and-white schemer named Meowrice (I swear, I'm not making that name up), not knowing that he has some rather slimy plans for her. Jaune-Tom learns of Mewsette's departure from Robespierre and they head for Paris to try and find her.Even though the film is animated, it is, at heart, a musical, on par with many other musical films released before this, including the ones that also star Judy Garland. In fact, all of the songs written for the picture were done by Harold Arlen and E. Y. Harburg, the same duo who wrote the songs for the beloved 1939 MGM classic The Wizard of Oz. Even after 23 years, their songwriting still held water, with songs like the uplifting "Roses Red, Violets Blue", and the slower ballads like "Take My Hand Paris", "Little Drops of Rain", and my favorite one of them all, "Paris is a Lonely Town", to name a few.For the animation, if you're familiar with the shorts made by UPA, the animation is limited, but visually appealing and influential in terms of design and style, with French expressionism being a large inspiration of how the final film is supposed to look. For an animated film made in the '60s, this is probably the most colorful and very much alive. This is further utilized in a later scene where the film's artists make parody portraits based on the works of Vincent Van Gogh, Georges Seurat, Claude Monet, and, yes, even Pablo Picasso. After watching the scene, you'll know why UPA was known for their unique style that other studios weren't doing in their heyday.The sad thing about this film is that it is not as well recognized as a lot of other animated classics. Even the 1970 animated Disney film "The Aristocats", which also took place in France and focuses on...well...cats, became more popular. The only people that would remember this film is if they were film and animation historians or if you saw it via Cartoon Network's Cartoon Theatre back in the '90s. Thankfully, however, the film is being re-discovered, with airings on Turner Classic Movies and releases on DVD via the Warner Archive Collection. For me, this is an underrated piece of animated cinema that should've gotten more recognition over the years. If you enjoy classic animation, definitely pick this one up.

This is a G rated film that features the voice talents of Judy Garland, Robert Goulet, Red Buttons, and a host of the best voice actors working in animation at the time, including Paul Frees (Boris Badinov), Mel Blanc (Bugs Bunny, Daffy Duck, Porky Pig, Barney Rubble, and many more) and June Foray (Rocky the Squirrel). It combines their voices with colorful animation and beautiful dream sequences put to songs. The story takes place in France during the 1890s and involves a beautiful young feline named Mewsette (Garland) who leaves her home on the farm to become the toast of Paris. Her boyfriend (Goulet) and his small sidekick (Buttons) come after her to bring her back, but the evil Meowrice (Frees) already has her in his clutches. I enjoyed this as a child and again as an adult.

I remember seeing this a few times on TV as a kid. I vaguely remember liking it and had an amusing time hearing Judy Garland doing vocals for an animated cat! Seeing it now (about 30 years later) I can't figure out WHAT I ever liked about this. The story is dull, silly and trite and the animation is (and I'm being nice) 4th rate. I've seen episodes of "The Flintstones" with better animation that this! The songs were entirely forgettable, the characters were ALL annoying and it was a struggle to make it through to the end. This is getting three stars just for the vocals of Garland and Robert Goulet--they even make the bland songs sound OK. Very young children might like this but anyone over the age of eight will be bored out of their minds! Easy to see why this is mostly forgotten.

This movie is marvelous. The story is "girl-rejects-boy; girl-gets-into-trouble; boy-rescues-girl; all-live-happily-after." Very romantically satisfying. Paul Frees' voice is perfect for Meowrice, as is Robert Goulet's for Jeune-Tom. Judy Garland's voice is in fine fettle as Mewsette. The impressionist drawing and background style is unique. I've never seen another like it.This is one of those movies parents can allow their children to enjoy without fear of their being exposed to too much sex and violence. On the other hand, adults can enjoy it, also, on a different level.We still watch it regularly 3 or 4 times a year.