Better Late Then Never

Admirable film.

The film may be flawed, but its message is not.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Section 9 is again following leads to solve a case involving brain hacking, a mysterious Puppeteer who seems to be able to push people to kill themselves or do things they do not want, terrorism and so on and so on. Major Kusanagi is not part of the team, though, as she left Section 9 to find her identity.As with the other Ghost in the Shell films and series, Solid State Society is about the dissolution of the human soul, as well as the multitude of states in which it can coalesce. It is thought provoking, to say the least. The animation is great, too. The story has a few holes in it, which chipped a little at the perfection of everything else, but still good.Bottom line: if you are a sci-fi fan, an anime fan, a Ghost in the Shell fan or a fan of intellectually challenging movies that are also accessible and not obtuse, and especially if you are all of the above, you need to see this movie.

I'm quite a big fan of Masamune Shirow, though I haven't seen much of his recent work. I was first exposed to his intelligent and mildly titillating style in 1994 with Dominion: Tank Police. What was great about that series was the comedy, aesthetic genius and hot chicks. Ghost in the Shell came out the following year and was incredible work. Though a bit complicated for the youngster I was at the time, there were at least loads of tits.This latest and third movie is pretty damn slick. I haven't watched the Stand Alone Complex series', but the story was engaging and thought-provoking regardless.I'm really interested in concepts of the cyborg, and visions of the future. I'm not convinced by the idea of downloading a personality into a computer, but most of Shirow's work makes interesting observations of the social problems which would accompany such a move.The story in this installment is particularly interesting, and follows an attempt by a person or persons unknown to solve political and social problems by manipulating cyber-brains through the global network. Far too complex to waste time explaining, it makes for a great 100 minutes.The animation is superb, on the most part. The characters and backdrops are awesome, yet occasionally suffer from blatant CGI-ness. Smooth and beautiful it may be, but like the second Appleseed film, it just doesn't look right. Animation is not live action or CGI or any combination of the two, and a degree of difference is what makes each media interesting and fluent. For me, that aspect of this feature was whack, and distracting. Also, CSI-style shaky-cam in anime?? Rubbish.The music is very good, though not quite as good as the first film, and there is a diabolical song in the first 10 minutes that made my arsehole close-over. Otherwise, the awesome Yoko Kanno (Macross Plus) goes beyond mood-music and achieves an awesome synthesis.There's a reasonable helping of Shirow sexiness, though not enough. Needs more greased up babes. His trademark cool style in mecha and costume design remains strong, without succumbing to Matrix-style pansy over-styling. The film could have done with more comic relief, however. Shirow is a very funny guy, and this series of films has never really allowed that to find a place. Shame.The direction is good, though makes obvious what an influence Mamoru Oshii's (Patlabor, Jin-Roh) personal style had on the direction and attitude of the films. That's no bad thing, as he is one of the all-time great directors. It would, however, have been nice to have seen some more impressive personal touches from Kenji Kamiyama.Essentially very good, though perhaps too engorged with the intellect of the last two films, and trying just that little bit too hard to be cool.

The third Ghost In The Shell feature length film, deviates as a continuation of the Stand Alone Complex series. While in the same universe as the original feature length motion picture which sparked the franchise into world wide recognition, Solid State Society is quite obviously a follow on from the lengthy complex series (hence the name residing in the title). In continuing the story they have created some interesting side points for those who have followed the series thus far, with development of characters while being brave enough to introduce a number of subsidiary characters to enhance the feel of the universe, to show that it itself has progressed and that it's not merely tied down to just four characters.Ironically while Ghost In The Shell has progressed in the continuation of the story, Togusa for example making the pleasing and logical step up to 'team leader' the story never progresses much from that of "Innocence". Major Kusanagi is still absent from the 'Section 9' set up as she continues her vigilante exploits through the net, solving crimes when and where she can, where like in the second film she is mentioned more often than not and pined over. The plot set up is still identical, a virtual hacker who has capabilities that are often above and beyond the major and section 9 and how they bring down their opposition, who often has a more aversive and political agenda than is first thought. In essence this is very much a follow on from the Stand Alone Complex, because the plot line feels almost like a compressed first season into the confines of one hundred minutes. Having established Solid State Society as a undeniable continuation of the Stand Alone Complex universe it must also be noted that in this particular installment there is a notable absence of philosophy. Where the original was crammed with the nature of what it means to be human and "Innocence" tackled the nature of reality there is a discernible lack of here. Personally while appreciating the intelligence of the films I often felt they crammed dialogue unnecessarily throwing philosophers names around like frisbees at the beach purely for referential sake, and often the point itself was lost even when understood. Solid State however all but ditches that mantra, much in a similar fashion to the series, yes there are moments of philosophical debate, but it focuses much more on an intelligently constructed cyber-crime thriller plot line which by chance of it being a Ghost In The Shell film carries the characters we have come to be attached to. The cyber-crime in itself while possibly mirroring "The Laughing Man" from "Gig One" provides a fresh twist and a new way for the writers to show off their skills at constructing new virtual dramas. Aramaki takes much of a backseat focusing a lot more of the attention on the newly cyberised Togusa and how that has affected him. One minor complaint is, most likely through the anglicised dub, but perhaps not, is the garbled mess of plot development within the first twenty minutes as it establishes the who's what's and why's of the newly emerging case.Ghost In The Shell continues to deliver entertaining, thought out and thoughtful films and stories to add to its ever increasing world, and do not take the mark and criticism i've levelled at this as a sleight, because I did enjoy it. It's merely that I know they are capable of more than a recycling of noble criminals with the "will she stay, won't she stay" of the majors attachment to section 9, and the "will they, won't they" with herself and Batou. The trouble is they seem unable to fuse philosophy with a cracking crime thriller peppered with action to a stable and progressive dialogue. That having been said, for those accustomed to the franchise it highlights why it is so successful, with interesting characters, a future world not entirely removed from ours and an thought out philosophically tinged action packed story line, which has had a huge impact on the cinematic landscape. While Solid State, however, may not have a similar impact as its initial predecessor for those that know the characters and know the world it is a worthwhile addition, and for those that don't, they need to log on and expand their own ghost.

--but 3S is a worthy continuation of the GITS:SAC television series on which I've also commented as an IMDb user.Chances are your reading this means you've either seen or know what to expect from 3S or well know the GITS universe and the saga of Public Security Section 9. So neither introduction nor spoilers appear here. But if 3S is your introduction, you could do worse (as I did), and if it inspires you to view the two seasons of the series on DVD, you're welcome to engage with one of the more fully realized and challenging tales of speculative fiction told on the 'tube, by anime or otherwise. (Refrain for now from viewing the first two movies if you've not seen them, for reasons explained further on.)Section 9 still exists, but The Major resigned two years ago. Togusa is in charge, at first harder-edged than you're accustomed to, while an aged Aramaki still plays an authoritative role. Batou is as expected after the conclusion of the series' second season and The Major's departure. Saito returns from a "hellish" engagement in Africa. The rest appears none the worse for prosthetic wear. I'm not all that certain why the Tachikoma return, though perhaps Batou is more the sentimentalist (with clout) at prosthetic heart.No worries, The Major reappears (but did she do something to her nose?), as all try to contend with a "Super Wizard-class" and murderous hacker known as The Puppeteer, the identity of which may not fully satisfy but nonetheless may surprise you.The core premise is a well-reasoned conjecture on the impact of an aging and shrinking home-grown "natural" demographic on a service-oriented economy and extraordinarily high-tech society. I would've liked to have seen this fleshed out, but there's only so much possible in a hundred or so minutes with room for the obligatory hyper-action sequences. References to the translated phrase "Noble Rot" give you some idea, and what's involved is more "Steady State" than "Solid State," though I can also understand the marketing decision behind the title choice.3S is NOT a continuation of the first two GITS movies any more than the television series, but there is a direct homage to the end of the first GITS movie. At times you'll think you're viewing that movie, but the divergences outweigh the similarities. 3S also continues the series' style of not quite telling the whole story, which if done well acts as a hook for further viewing as well as thinking. Kanno Yoko's characteristically excellent musical score also borrows from the television series, and I'm glad the movie translates Origa's lyrics for the opening and ending theme songs from Russian to English.All in all, it's not to complain. The mere fact that I allow an anime series to sustain my interest in its characterizations and plot line over years of viewing is revelation sufficient, as most conventional film series don't. My hat is off to all involved.