When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

The first must-see film of the year.

After playing with our expectations, this turns out to be a very different sort of film.

Blistering performances.

Producer: Herman Schlom. Copyright 26 May 1944 by RKO Radio Pictures, Inc. No recorded New York opening. U.S. release: no official release date. The movie was block booked. Australian release: 12 October 1944. 5,831 feet. 64 minutes. SYNOPSIS: Gildersleeve doesn't actually tangle with the ghosts (there are two of them), but he does dance a merry jive with both a now-you-see-her, now-you-don't showgirl and a not-so-tame but definitely dysfunctional gorilla. NOTES: Fourth and last of the Gildersleeve movie series. COMMENT: It's almost inevitable that every series character will meet a ghost at some time or other in their film careers. This of course is the Gildersleeve entry and a riot of fun this clever little spoof is too. Oddly, however, most of the amusement is not delivered by Gildersleeve. True, he's in the movie, in triplicate in fact, but he's only tolerably diverting. (He also looks different too. Less presentable, less debonair. Same director as before, so it must be the photographer's less indulgent lighting). Oddly, all the best bits of business are handed to Marion Martin, and all the funniest comebacks are delivered by Nick Stewart. Now I'm certainly not complaining. I love Marion Martin. She's a real dish, and here, for once, she has a major role. As for Nick Stewart, he is one of the most adept (yet unappreciated) comedians in the business. Not that the movie is lacking in expert farceurs: Richard LeGrand, Emory Parnell, Lillian Randolph, Marie Blake, for instance. (Reicher is great too. The way he keeps a straight face in the midst of all this gorilla-swapping and visible-in/visible-out bedlam is amazing). But Stewart easily tops them all. The Forrester kids have less footage in this movie. Margie Stewart makes an extremely indifferent Marjorie anyway. Before I conclude, I must mention Amelita Ward. She's a knock-out! I must also pay tribute to Vernon L. Walker' marvelous special effects. I'm amazed this entertaining entry received such bad reviews. Robert E. Kent's risible script takes the mickey out of several horror sub- genres, including the invisible woman, the mad scientist, the haunted house, plus real and fake gorillas on the rampage. My only complaint is that it all ends somewhat abruptly. But that's life!

"The Great Gildersleeve" is my favorite old time radio show, but I can't necessarily say this is this big-screen version is the best example of what made the show work so well.Running for police commissioner, Throckmorton P. Gildersleeve is caught up in a whirlwind affair involving an escaped gorilla, an invisible woman and a mad scientist lurking in a mysterious mansion near Summerfield. The chain of events is set in motion by two ghosts from the Gildersleeve family tree (played by Harold Perry, in addition to his work as our favorite Uncle Mort). Of course, only Gildy sees the gorilla, the ghost girl and other mysterious goings- on, leading everyone to believe he's probably going a bit mad. Lots of the humor comes from misunderstanding or conveniently placed trap doors and invisible girls vanishing at just the right moment. Plot threads are brought up and then dropped just as quickly (once the ghosts vanish in the first reel, they're not heard from again, despite claims they want to help our hero). As a fan of the radio program, it's fun to see various cast members from the show on screen, playing their familiar roles. Marjorie and Leroy are played by different actors (a necessity since both roles were played by older actors than the characters they played) however. Mr. Peavey and Judge Hooker are on hand, with Mr. Peavey playing the foil to Gildy throughout the film. (You may become weary of his famous line, "Well now, I wouldn't say that" before the final reel). At just over an hour, the movie doesn't overstay its welcome, but it's not necessarily anything to write home about either. If you're a big fan of the radio show, give it a try. If you've not heard of Gildersleeve, find some of the radio programs first to get a better feel of why the show was so popular.

I wanted to like it, I really did. As an old-time radio buff, I have a soft spot for movies like this one, and The Great Gildersleeve is one of my favorite characters. But there's no saving this turkey. It's a dreadful outing; the plot is a ridiculous farrago about the ghosts of Gildy's ancestors rising from the grave to help him thwart the machinations of a mad scientist with an invisibility potion. The movie starts out with a lame premise and flubs along to keep it afloat, making for very tedious viewing. A certain amount of contrivance is to be expected for any sitcom extended to feature length, but this movie takes it too far to be successful. All that needs to be said about 'Gildersleeve's Ghost' to get the idea of what viewers are in for is that much attempted hilarity is derived from confusion between a gorilla on the loose and various characters disguised in a gorilla costume. Final analysis: Almost unwatchable.

Harold Peary's Gildersleeve character appeared in a number of 1940s second features, and this is surely the most bizarre entry in the series. This time he's running for police commissioner against an entrenched and corrupt incumbent (Emory Parnell). When a gorilla (the ubiquitous Charlie Gemora) escapes from the lair of the local mad scientist (the suitably oily Frank Reicher), Gildersleeve is the only person who sees it, giving incumbent Commissioner Haley the electoral issue he's been looking for. This over the top blend of comedy, horror, and science fiction tickled my funny bone, but if you're not a fan of Gildersleeve--or are likely to be offended by the stereotypical black servants--you can safely give this one a miss.