This is How Movies Should Be Made

Good idea lost in the noise

Charming and brutal

One of the best movies of the year! Incredible from the beginning to the end.

IT HAS LONG been said that there is no such thing as strict fiction. The premise being that all writers are influenced by actual happenings involving real people, either by choice or subconsciously. Having just recently screened GLORY ALLEY years after seeing on the nightly TV movie series, we must say that it flies in the face of that adage.THE FILM APPEARS to have been assembled using bits and pieces of other genres from previous periods in Hollywood history. Director Raoul Walsh, himself being if not exactly a sort of living anachronism, was a sort of living, breathing history of the film industry. His own career had begun in the Silents, but before the cameras as actor. (He famously portrayed John Wilkes Booth in D.W. Griffith's BIRTH OF A NATION.)* SO, CALLING ON his many experience as actor and director to bring us a story that was both similar and yet unlike anything else. The story exists both in a period of time (Post World War II New Orleans, Louisiana) and yet is timeless. Its reference and involvement with the Korean War could just as easily have been World War II. This leads us to believe that the story had been around, sitting on the shelves, gathering dust before it finally got made.IN MANY RESPECTS the production looks like a comic strip or comic book display of "sequential art". The manner in which the characters, both main and supporting, are made to fit neatly into conformity of their particular pigeon holes. The Judge, Pig and Shadow Johnson (Louis Armstrong) are all prime examples.AND IN SPEAKING of the cast, we found it to be both well constructed , if just a trifle far ranging. Leslie Caron finds her way into a most unusual portrayal of a potentially gifted ballerina's being forced to perform in dance halls. Louis Armstrong does a fine job of being general purpose good guy and servant. His duties range from boxing corner man, musician and valet to the Judge.IT IS PERHAPS the one role, odd as it may seem, to showcase the talents of Ralph Meeker as main character, Socks Barbarossa. Being a very complex man with great wisdom and many other eclectic talents. Making the hero a denizen of the gutter (Glory Alley) just adds to the drama.WE MUST MENTION the role of narrator, retiring newspaper man, Gabr Jordan (John McIntyre), who adds a touch of authenticity to this convoluted, meandering, hybrid of a story.WE ALSO MUST posit the question: Did John McIntyre ever look young or portray a younger type? NOTE: * As director Raoul Walsh had compiled a tremendous number of very memorable pictures, largely at Warner Brothers. They include: WHITE HEAT, GENTLEMAN JIM, THED STRTAWBERRY BLONDE, HIGH SIERRA, THE ROARING 20's,.......................

**SPOILERS** Bizarre but interesting movie about a professional prize fighter Socks Barbarrosa, Ralph Meeker, who just loses it when he's about the fight Terry Waulker, Pat Valentino, the #1 contender for the Heavyweight Championship of the World. Bolting from the ring as he's being introduced Socks locks himself in his dressing room announcing his retirement from boxing?During all the confusion Socks knocks on his butt, by accident of course, the blind-proving that justice is truly blind-"Judge" Gus Evens, Kurt Kasznar,who just happens to be the father of Socks' fiancée leggy nightclub danger Angie Evens, Leslie Caron! This strange action on Socks part has his forthcoming marriage to Angie put on hold with "The Judge", who's to give away the bride, being the one person to object to Socks having his daughter's hand in marriage.As you would expect Socks becomes somewhat of a freak show wherever he goes with everybody making him the butt of their jokes about a man who cracked up at the very moment that he was to become, by beating Terry Waulker, the top contender for the heavyweight crown. In fact Socks did have his match with Waulker, who lost his $15,000.00 purse because Socks chickened out, in the empty arena knocking him flat on his a** in less then a minute!The movie gets even more bizarre when Socks is about to get his life, and head, back together as an assistant bar tender at his good friend's Peppi Donnato's, Glbert Roland, drinking establishment,"The Punch Bowl", that he's drafted into the US Army at the height of the Korean War. Socks' military experience in the movie is so short, about three minutes, that if you went to buy a soda and bag of popcorn, or go to the bathroom, you would have missed it. All Socks does is take out an important bridge, singlehanded, on the Yalu River blocking a major Communist Chinese offensive! In this selfless and heroic action Socks ends up saving hundreds, if not thousands, of his fellow GI's from total annihilation!Winning, or better yet earning, the Congressional Medal of Honor, the highest medal the nation has to offer its fighting men or women, Socks comes back home to New Orleans a hero but, as you would expect, that doesn't last for long. The very unforgiving "Judge" still has it in for him for Socks knocking him down as well as refusing to have his daughter Angie tie the knot with him.More hurt then ever, what does the guy have to do to get people to like him!, Socks in a last effort to win over "The Judge" secretly gets renowned eye surgeon Dr. Robet Ardley, Larry Gates, from Socks' hometown of Milwaukee to operate and get "The Judge" back his sight. Finding out that Socks is behind him getting his important eye operation "The Judge" goes completely haywire in him not wanting the hated Socks to do anything for him! It's then that Dr. Gates cools "The Judge" off in telling him the real story being Socks strange and and somewhat crazy behavior that began when he was a little boy in Milwaukee. It's after that amazing revelation, on Dr. Gates' part, about Socks hidden and somewhat embarrassing past that everybody, on and off the screen, realizes what a serious head case Socks really is! Dr. Gates' explanation about Socks' mental, or head, problems not only brings out the reason for Socks' off the wall actions but the fact that the poor guy, as much as he tries not to, just can't help himself!Touching ending with Socks redeeming himself both in and out of the boxing ring and finally getting "The Judge" to like him and letting Socks marry his daughter Angie. It's also Angie who got her father to understand Socks strange predicament as well as her own in the movie. Angie tells her father that she in fact is not working as a nurse at the New Orleans General Hospital but dancing half naked, to the hooting and cheering of an almost all male audience, at the anything goes Chez Bozo dance hall in downtown New Orleans. And even being more direct Angie tells "The Judge" that while he's putting the one man-Socks- who can bring back his sight down she's breaking her back every evening at the Chez Bozo to pay his bills and supporting him while he going around feeling sorry for himself!P.S there's also in the film the great trombonist and jazz singer Louie Armstrong as Shadow Johnson who's a good friend of "The Judge". Shadow like Angie tries unsuccessfully to make "The Judge" see the light in what a good fine and caring person Socks really is until "the Judge", with both Socks' and Dr, Gates help, finally "sees" it for himself!

This is one of the few movies I consider so bad they're interesting. The champion in this category is "The Guilt Of Janet Ames." "Glory Alley" is not that awful but it is a real mess. Yet, it is intriguing.Ralph Meeker, the brilliant star of "Kiss Me Deadly" who did way too few movies, plays a boxer named Socks Barbarosa. Maybe Bill Clinton named his cat after this character.Meeker is also very good in "Show In The Sky." He was generally underused ion movies, though."Glory Alley" is a kind of faux-Damon Runyon. Runyon gone South to New Orleans. We have Socks. We have a blind man called the Judge. His helper, played by Louis Armstrong, is named Shadow.The Judge has an Italian accent; yet his daughter has a French accent. And no wonder: She is Leslie Caron. Caron and Meeker could have been a fantastic combination. She's appealing. It's hard, though, to believe that she is doing music hall numbers at a dive called Chez Bozo and her father doesn't know it. He seems to know everything else that's going on.The movie is narrated by newspaper reporter John McIntire. It's a voice-over narration, looking back on the vents we're seeing. But this is no noir. McIntire tells us it's the most fascinating story he ever covered -- and he's never told the truth till now -- is that of Socks Barbarosa.Well, it could have been a fascinating story. It's peopled with fine actors and a superb leading man. But it doesn't hold together. This is not to mention its preaching: Much of the dialogue, especially toward the end, sounds as if it came from a sampler on a wall. Nor what sounds like the MGM Chorale that accompanies some of Armstrong's trumpet playing and is sort of an uplifting Greek chorus.

A thrown-together gumbo from, of all directors, Raoul Walsh, Glory Alley (named for a raffish stretch of Bourbon Street) can't decide what flavor should dominate: the sweet, the piquant, the bitter. It seems to have been assembled from ingredients on hand at MGM in 1952. They were:Ralph Meeker. Best remembered as Mike Hammer in Kiss Me Deadly, he caught the studio's eye when he replaced Marlon Brando on Broadway as Stanley Kowalski in A Streetcar Named Desire. On the off-chance that the N'Awlins setting might work its voodoo once more, the brawny Meeker was cast as a prizefighter called Socks Barbarossa.Leslie Caron. Fresh from An American in Paris, she was at best a dancer with a Gallic accent and gamine charm. Here, she supports her blind father (Kurt Kaszner) by kicking (en point, no less) in hoochie-koochie numbers in a dive called Chez Bozo; it's a cross between Harriet Hoctor and Mary Tyler Moore as Laura Petrie, dancing in Capris.Louis Armstrong. Instead of turning him into a jazz-joint headliner, he's relegated to the part of a philosophizing guide for the sightless old grump; thankfully, he sings a few songs and blows his horn now and again.All in all, Glory Alley is a Runyonesque slice of life set among the poor people of the Big Easy. Meeker, in love with Caron but hated by her father, sustains a none-too-plausible run of ups and downs (there's even an excursion to Korea). It's a pot-luck special, made (it seems) to clear out the studio's larders.