Good Times
Good Times
| 11 April 1967 (USA)
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Given the opportunity to headline their own feature film by studio executive Mr. Mordicus, Sonny and Cher have three days to come up with an idea for a hit movie or they'll have to use the studio's hackneyed script.

Reviews
Cathardincu

Surprisingly incoherent and boring

Konterr

Brilliant and touching

BoardChiri

Bad Acting and worse Bad Screenplay

Roy Hart

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

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rodrig58

The puppy, the monkeys, the elephants, the crocodile, the lions, the tiger and the horses in this film are all natural so, I would say that they all are playing well. I do not know if I can say the same about Sonny & Cher. Cher's luck is that she looks very good. And both of them, Sonny & Cher, they are singing beautiful songs, very entertaining. George Sanders is George Sanders, big ego, big personality. It is one of the first films of the great William Friedkin. Just a musical without great expectations. The third episode, in which Sonny is a detective, is much more funny than the first two. Watch it only if you don't have anything better to do.

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winner55

I agreed to see this because it was the first film by William Friedkin (French Connection, Excorsist). And the big surprise is that it is not a bad film. (And kudos to Mr Friedkin to show such savvy in his parody of "High Noon" and other films.) Of course it's not a great film, either. Stylistically, it is rather of a kind with television movies of the same era, or a decade later. For better or worse, Friedkin decided not to go the route of "psychedlic trippy hippy film," but delivers a fairly staid, episodic musical comedy. That actually saves the film, in my opinion; I never felt, watching this, that it might have seemed better in its time and place with a hit of acid under the belt. It's a simple, middle-brow romantic comedy about a pair of singers wrestling with the very idea of making a movie for their fans.For me, the saving grace of the film is Cher; here she is all exuberance, innocent sexuality (a quality difficult to project), love-of-life - oh, she's just great.And through her, the film captures the romanticism of the 1960s that is largely forgotten today.Finally, a word on the music: Sonny Bono's songs are wretched just as songs, but he had a real ear for melody and the arrangements here make that very clear - he missed his calling, he should have been composing soundtracks all along.A bit of an oddity, but kind of fun.

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nycritic

It's honestly not that bad. Cheeky may be the closest I can come up with because Sonny and Cher play on their pop personas, dress to the nines in mod 60s style, and introduce what would be the skits that would make up the bulk of their variety show of the mid 70s.There isn't much a plot to speak of, except that Sonny and Cher are asked to come up with a movie and Sonny fantasizes of the myriad ways he could reconfigure established genres and make them successful. Spoofs of note are the ones targeting THE MALTESE FALCON (film noir). Other genres made fun of are the Western and the adventure film. George Sanders plays up his stiff persona to play their boss Mr Mordicus and Sonny's heavy/villain in the skits. And yes, that's William Friedkin, some time before THE EXORCIST, making a cute little film that seems to have been aimed at the teeny-boppers, much like many of the teeny-bopper films promoting the likes of (insert teen idol here) in a fluffy movie about nothing spectacular.

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HallmarkMovieBuff

The best parts of this movie are Cher singing, Cher berating future U.S. Congressman Sonny ("Why don't you take off that hat...you look like an idiot."), and Cher in a jungle suit lying on a tree (Great Gams, Sonnyman!).This movie is about Sonny and Cher making a movie. The script is awful -- both of them. And the "satirical" situations are ridiculous. Watch this, if you must, as a period piece of the freewheeling '60s. (Was the scriptwriter on LSD?) If you like stupid humor, then this movie's for you. Otherwise, this is a movie you can "watch" from another room with your ears.I recommend that you fast forward through all the dialog scenes and watch only the musical numbers, which are quite good (and the reason I bumped my rating up a point). Or buy the soundtrack, if you can find it, and listen to that while you do housework or something else productive.

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