Highway
Highway
PG-13 | 20 February 2014 (USA)
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Right before her wedding, a young woman finds herself abducted and held for ransom. As the initial days pass, she begins to develop a strange bond with her kidnapper.

Reviews
Nonureva

Really Surprised!

NekoHomey

Purely Joyful Movie!

Nayan Gough

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

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Zlatica

One of the worst ways to make a cult movie is to set out to make a cult movie.

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jimmy-anirudh

There are fewer movies which takes you to a journey and you are completely transformed at the end like you fill you are there with protagonist.... One of the best acting by a leading actress

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mihirsevak

the best thing about the movie is acting of alia bhatt and randeep hooda.excellent job done by them. then direction of imtiaz Ali.superb views and direction make it more perfect. as other movie of imtiaz this movie also has good acting in place of story line. i mean story line is also good but acting is much better.it is another great love story presented by great imtiaz. different form others stories.the background score and the songs, the overall tempo of the movie is very well complimented with the accompaniments.When we just begin to loose hope in Hindi Cinema, movies like Highway are made which makes us fall in love with Bollywood all over again. Highway is definitely not a typical Hindi movie made these days. It has a soul in it. Highway is one such movie where silence is the weapon used with just the characters talking with their performance.

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Peter Young

I used to consider Imtiaz Ali to be quite overrated, but with Highway, my opinion of him has changed dramatically. Highway is one of the most beautiful films of recent times in Hindi cinema, in terms of both photography and storytelling. Telling the story of a young girl kidnapped in an act she herself would eventually consider pure bliss, Highway starts as a road movie and what could have become a suspenseful thriller of sorts, turns into a deeply involving love story between two aching souls. The captive girl finds a true saviour in her captor and eventually falls for him, showing little interest in coming back home. The movie is not without its clichés, and the sub-story of child abuse the young woman had been through as a child tends to be a little corny, but then everything is handled with great delicacy. It is emotional but totally controlled and sensible, all thanks to Ali, who deals with the complex subject with impressive understanding and Aided by brilliant cinematography, the movie is beautifully shot across some of North India's most breathtaking locations, but not only does it capture the beauty of India's exotic mountains and the magic of its simplicity, it consistently stands as a celebration of the human spirit and conveys a meaning of freedom is spite of the potentially troubling proceedings. The film is slow paced, but totally engaging and absorbing, and that's because the story is expertly developed, with the ensuing portions of romance working quite effectively. Everything grows naturally, and what starts with a quietly serene narrative style is gradually filled with music up to a point where the narrative is nothing but music and high spirit. And for that you have to thank the master himself, A. R. Rahman, whose stupendous soundtrack and score enhance the film and its story. The songs are in sync with the proceedings and always reflect the characters' state.The acting is excellent even by actors appearing in minor parts. The lead pair is played by Randeep Hooda and Alia Bhatt, and the two have fantastic chemistry. The romantic tension between the two is built up with great conviction - it never looks peculiar in spite of the nature of their parts, and never looks missing in spite of the lack of too much physical interaction. Hooda is tremendous as Mahabir, brilliantly underplaying the essence of a man who may look cruel and fearless, but beneath this tough exterior there's a poor, compassionate and quietly tormented soul. But the movie belongs to young Bhatt, who's pretty and bubbly but just totally immersed in the spirited character of Veera, so much that even she herself might not have expected from herself. She seems to really get the resilient nature of her part, but rather than playing it, she lives it, presenting an exhilarating portrait of strength, determination and positivity.Highway ends on a poignant but realistic note, and the ending is extremely cathartic and satisfying. It ends up being a greatly affecting love story which surely is inspiring to watch, and besides that it is a true visual treat worth watching more than once. A rewarding cinematic experience, highly recommended.

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Shubham Gupta

this movie is totally a waste of time. according to me who has created this bitch movie would really a bitch. useless , worthless , without any motive this movie has created and the moron actress has done the movie just for money. this movie has no sense no concept and no idea i think these types of movies should not be clear from the sensors board. there must be penalty on both director and producer for wasting the public time. the entire story is about a girl who is seeking happiness in a criminal not in his home. spoiler The pronoun-filled line is one of the most cited among fans as being confusing at best, and an outright mistake at worst. But the almost imperceptible flick of the pen in hand reveals the "they" in his sentence to be not "the investors," but the experts riding in the Jeep ahead. The terrible wording butchers the line entirely; if it were clearer, then the later scenes of Grant, and Malcolm being unconvinced while saw only profits would be twice as interesting. As it stands, it's a line best ignored in a movie famed for its quotable monologues.

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