The greatest movie ever made..!

Boring, over-political, tech fuzed mess

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

"Hong Kong Confidential" is a product of the Cold War era. The plot is all about Soviet attempts to destabilize a country by kidnapping a young prince and forcing his father to sign a peace treaty with them...or the kid will die! While this seems like a dopey plot, the Soviets DID involve themselves in many assassinations and arrests in order to force free countries into the communist bloc. Sadly, however, the film itself is very pedestrian and ordinary.Gene Barry plays a special secret American agent. He's carefully created the persona of a devil-may-care guy who will do practically anything for money...and he's a successful lounge singer. This part is pretty funny, as Barry's singing is god-awful to the point where it must have elicited a few laughs in the theaters! He follows clues which take him to the prince...but this may not matter very much, as the kidnappers welcome him...and plan on killing him and making him appear to have been one of the kidnappers!Ordinary in every way (at best). Okay acting, okay direction and an okay plot...this film is clearly mediocre and mostly what I could consider a time passer.

It's Gene Barry vs. the Commies in this workmanlike programmer that merits one watch, but no more. Barry even gets to sing, twice; you may feel free to fast forward through those parts. Allison Hayes has a small role as a gold-smuggling villainess and she is a real knockout - I would place her in Jane Russell's league, and that is a compliment indeed. There is a voice-over narration running throughout "Hong Kong Confidential", and it often states things that we already know; nonetheless, it gives the film a nice matter-of-factness, plus the narrator has a great voice. The ending is a little rushed, but on the whole this is an adequate second-feature. **1/2 out of 4.

I just got through watching this. This is a good little spy movie for the time. It seems totally made on sets so it has a "made for TV" feel, but good quality. And I am not sure what to think of Gene Barry's singing for a guy touted as a good singer, and got a scholarship, and won contests, and was in musical shows, etc...he can't seem to sing a lick in this film, OR...that is what he is playing, a BAD LOUNGE SINGER. Which is likely...You can say you have "seen everything" after you see this.It has many Bond Movie elements, except for looking at his watch while kissing the girl,and 5 years before Dr. No. It has bad girl, good girl. A favorite drink, it seems. An undercover ID. A charming and relaxed manner, especially under pressure. A Lighter type character, a contact agent, but no gadgets, no secretary, just the good girl/bad girl conflict. No cool car...so a low budget prototype, which holds up pretty well. Some pretty good action for what it is.I liked other movies and shows Mr. Barry was in. Thanks for the entertainment, and R.I.P.I was entertained.

Those who like hard-boiled cold-war spy films, especially those made on a super-low budget, should love this 1958 classic, which features Gene Barry as a US intelligence agent whose "cover" is that of a mediocre lounge singer! Barry's character is intentionally smarmy and funny, and he contrasts well with the hard-boiled spy action, set is backlot versions of Hong Kong and Macao, with a lot of tight shots of characters standing in front of Asian-looking signs and sections of buildings, often only six or eight feet wide. And of course, an alley is an alley and a warehouse is a warehouse, whether it be in Macao or Atlanta. Put a few Asian details in a dark alley, have a few Asian characters, and voila, you've got a film set in the Orient! Like many 1950s spy/crime films, this features a hard-boiled dragnet-esque narration telling you things you just observed on the screen. Still, they don't make films like this anymore, and clearly the filmmakers (and Mr. Barry, who is brilliant in the part!)were "in on the joke" so HONG KONG CONFIDENTIAL should appeal to fans of films such as RED ZONE CUBA, ROCKET ATTACK USA, INVASION USA, and OPERATION CIA. As always, director Edward Cahn is a master of pacing. I don't think this has ever been released on video, but check it out the next time it plays on TCM.