Better Late Then Never

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

In this second slate of films from the BMW "The Hire" series of shorts, the Driver finds himself delivering a ransom to a kidnapper. When it all gets weird he finds himself in a race across town to get to the hostage before she dies.I had high hopes for this short film mainly because it was directed by John Woo – a name high on the list if you're asked to get a high-profile director to deliver a glossy action sequence that makes your car look awesome but also provides some Hollywood thrills. In this regard the film is actually OK because the half of the film that is a race across a city being pursued by police is quite glossy and, while not heart-pumping, at least looks good and has good motion as an effective soundtrack helps. Oddly it does feel a little lacking in ambition and the impacts seem a little tame, but it is still OK. The bigger problem is the other 50% of the running time. The very early sequences have mystery to them and there is an unhinged villain in the traditions of Hollywood, but quickly the mystery gives way to plot holes.The Driver seems to know where to head with very little information; the police gives chase of the "stolen" car even though it is the Driver's car and even though law enforcement are involved in the job and could call them off; the Driver appears to get down off a bridge in about a second – and so on. None of them are massive problems, but many of them could have been avoided by a line of dialogue, a slight change of location or some other device just to block the hole – instead the holes are just mostly ignored and it did sort of distract from the action to be thinking "hang on a second, how does...what, I..." and so on. The conclusion to the short is also a bit cryptic (being kind) or confusing (being honest) and, while I appreciate them trying to make a story here, I didn't think it worked and would have preferred a conclusion that fitted with the urgent, action side of the film rather than a side of the film that isn't there in the first place.Overall a solid little short film thanks to the slick car action – shame that this only makes up less than half of the running time and, while I appreciate what they tried to do with the other half (condensing a film down to 7 minutes) it didn't work and only produced empty narrative and plot holes galore.

Once again the action is just wonderful (what else did you expect from a man like John Woo?) but the story itself is kind of lame and ridicules.Some of the things just don't make any sense and even though it's just a few minutes short, the movie is still filled with plot holes. Not Woo's fault, he just does what he can do best; Film breathtaking action sequence's. Also the movie is edited pretty poorly at times, especially towards the ending.The music by Steve Jablonsky also was one of the highlights of the movie. It was a good action score that suited the movie well. He is still an unknown composer but I expect this to change in the next few years. Remember this name people!Still slightly a bit of a disappointing part of "The Hire" series of shorts but still very well watchable, thanks to the action.6/10http://bobafett1138.blogspot.com/

You can almost always rely on John Woo to deliver great action... Face/Off and those of his films that were made before he went Hollywood, especially those featuring Chow Yun-Fat(or so I've heard; have only seen Face/Off myself) are great and popular for his unique brand of cool, stylish action. His use of slow-motion in action sequences are especially popular; here, he delivers as well... but one can't help but think about whether or not Woo(or anyone else, for that matter) actually read the script. There are quite an impressive amount of glaringly obvious plot holes for such a short action flick... but I suppose what we're supposed to pay attention to is the car(this is a commercial, after all) and its capabilities... though I think many of them are exaggerated, at least slightly, in this. The acting isn't particularly good, but Clive Owen is still great as The Driver... not that one would expect anything else from him. The action is pretty cool, that I must admit. And it somehow manages to overshadow the numerous holes in the fairly thin plot. All in all, worth a single watch, for car freaks. But not much more. I recommend it to big fans of Woo and the commercials, as well as car fanatics. 7/10

Do not watch any of these films if you are expecting intricate plot or thought-provoking messages or deep characters. If you want a guy driving the BMW du jour around really fast, by all means watch this series of shorts.In Hostage, the BMW du jour is the Z4. The chase is classic John Woo material, and the plot is simply stuck onto it, almost as an afterthought. That doesn't really matter, though. You can still enjoy it. It is a very good car chase.In fact, it's fair to say this is not so much a short film as a very long BMW commercial. It works very well. I wanted to buy a Z4 after watching it, so I could drive around like a psycho. The movie makes it look fun, and it makes you have fun while watching it.