How I Killed My Father
How I Killed My Father
| 19 September 2001 (USA)
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When his long-time disappeared father is entering his life again, Jean-Luc, a successful doctor, has no option but to face his own life story. Will he ever be able to forget and forgive?

Reviews
Karry

Best movie of this year hands down!

Fluentiama

Perfect cast and a good story

Dynamixor

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

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Skyler

Great movie. Not sure what people expected but I found it highly entertaining.

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paul2001sw-1

'Comment J'ai Tu Mon Pere' is the story of an apparently untroubled man whose control over his own life is threatened by the return of his difficult long-lost father. It's also one of those typically French films where everyone is beautiful and the drama proceeds by the subtlest of inflexion. And I find myself more willing to tolerate the first fault than I would be in an American film, partly because the characters are truly beautiful (in Hollyowood films they are often just healthy), and partly because of the second virtue. That is to say, the acting, script, cinematography and music are all superb, they bring a pained (and changing) life to this story where (superficially) nothing happens. It's true that you probably won't like this film if you do like the latest blockbuster; but the loss will all yours.

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Bob Taylor

How I Killed My Father (aka My Father and I) is a story about parental abandonment and filial rage, told in a very calm way. The characters hardly ever break a sweat as they deal with irresponsible fathers, feckless siblings, childlessness and the other griefs of life. The locale is, after all, Versailles, and the emotional temperature never gets above zero in those manicured gardens.Jean-Luc invents a family for himself to replace the one he lost at the age of ten. He becomes a father substitute for his brother Patrick--imagine having your brother as chauffeur and gofer. He presides over this clinic for rich middle-aged people trying to regain their youth, much like a father and his children. If his wife is tiring of being an ornament, he can handle her moods: after all, he's got her believing she can't have kids. The mistress at the clinic can be kept happy by the promise of an apartment. The only thing he can't allow is to be abandoned by any of them.The conflict with his father is the occasion for many droll exchanges between Charles Berling and Michel Bouquet. Jacques Fieschi, the co-author of this script, also wrote Un coeur en hiver, Nelly & Monsieur Arnaud and Sade, some of my favorite studies of bleak hearts in comfortable surroundings.

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George Parker

"My Father and I", as the DVD was entitled, spends its time examining the emotional erosion of an icy, controlling, stilted, and successful Gerontologist upon the return of the father who abandoned him as a child. A well presented psychodrama with a solid cast, good production value, and a meager storyline, this film tells its tale of gathering rage cloaked in polite conversation through nuances of body language, behavior, and minimal dialogue. Subtitled and ambiguous in beginning and end, "My Father and I" was well received by both critics and public the public at large given allowances for subtitles. Recommended for French film fans into psychodramas. (B+)

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William J. Fickling

This superb French film is at times so closed and contained, in spite of several outdoor scenes, that at times it comes close to being claustrophobic. This isn't a criticism;the same could be said of some of Bergman's great films. But, likes some of Bergman's films, its intensity can be overwhelming. I won't reveal much of the plot, but suffice it to say that it seems to be saying that, no matter what our achievements, for many if not most people, life is largely a matter of surviving, that is, surviving the damage inflicted in the early years, and minimizing the amount if damage we inflict on others. A masterful and painful film. 9/10

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