Well Deserved Praise

I like Black Panther, but I didn't like this movie.

Beautiful, moving film.

An action-packed slog

When i first heard of this movie after seeing a preview for it before Sleepy Hollow in the theater, I was a bit curious about this movie. Soon, I rented it on VHS and enjoyed it. Being that it is Sofia Coppola's debut movie, with Lost in Translation being her most popular, it's worth watching again and again. The soundtrack by French new wave band Air is classy, and the casting of the women is amazing. Kirsten Dunst is pretty good in this movie during the year she became a huge star thanks in part to Bring it on, crazy beautiful and the cat's meow the year after, and in 2002 her biggie in Spider-Man.

Sofia Coppolas debut is my absolute favorite of all of her movies. Virgin Suicides has a unique look and is totally visual poetry with charming and hauntingly beautiful and melancholic scenes. The stunning photography, the slow paced style of telling the story accompanied with the wonderful soundtrack makes this movie an absolute winner. If you are new to Coppola watch her debut and enter the world of sadness, happiness, emptiness and love. Ed Lachman captured that wonderful light and Coppola really did something wonderful with the book which the movie is based on. This is a highly recommended movie everyone should see at least once and if you catch it screening in a theater near you on 35mm go and watch it, I was lucky to do it and it was wonderful!

Set in 1974, the story centres around a group of teenage boys and their fascination with five mysterious sisters known as the Lisbon girls in their final days.The story begins with the attempted, and then successful, suicide of the youngest Lisbon, Cecilia who impales herself on a metal fence during a party that was intended to cheer her up after her first suicide attempt. The family are left devastated and while the four remaining sisters, Therese, Mary, Bonnie and Lux (played perfectly by Kirsten Dunst) don't outwardly display the same self-destructive tendencies Cecilia showed, it is clear that their strict upbringing by their passive father and overly religious mother is a source of discontentment for them; most notably Lux, the youngest and easily least content of the remaining girls.A glimmer of hope appears when Trip Fontaine (Josh Hartnett), the cocky high-school heartthrob falls in love with Lux, who ignores him at first, which makes him want her more. He asks her to the homecoming dance and her parents reluctantly agree but only if he can find dates for all of the sisters so that they can all go. There are, of course, no shortage of potential dates.The evening goes well until Lux misses curfew because she is having sex with Trip on the football field. He loses interest in Lux immediately afterwards and abandons her, leaving her to make her way home the next morning by herself, causing the girls' parents to put them all on total lock down. They are taken out of school and withdrawn from the world almost entirely.Feeling dreadful for the girls, the neighbourhood boys do what they can to help them feel connected to the world, such as playing song lyrics down the phone to each other and using flashing lights to communicate Morse code across the street.The lock down seems to send Lux over the edge as she starts having sex with random boys on the roof of the house, much to the boy's amusement.One evening the boys think their luck is in when the sisters invite them over after Mr. and Mrs. Lisbon are asleep, seemingly to go for a joyride or road trip. But when they arrive Lux appears to be in a melancholy mood. In reality, the sisters have each taken their life in a different way in a different room of the house and they just wanted the boys to witness it.I must admit that I went into this movie biased towards liking it as years before viewing I had the ear candy that is the soundtrack composed by French duo, 'Air' that compliments the movie's dreamy, surreal tone perfectly.No real reason or catalyst is ever given as to why the sisters feel that suicide is the only escape from their present reality and some feel that the movie glamourizes suicide (the movie is very beautiful), but I would argue that as the story is told through the eyes of a boy who idealises the girls, many years after the events of the movie took place, he is telling the story as he remembers it, not how things actually were.

I came to this film being a huge fan of Sofia Coppola's other film Lost in Translation. Lost in Translation is a 10/10 picture for me and one of my favourite films ever, so I went into her first film The Virgin Suicides with high hopes..It's about a year or so since I have seen it, and while writing this review, I must express that I was initially disappointed expecting more, even dismissing the film as a little boring....However, the film kept coming back into my thoughts afterwards and I can still recall vividly the opening shots of the film accompanied by what I now consider to be one of the greatest soundtracks ever made, by the French duo: AIR. Using their music for the film was in my view, a genius choice from Coppola.I will never underestimate the power of a soundtrack in a movie and neither should you. Take for Example: John Caprenter's Halloween. The film test screened to audiences without the infamous score and the test audiences thought it was a bad film, you know what it became with the score in place, an outright classic. Music can be just important as great cinematography..I certainly took away the soundtrack from the Virgin Suicides, I was listening to the whole album regularly. Then slowly but surely parts of the film crept back in to my thoughts, the beautiful cinematography, the great performances, the wonder. The soundtrack and the film are intrinsically linked. I look forward to seeing it again, knowing I will definitely enjoy it more than the first time round.. It's definitely a grower...