Wonderfully offbeat film!

Very Cool!!!

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

This one started out somewhat slowly, and -- as everyone seems to agree -- really got rolling when Peter Dinklage came along, but from there on I was really engrossed. Yes, some facets could have used more polishing; perhaps there were just too many characters and situations to fully flesh them all out satisfactorily, but given the genre-transcendent nature of the movie itself, it actually doesn't seem troubling to have a loose end here and there. Life is nothing if not occasionally sloppy and unpredictable.The 3 "hot chicks" (rendered in quotes by me because it's a cringe-inducing cliché, not to evoke sarcasm) were quite lovely, and Alice so much so that it was difficult to imagine Jim truly waffling over her. She was too charming for that. Still, by the time the story played out, it made at least some more sense, and Jim did win me over eventually.My one major complaint was that Jim's friend didn't explain to Alice what had really happened in the friend's place. (I'm leaving it vague to avoid spoiling it; if you've seen the movie you'll remember.) I don't understand that, and I don't understand why nobody else is complaining about it, either. Perhaps I missed something. As of now, I feel like that omission was for plot purposes, and it doesn't ring true.Aside from that, I really enjoyed this movie a lot, especially Dinklage's typical show-stealing performance and the winsome heroines. There are some really good laughs and a lot of pathos here. 8/10.

A question that will plague you for the rest of your (pardon the obvious here) life is: What is life all about? We seek out the answers in books, in academic theses, in movies, and yes, in life itself. As we walked out from the theatres after watching the preview of this movie, we were somewhat convinced that the past 109 minutes have presented us with a rather poignant portrayal of life.Surprise, surprise - the movie wasn't manufactured from the Hollywood's ingenious machines and computers. This time round, it's the kind mates from Down Under who have managed to make a film that is emotionally engaging, as well as enjoyably entertaining.Our protagonist is 30 plus year old Jim, who is unable to commit to Alice, his girlfriend of three years. Like every other girl, Alice wishes that her boyfriend would say the three magical words – you know which ones, don't you? One situation leads to another, and Alice considers leaving to take up a job in England. Elsewhere, Jim meets the vertically challenged Charlie who gives him a new insight into what love really means. In this somewhere there's also Jim's best friend Blake, his pregnant sister Marie and her rough edged husband Owen.We acknowledge the fact that the synopsis doesn't really sound exciting, but think about it – how exciting is life itself for most of us? What triumphs for this movie is its nice blend of comedy and affecting drama. We hate to say this, but if this screenplay was taken up by a money raking Hollywood studio, or for that matter, a local TV production house, things would have turned out to be a dreary drab of a mess.Maybe you can call it first time lucky, because here we have first time writer Peter Helliar penning the screenplay. It is also the directorial film debut of Daina Reid. They may not be familiar names with us in this part of the world, but trust us, there is really a lot of heart in this one.While watching this well written movie, you'd be reflecting on the various aspects of life – love, friendship, kinship and the little episodes which play themselves out amidst these larger grand themes. Helliar have managed to capture the little moments in life which define the greater moments – from the quibbles in a restaurant, the wild parties in a club, to the efforts taken by a friend to cheer his pal up, and a simple desire to connect with someone through writing letters. These setups are written with a fresh touch of humour, which remind of life itseld. Reid has also done a decent job of directing her cast in the various situations, never at once making them caricatures which we are so used in Hollywood movies and TV productions.The cast delivers fine performances here. Brendan Cowell plays Jim, a familiar man in his 30s who is emotionally diminutive. – not just because he works at a miniature railway. The Australian actor exudes an underachiever charm that is both charismatic and empathizing. Helliar takes on the role of Jim's best friend Blake, who may seem rough and tough on the surface, but has one of the best lines in the movie when he tells Jim what he really feels about their friendship. Yvonne Strahovski plays Alice, the girlfriend who has to make a really important decision about her own life. The sweet looking actress puts her appealing looks to good use here. Fellow Australian actors Birdie Carter and Travis McMahon also display their acting chops in the roles of the wife and husband who are experiencing some bumpy times while expecting their first child.Watch out also for Peter Dinklage's unforgettable performance as Charlie, the American who changes Jim's life. The actor has achondroplasia, a form of dwarfism, which naturally makes him different from the rest. But that doesn't stop us from commending his moving performance – it's one of the best we have seen this year.You end up feeling and caring for all the characters in the movie, and that's because you are living life.

Jim (Brendan Cowell) and his best friend Blake (Peter Helliar) are in their early thirties and still enjoy hitting the clubs together. Jim is far more successful in meeting women than Blake is but his encounters rarely last more than a single night. When he meets Alice (Yvonne Strahovski) in a club they both happily expect to be together for just for an evening but their relationship continues for another three and a half years. Jim works in the largest miniature railway station in Australia, while Alice is contemplating an important job offer back in the UK. She is frustrated in seeing other people strengthening their romantic entanglements, while Jim has still not proposed to her. When Jim embarrasses Alice over dinner and cannot bring himself to say that he loves her, she decides she will leave him and take the job offer. Distressed, Jim hits the bottle and the clubs once more and ends up sleeping in someone else's car. The vehicle belongs to Charlie (Peter Dinklage), who is initially going to call the police, but he decides he will try and advise Jim on how to make it up to his girlfriend.For almost a decade now Australian cinema has seen both the very best and worst comedies that an industry could offer. The fluctuations in quality can largely be attributed to the types of the scripts that are produced. There are some like Kenny (2006) that are perfectly tuned to Australia's unique brand of humour and present colourful but wholly relatable characters too. Then there are those like The Extra (2005), so painfully devoid of laughs, that they tarnish Australian films collectively as being lacklustre. I Love You Too, directed by Daina Reid and written by co-star Peter Helliar, falls somewhere in the middle of the Australian comedy spectrum. It is a frequently crude and improbable film but it at least knows where its heart lies. Its predictable narrative offers familiar and transparent themes of mateship and the importance of responsibility, with sporadic laughs along the way. The film's main setup in having to win Alice back is problematic because it is difficult to accept that someone so beautiful would be willing to tolerate a buffoon like Jim. Jim's dialogue in the restaurant scene is so obnoxious and unsubtle that it strain's the audience credibility in believing that this relationship could have existed for so long. Helliar's crude brand of humour works wonderfully in small doses on TV shows that offer similarly crazy tones, but here it is cringing rather than witty. A scene where he decides to introduce Jim to a fifty-year-old hooker because he thinks she looks like Alice is indicative of the lowbrow humour that he has become accustomed to.Rather ironically, what buoys the film is also its small ingredient. The casting of Peter Dinklage, a dwarf actor who was so convincing in Death at a Funeral (2007), is an inspired choice. Helliar has admitted writing the part specifically with Dinklage's voice in mind and as such the role fits accordingly. Dinklage is not only funny but he grounds his performance where the other actors cannot. He offers a sense of class and astuteness to his character and his final moments on screen are surprisingly poignant. Given how obnoxious and lowbrow his character is, Helliar thankfully only has a minor role to play himself as the boofhead friend. To his credit, he does have one single great line where he concedes that some men like Jim have an aura that lets them have any girl they want, whereas someone like him can only hope that a woman will look past all his flaws. Cowell is an unlikely romantic lead and even by the end of the picture he still does not have the level of sincerity to convince us that he belongs with Alice. His chemistry is best shared with Charlie and together their scenes bring some laughs. Megan Gale has a solid debut, playing an Italian model and she is a gorgeous inclusion.I Love You Too is a familiar and lightweight romantic comedy with occasional laughs and a sugary, predictable conclusion. The material here, particularly the characterisation, is largely insubstantial and too often does the film aim for cheap laughs rather than anything particularly smart or witty. It is at least rescued by the professionalism and charisma of Dinklage, who makes this at best a standard Australian comedy of good but unremarkable intentions.

Many Australian cultural males like I would probably enjoy this film I recommend every male take his girlfriend to this Although movie is classified as a Romantic Comedy there certainly wasn't any Hugh Grant style head over heals Romance between Alice and Jim shown, in contrast we see the suburban after honeymoon phase a static couple living together. Jim his biggest challenge in life is showing loving affection to Alice, Alice now 3 years older longs for more from a partner and decides to move on, we follow Jim and Alice in their separate ways and the emotions they feel along the way.The movie is more about the mateship between the male leads Jim & Charlie and long term mateship between Jim & Blake. What we are shown the 'first date' between Jim & Alice and their static routine 3 years later, what romance bonded them is never directly shown in the movie, however a spiritual trusting connection is evident.This film shows how important good mates are in a mans relationship life, A mans motive for lack of commitment or expression of emotion is not always represent his true feelings. Past events, traumatic experiences or lack of experience can limit a males ability to move a relationship forward (culturally males generally don't share this or ask for help) and Blake, even the Guy who appears to holding you back, can actually be your most loyal and generous friend.