Good story, Not enough for a whole film

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

That is not to say at all that I Married an Angel is a complete catastrophe because it isn't. If the songs are good and Nelson Eddy and Jeanette MacDonald sing well then things are already raised up a few notches. And that is the case with I Married an Angel. Unfortunately it does have a lot of things that didn't come off well. The story was paper-thin, then again that was expected as the stories in Nelson and Jeanette's films are far from the strongest aspects, but doesn't come across very well despite that. The first half did come across as too sickly sweet, and the plotting does get very clumsy and difficult to follow(it really showed how censorship chopped the story to bits) complete with a surreal dream sequence that went on for too long and was weird even for a sequence that was intended to be surreal.Some of the fantasy/romantic moments are charming though and heart-warming and there are a few witty quips from Jeanette MacDonald and Edward Everett Horton throughout the film. Scripting-wise, I Married an Angel could have benefited from a lighter and more satirical touch, it has its moments but if censorship hadn't reared its ugly head then the film would have felt less heavy and much sharper. Again like the story it has moments but they aren't enough. And as great as Nelson Eddy's singing is and his personal charm and handsome looks are, he did seem too stiff in his role, there are also a couple of unforgiving camera angles which suggests that he was also a little too old.Things are definitely made up for though by the lavish costumes and sets as well as the crisp photography. The songs are just lovely, especially the title number, A Twinkle in Your Eye and Spring Is Here. The choreography has its charm and energy too, the Jitterbug number between MacDonald and Binnie Barnes is a lot of fun and they seemed to be having fun too, which is a pleasure to see. Edward Everett Horton(though his roles Fred and Ginger films serve his talents better), Reginald Owen and Binnie Barnes delight in supporting roles, making the most of their material despite it not being the best to work with. Nelson Eddy and Jeanette MacDonald's pairing and singing are the best thing about I Married an Angel.While Eddy has been much better dramatically, he still has that wonderful baritone voice- the most beautiful of its type on film, those Howard Keel comes close- and he has the songs to show it off with, it sounds very rich, supple, beautiful and robust with a touch of sensitivity as well. MacDonald was always the superior actress and she is incredibly beautiful and sassy, and he sounds lovely too, singing delicately and with sweet understated tone in Spring is Here. Though maybe the Jitterbug number was not the right style for her and did seem like the sort of song that needed a bigger voice but she still sings the heck out of it. The two work really well together, and blend beautifully in their duets.All in all, the weakest of Nelson Eddy and Jeanette MacDonald's collaborations, but from a personal perspective while flawed it was not as bad as heard. If it weren't for the censorship though, I Married an Angel might have been a different and better film. If you want to see a film more than worthy for this duo look to Maytime or New Moon. 6/10 Bethany Cox

This movie improves with every viewing! Because it's a fantasy, every time you see it, you notice different things going on in the background. I used to mind the occasional cut-aways to Willie asleep on the couch, but I realize that even now---perhaps especially now---audiences need to be reminded that it is a dream they're watching. If some parts of the narrative are disconcerting, it seems that several scenes were cut before release, scenes that explain things like the crowd in the street in front of the Palaffi Bank when Willie arrives for work, Peter's sudden appearance and instant dislike of Anna, and how "all of a sudden" Peggy becomes Anna's best friend. But it is a delightful film with beautiful singing, memorable songs, and sly satire that works on several levels. A real treat: watch it! (Regarding Anna's wings at the party: Foil-covered cardboard and a costume made ofbed linen are jealous Marika's attempt to make Anna look foolish.)

This film starts out promisingly, with some witty and sophisticated dialogue, but it deteriorates towards the end, when the joke has worn thin. The birthday party scene, with Jeanette in her tacky little angel costume, was delightful, as was the following segment where Nelson falls asleep and is visited in his dreams by a real angel, also played by Jeanette. The scenes where she slowly learns the art of being insincere and how to skirt around the truth are also a lot of fun.But the joke goes on for too long, and musically also the film takes a downward slide towards the end. Musically, both stars were capable of handling much better material than they were given in this film, and it's a shame that, while there are some pretty little songs in the early part, there is not one really memorable musical number that allowed them to shine as only they could.But the pair handle the inferior material as well as anyone could, and there is still a special magic between them.Just a pity about the heavy censorship of the Hayes Office, and the lack of a really good score.

The movie is a fantasy. The story line is thin but serves as the structure upon which some wonderful songs are sung and sung beautifully. (I still cannot believe that such handsome and attractive people could sing this well.) Some of the dialog is wonderfully clever. The costumes made me feel as though I was watching a haute couture fashion show from 1942.Movies are designed to serve various purposes. This one is designed to entertain and it certainly does. If I have one negative comment it would be that Nelson Eddy was a little too old to be the handsome dashing Count. Some of the closeups made me uncomfortable. But he could still sing and sing magnificently. However, Jeanette MacDonald was just as dazzling as ever. She makes a spectacular angel.This genre is well before my time, and I an new to the Jeanette MacDonald/Nelson Eddy films and related conversation. The music in this movie is beautiful. As much as I love the classic rock music which fills most modern movies, there is no question in my mind that this music is simply and clearly more memorable, more delightful, better constructed. The stars in this movie are more talented than the stars I see in the movie theaters today. And Jeanette MacDonald, without the benefit of Beverly Hills plastic surgeons, was more beautiful than the stars I see today. I am unclear as to why so many other posters are apologetic about liking this movie and more generally this group of movies. They say it is dated and try to explain why it is the way it is. And those that do not like it say that it is not very good but compared to what? I think this movie will doubtless still be entertaining people when so many other movie are long forgotten. There is just too much quality in every way in this movie for it not to be remembered and enjoyed. I recommend this movie without reservation to anyone who appreciates great talent, great beauty and great music.