Surprisingly incoherent and boring

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Blistering performances.

The title of "I Shot Billy the Kid" pretty much says it all. Told from the perspective of Sheriff Pat Garrett (Robert Lowery) in flashback, the film covers the last three years of Billy the Kid's (Don Barry) life. It's billed as a "Don Barry Production".It starts out with a shootout from the Lincoln County Wars between the Murphys and the McSweens. Billy escapes to New Mexico and begins a series of robberies and killings. One day he saves Garrett from an Indian attack and the two become friends. After he becomes sheriff, Garrett tries fruitlessly to get Billy to reform even to the point of having him meet with Governor Lew Wallace (Claude Stroud) to seek amnesty.When the governor's amnesty is delayed, Billy feels he has been double crossed by Garrett and continues in his sinful ways. Faced with Billy's apparent unwillingness to reform, Garrett is forced to go after him and.........................................If you have a feeling of deja vu when watching this film, join the club. Although this little 57 minute low budget actioner precedes both "Chisum" (1970) and Peckinpah's "Pat Garrett and Billy the Kid" (1973) by some 20 years, you'll see elements of both films in this one. The Lincoln County wars were the subject of "Chisum" and the pursuit and killing of Billy are covered in the the Peckinpah film in much the same way they are presented here (minus the budget).The characters of Vicenti (Wally Vernon), Billy's love, Francesca (Wendy Lee)and the taunting deputy, Bob Ollinger (John Merton) are all similar to those in the Peckinpah film. Could it be that Peckinpah borrowed some of his ideas from this little programmer? Nah.Tom Neal has a small role as Billy's pal Charley Bowdrey and has really nothing to do. Barry, as were most of the actors who played the role, was really too old to play Billy who was in his late teens/early twenties when this story takes place. Nevertheless, Barry does OK even though he was almost 20 years too old to play the part. I always preferred him more as the villain rather than the hero. Once again there are endless running shots of various characters riding along the road to somewhere or other as was the case in many of these films.Interesting in view of its similarity to the later films.

As in "A Donald Barry Production." 'Nuff said.This William Berke Productions version of Billy the Kid's saga mixes much fiction, even to the names of all of the New Mexico towns other than one, with few facts but does give non-Producer star Don Barry a chance to show how lovable he can be even when playing a cold-blooded killer. He misses on that point, despite more grinning close-ups than the law should allow, but he is better than Jack Buetel. The film, based on just being a low-budget quickie version of Billy the Kid, aimed at grind-house Saturday matinées, hits that target dead on even if does use endless inserts of Billy or Sheriff Pat Garrett, on horseback, loping along hither and yon to pad the running time.The real highlight of this one is possibly the single-worse performance ever seen in a B-western in Claude Stroud's portrayal of New Mexico Governor General Lew Wallace. Filled from front-to-back with B-western veterans such as Frank Ellis, Ray Henderson, Jack Perrin (playing a Garret deputy named Mack), and Merrill McCormick (playing a Garrett deputy not-named Mac), and even (brief) archive footage, featuring Bob Cason and Tom Tyler from Ron Ormond's Jimmy Ellison/Russell Hayden series, and excellent camera work by Ernest Miller and Archie Dalzell (one of the few instance of a camera operator actually receiving a screen credit in this period of film history), and editing by Carl Pierson in making the archive footage fit seamlessly, except the one instance of using really-archive footage from a silent film.Actor/writer Dean Reisner, credited on the film as Dialogue Coach (a job he often performed) must have been out to lunch when the Stroud scenes were filmed.

Yes, I know. Low budget shoot 'em up. Don Barry more than twice as old as the Kid lived to be.My uncle was a Western fan back in the late forties/early fifties. We used to go movies on Friday nights, (Durango Kid, Red Ryder, Rocky Lane, etc). I was hooked for life. I love the old westerns. I remember when we first got a TV. There was a dinnertime western movie program called "Stagecoach Theater". (Johnny Mack Brown, Buster Crabbe, Bob Steele, Hoot Gibson, Tim McCoy, Tex Ritter, Buck Jones).I remember watching "I Shot Billy the Kid" with my father late one night. I have been trying to find a copy for years without success. Can anyone help?

Don (Barry) dons the role of the young rebel outlaw of the Southwest. Barry is probably twice the age that Billy ever lived to be...and history is played with fast and loose in this low budget quickie produced by theatre owner/producer Lippert. Plenty of action, and Barry's screen presence make this one acceptable viewing.