At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

The acting is good, and the firecracker script has some excellent ideas.

This movie feels like it was made purely to piss off people who want good shows

Loved Susan Hayward's work and the famous jazz musicians in the opening scenes. But, you need to read court records and the account of the LAPD lead investigator if you care about what really happened. This movie is largely a fictional account, written and produced by people against capital punishment. Which is fine--we have freedom of speech here. Freedom for Hollywood to pass off fiction as truth, and freedom for me to call them out on it. Two examples of unnecessary fictionalizing in an attempt to gain public sympathy for the anti death penalty movement: 1. She certainly wasn't going to visit her baby when they caught up with her--she was going after a fix. They knew her main drug supplier and had him under surveillance. They followed her back to the hideout from a drug score. 2. When the main LAPD investigator reached the hideout, there was no scene with people and spotlights out in the parking lot. It was a surprise bust--they forced the door and found Barbara and one of the two male gang members naked. Neither one a big deal, bust just examples to show you how full of chit the plot was.

I saw this movie when I was in elementary school and it's clear in my mind to this day. I don't believe I ever saw it again. It is so painful to watch. An attractive, feisty woman, Barbara Graham, is charged and convicted of murder. It is obvious that she has been made a scapegoat for an inconsistent legal system that is under the gun. We often view people on death row with narrowness. This movie, unlike any ever made, gave us a look at a human being, with aspirations, with hopes. The final scenes of the actual execution in the gas chamber should make anyone horrified. We obviously have no consistent criteria for those who live and die. She was not a monster but, despite pleas from every direction, she paid the ultimate price.

After watching "The Green Mile", "Monsters Ball", and "Dead Man Walking" I was pretty much convinced that Capital Punishment is beyond evolved societies. This film supported my belief only during the final moments that illustrated very precisely how to prepare a gas chamber for a death sentence. Fascinating, but looks like a decent way to go vs Chemo/Radiation for years.I am not a fan of Hayward and her histrionic performance did not lend well to portraying an innocent woman. The incessant cacophony of avant garde jazz only distracted from the capture of a fallen woman who went way astray in life. I know there are innocents in prison, on death row, etc., but this one-sided operation annoyed me more than instigate sympathy.I cannot recommend this film due to the poor performance of Hayward who supposedly was not a heroin addict but surely acted like one. Too many elements of the film were incongruous. With the strong emphasis on how this is based on actual facts, letters, discussions by a newspaper sensationalist headliner only debased the content vs enhance.If you are on the fence about the Death Penaly watch the three films aforementioned.

Whether Barbara Graham was really framed for murder or not is never really the point of this melodramatic look at a woman on death row, played to the hilt by SUSAN HAYWARD in one of her gutsiest performances. The main point seems to be showing us what a devastating time any prisoner on death row has while waiting for that execution to proceed. And in this, Robert Wise succeeds with his powerful film about the accused murderess Barbara Graham.That Hayward can actually make us feel sympathy for her character when she's depicted as a tough-talking, bitter dame who takes no nonsense from anyone (even those trying to help her), is a credit her talent as an actress who never tries to soften her portrayal of the party girl paying for a life of petty crimes that may include murder.SIMON OAKLAND as a reporter who begins to have doubts about her guilt, is excellent. There's an almost documentary feel to the whole film and this is partly due to the uniform excellence of the entire cast, all of whom come across as real people. But the main credit must be given to director Robert Wise who does a fine job with some truly harsh material.The jazz score background effectively balances the look and feel of the story. Well worth watching as an inside look at how justice sometimes works, while raising questions in the viewer's mind as to Graham's guilt or innocence.