Best movie ever!

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

A clunky actioner with a handful of cool moments.

Beset by tragic circumstances, often instigated due to her unfathomable beauty, the cruel fates bestowed upon her poignantly explored over the course of the feature, Ichi (the enthralling Haruka Aysae), a goze (a blind performer, who serenades people with her vocal talents and shamisen playing capabilities), with uniquely outstanding sword fighting skills, provided by a master she longs to discover, is forced to wander alone, after been accused of nefarious activity that was not of her own doing.Set during an unidentified ancient period in Japanese history, the self-titled Ichi combines exceptional cinematography that wondrously captures the environments, while at the same time, the lavishly rich musical score heightens the beauty of the environments, and the poignancy of the horrible occurrences the leads are forced to endure. The bloody violence that accompanies the fight scenes is neither over the top, nor too little, and much like the rest of the feature, efficaciously encapsulates what can only be perceived as an accurately brutal portrayal of how cruel and barbaric, yet at the same time, vivid, life in this particular period could have been.Touma (Takao Osawa) is a swordsman on a pilgrimage, and though he is capable of pretentiously boasting about his capabilities, he finds himself unable to draw his sword, for reasons that are conveyed over the course of the plot. The decision to not automatically reveal the back-story of the two leads brilliantly makes both characters mysterious and enchanting, as we hang on their journeys, in the hopes of discovering more about them, the depth provided to their characters been exceptionally orchestrated. Upon venturing into Ichi's life, she is forced to defend him against members of the villainous Ban-ki gang, their deaths spurring a vendetta, cast by their fellow members.Led by the antagonistic Banki (Shido Nakamura), a once revered Samurai, past events left his face hideously scarred, though these afflictions are not nearly as grotesque as his mind, this man being turned into a lunatic warrior with a thirst for bloodshed, his violent origins having a direct link to Ichi, which is again further developed as the plot progresses. Accompanying Banki are a collection of equally violent men, one of whom being Izo (Riki Takeuchi), a fighter who proves to be almost as equally terrifying as his leader.On their journey, Ichi and Touma come upon a town run by the Shirikawa's, a family consisting of Chobee (Akira Emoto) and his son, Toraji (Yosuke Kubozzuka), both of whom are members of the Yakuza, their township been plagued by continuous raids from the wretched Ban-ki gang, the local governmental personnel been unwilling to provide support. With the help of Kotaro (Ryosuke Shima), a young boy, Ichi is able to explore the town, during which she punishes members of the Ban-ki gang, Touma taking the credit for this particular brand of justice, which causes the town to hire him as their protector, unknowing that he is in fact incapable of providing the assistance they require, as the advances by the enemy continue to rapidly escalate.As Ichi and Touma begin to spend more time together, a unanimous form of understanding and respect begins to grow between them, as the two traveling individuals discover they need each other for separate reasons. It ought to be noted, some of the sexual content in the film evolves around rape, and though I personally loathe films that use rape, or the threat of rape, as a form of entertainment, in the case of Ichi, this hideous act is used to not only realistically depict the horrors of the climate, but strengthens the sympathy we feel towards specific characters.Although I have not previously witnessed the Zatoichi films this particular feature carries on from, so am unable to offer a comparative analysis, Ichi is a moving film with an equal amount of heart, brutality, character, depth and action, which elegantly and continuously captures the attention of its audience with the use of adventurous direction and poetic beauty.

ICHI is a Japanese samurai movie with a twist: the blind warrior of the title is a woman in this one. Heavily based on the popular and long-running ZATOICHI series of films, the story sees Ichi ending up in a small town that's been overrun by bandits. The plot is complicated when another swordsman, traumatised by the events of his past, falls in love with her, is mistaken for an expert swordsman, and becomes the town's protector.There are shades of YOJIMBO in the look, style, and feel of this production, but it manages to be a successful film in its own right. It also reminded me a little of AZUMI, although ICHI is more drama than action focused. And it's in the characters and the human drama where this film excels: there's emotion to spare in this story, along with characters you learn and care about throughout, and the acting as a whole is superior for the production.ICHI is hardly an action packed movie but there are some key moments that impress, alongside an extended climax that makes up for some of the slower points in the story. The swordplay is over with pretty quickly, as is the norm for samurai cinema, and CGI blood is overused, but it's not much of a detraction. As a whole this is a mature, intelligent, and enjoyable piece of historical film-making.

Epic! I loved this movie! The action scenes are really cool. the swordplay is a lot of fun. there are some bullet-time action scenes. the classic blind samurai portrayed through a lonesome girl is very intriguing. it's going to catch your attention and take you into ichi's world. ichi is special because, we feel for her, become attached to her, and don't want to see her suffer. "ichi" envelopes you through sound and hearing. we all know she is blind, and develop a keen sense of the sounds that trigger events. the shots are very cool, soothing, and warm colors express vibrancy and visual sensation. the play on sounds pulls the viewer into "ichi's" vision-less world. it's easy to fall in love with the main characters, because they have so much personality, and are very charismatic. i highly recommend this movie! It was awesome from beginning to end!

I hate this film, It is really one of the worst Asian films I have ever seen. Now everyone who has heard of Zatoichi or seen even some of his films or episodes,then you know how the story goes. Me personally I only saw the last movie with the original actor and the 2003 adaptation so I am not biased in the least. Now some people are either giving it flack or praise for casting a female lead. To me I don't care in the slightest. Haruka Ayase is really good in this role as Ichi and she comes in and slices and dices her foes as expected.Then comes in the secondary character, the buffoon Fujihara who likes to run to the rescue, but can't draw his sword because when he was little he swung his sword, broke the tip of said sword, which flew across the court yard while his mother who happened to be passing through who gets slashed across the eyes blinding her. This is which in turn makes him unable to draw his sword. You honestly would think you were watching a Final Destination film. And you know what it didn't bother me until he starts lecturing Ichi on stepping up and saving lives and that is when he the film goes down hill. This man claimed he stepped in to help, yet if Ichi wasn't around he would have been killed along with the hooker.Now I don't know if the director is a chauvinist, but if you have movie, named Ichi, and the lead actress is named Ichi and if her picture is posted on covers, trailers and posters, then why doesn't she play second fiddle to the buffoon? I mean seriously, the girl is badass, she's tough and you like her, but after one confrontation with the big boss (another problem with this movie) the buffoon suddenly realizes he is an ass and takes out the bad guy in a few strokes? Isn't she the star, shouldn't she have the chance to redeem herself as so many other characters do in movies like this? Instead they make her contemplate life and gets saved by a man and cry! This is the kinda crap that gets me with movies and shows in general. They build up these characters and make them larger than life, but for reasons that defy me, they add a little dose of "realism" and make the character fall into a generic stereotype. Its like making The Bride in Kill Bill find her daughter midway through the film and she spends the rest of the film dodging assassins and panicking like a concerned mother. Didn't this character mow down dozens of bad guys in the previous films? It doesn't follow the same tone.If you want to watch this movie for Haruka Ayase's looks and acting ability, just remember; there are two little things called youtube and google and you can watch her anytime you want instead of shelling out twenty dollars on this movie. Skip this movie!