Sorry, this movie sucks

It is a performances centric movie

The acting is good, and the firecracker script has some excellent ideas.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Truly lousy screenplay sinks this one. Gabrielle Anwar, Adrian Dunbar, and Stephen Dorff all try hard to make this work (Dorff even attempts an English accent!) but the plot as it unfolds doesn't quite work. There seems like there was some scenes left out that might have made some of the explanation of why the characters do the things they do (or why they feel as attached to one another as they do) The murder of an old friend brings a detective played by Dunbar into contact with this posh well to do aristocratic family including a pair of siblings played by Dorff and Anwar...and they're both engaged to other people, and havn't seen one another in five or so years, but they both harbor a dangerous attachment to one another. There's a backstory here that includes a third sibling (A twin for Dorff) who died under mysterious circumstances---it seems like it was an accidental death (or was it???) at the hands of an errant crossbow shot by Dorff as a child and in their grief he and his sister apparently clung to each other cementing a you know primal relationship that can't be surpassed no matter how apart they grow or something? I'm not entirely sure--but i think that's it.Trivia Alert BTW---A very young Kiera Knightly plays the younger version of Anwar in the flashback scenes of her as a girl. Anyways the movie makes a hash out of all of this while also trying to bring in a bunch of other suspects who could plausibly have killed the detective's old friend--but we all know its gonna come down to either Dorff or Anwar because otherwise there'd be no movie!!!! There's a plotline involving the detective getting overly involved with Anwar, much to the horror of the woman he shares custody of a child with although i'm never sure if they're married or divorced or just around each other an awful lot. (The detective's relaionship with his daughter is also touched upon, but again its all tangential to the mystery he's trying to unravel.) Anyways this could've been first rate--but its a mess. Its a complete hash of a muder mystery and the ending is bad....really, really, really bad. But its well filmed!!!! The movie looks really, really good---visually its a good looking movie, but its all for nothing because you will not care one way or the other about what's actually happening onscreen.

The cinematography of this film was brilliant, choice of location plus the genius of the camera work kept me enthralled with a shallow and convoluted plot that took red herring to waters it had never been to before. The little hamlet and eccentric interiors made an impossible film watchable, enjoyable even. The premise of the plot was the suicide or murder concept of the hero regarding the best friend and introduced in the first scenes. The rest of the movie was interwoven and seemingly totally disconnected scenes of incest or gratuitous pants dropping or bums in the buff. There were some of the scenes that served no purpose other than to expose an actor's body to the camera or tight shots of Adrian Dunbar's nose. It was as if the editors tossed the dailies up in the air and pasted them together quickly based on aesthetics rather than plot advancement. I think there was a plot at one time in the manuscript but it was discarded and the film became a series of patchwork scenes lacking cohesion. I was glad it was over though it was not easy to tell when that was going to happen because it could have been anywhere along the line. It was not a great film, a dozen yrs old and so aggravating it inspired me to take more time on it and write a 'review' on a pretty bad movie.

Is it a war movie? Is it film noir? Is it cheap titillation? A deep exploration of complex and controversial relationships? This film cannot decide what it is and so, as another person noted, must require several viewings in order to make sense. Sadly, it is just not compelling enough to warrant multiple viewings - unlike other films that ARE rich with complex themes and artistic vision.The actors valiantly try to overcome the morass that is the script - but were probably as annoyed as the rest of us at the myriad loose threads that never tie up.Adrian Dunbar portrays the frustration of someone tempted and confused by things around him - he must be the avatar for the viewer. Stephen Dorff offers another workmanlike portrayal of your friendly neighborhood rebel without a clue. Gabrielle Anwar, who is usually a fine actor, is stuck with a character whose neuroses become tedious and irritating by the end of the film. Joanna Lumley escapes caricature by a false eyelash and looks luminous in the period fashions. The rest of the cast are superfluous at best and annoying distractions at worst, doing nothing to advance the story. They and the plot lines that involve them do not even qualify as decent red herrings.The cinematography is lovely - very atmospheric and evocative of the era - as are the costumes and staging.Unfortunately, Dewolf's grasp at Art exceeded his reach and no amount of plot devices can make this murky movie anything more than a mild diversion. Perhaps the fault lies with the editing - which would explain the subplots that disappear and other senseless oddities. A tighter script, a focused plot, and less cheap titillation would have permitted this talented cast to fully engage the viewer in a riveting mystery flick.

Very good movie even though a bit complicated to follow when seen for the first time. It is one of those movies you need to see at least twice to fully appreciate it. The principal actors, first of all Gabrielle Anwar, and Stephen Dorff, are outstanding. Noteworthy is also Patrick Blossier´= s excellent photography. Having said that I still think with this highly imaginative and original story at his hands Patrick Dewulf could have done more, simply by concentrating on the main characters. There are too many subplots there that are rather superfluous in that they do not contribute to the main story which is intense enough and need not be pepped up.But still: An excellent movie! I highly recommend it.