Iraq in Fragments
Iraq in Fragments
| 21 January 2006 (USA)
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An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.

Reviews
BelSports

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

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Jonah Abbott

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

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Lucia Ayala

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

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Gary

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

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nomoreprejudice

Iraq in Fragments is a documentary film directed by James Longley. Longley shot the film in Digital Video on a Panasonic DVX100 mini DV camcorder. The film premiered at the 2006 Sundance Film Festival where it won three awards: "Directing Award Documentary", "Editing Award Documentary" and "Excellence in Cinematography Award Documentary". The film is also a part of the Iraq Media Action Project film collection. It was nominated for an Academy Award for Best Documentary Feature. The film was shot in Iraq and edited at 911 Media Arts Center in Seattle. This film has three parts to it which describe the viewpoints of Sunni, Shi'ite, and Kurdish residents.War Criminal George W. Bush Occupied,plundered and devastated Iraq and unfortunately was not impeached or punished!. What A Shame!.

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proptwistr

The most important thing lacking in my understanding of the problems in the Middle East and Iraq in particular is knowledge about the people and their beliefs. This film provides a tiny peephole into what drives Iraqis and what they feel is important. A very revealing aspect of the film is how Muslim religious leaders are able to get followers to exact justice upon those who don't agree with their religious beliefs. An incident where market vendors who are accused of selling alcohol are abused and kidnapped makes is easy to see how Iraqis, driven by religious zealots, can perpetrate such atrocities. Overall, this piece of work is amazing for its ability to get close to the everyday Iraqi and to give the viewer an unbiased glimpse of what life is like for them.

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rainingwaffles

My opinion in a nutshell: it was definitely worth seeing. Lots of great shots inside three incredibly different regions of Iraq, and the film captures many normal Iraqi citizens discussing US occupation and various daily matters. Not surprisingly, there are practically no women shown in the movie.There is no narrative, and, for better or worse, no insight into the differences between the Sunni, Shia, and Kurds.It's nice to see the real people of Iraq, as opposed to the terrorist caricatures created by sensationalist news snippets.In terms of the footage, it appeared to be a mix of film and DV, with good quality the most part with some soft and muddy shots here and there. For the situations captured, the quality of the footage actually seems quite good.Check it out if you get the chance...

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deborahtjjohnson

This documentary does what no other film I've seen has been able to accomplish: It shows the world of real Iraqis on the ground. In breathtaking photography we are guided through three different "fragments" of life in Iraq, in Baghdad, the south and the north of the country. What emerges is a portrait of beauty and complexity, revealing aspects of Iraq and the effects of war and occupation that we never see in this country. But the film is not overtly political, and is difficult to pin down. Instead of being an opinionated political essay like the work of Michael Moore, IRAQ IN FRAGMENTS sticks to the idea of showing the situation without adding political commentary and opinions from the filmmaker. We never hear director James Longley's voice in the film, but we see the world of Iraq through his perceptive camera work and patient skills as a documentarian. This film is truly unique, a work of stunning cinematic quality, both current and timeless in its themes.

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