I like the storyline of this show,it attract me so much

Thanks for the memories!

While it doesn't offer any answers, it both thrills and makes you think.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Viewed this again recently for the ump-teenth time, and found it more entertaining than ever. We are so bombarded by the "relevant," and, "realistic," in films and TV today that "mere" entertainment has been lost, a forgotten craft, almost to be held in contempt.Sadly the lessons of J.L. Sullivan have to be learned over and over again, and so, with "It Happened In Brooklyn," I was reminded of what made entertainment entertaining. Great songs, funny little bits, charming scenes and characters, and most of all, nothing serious. Except fun.Wonderfully tuneful the soundtrack provides a diverse score of popular and classical numbers all, perfectly appropriate to the action and, in the case of Sinatra and Grayson's rendering of Mozart, "La Ci Darem La Mano," a wonderful curiosity not to be missed! Sinatra's delivery of the duet is one way to successfully portray the character: a non-threatening seduction, beginning innocently with, "Give me your hand," or, as the Beatles would say years later, "I wanna hold your hand," and it works very well. Sinatra's easy manner, letting the melodies flow out of him as though he were speaking them, is charming. Grayson's voice is grating at times, but her presence is so sweet and delectable that we forgive it.There is also a delightful setting of a Bach Invention for Grayson and her music students, that is true to the original text and quite lovely. Grayson also has a chance to shine in the "Bell Aria," from Delibes, "Lakme." She impresses, though not overwhelmingly. For the part in this movie, it's perfect. And it's ENTERTAINING.The highlight musical number is Durante/Sinatra's, "The Song's Gotta Come From Da Heart!" -- a perfect vehicle for Durante's antics, which remain awfully funny. What a pro! The likes we have none of today.Sinatra's "Brooklyn Bridge," "love song," is another priceless moment, filmed on location ON the Brooklyn Bridge.Peter Lawford is appropriately stuffy and does not interfere with the fun.All in all it is not Sinatra's film, or Grayson's or Durante, who comes closest to "stealing" it. It is ours. For it is we who find ourselves pleased and satisfied by the light airiness of the joy of "movies." Bravo!

"It Happened In Brooklyn" is so good-natured and cloying you can't help but like it. It's about a soldier (Sinatra) just discharged from the army after WW II to find a girl friend and a life. He disembarkation point is England, and after making friends with Peter Lawford, off he goes, returning to Brooklyn. From here the plot is so contrived it is hard to recount due to the lack of believability, and the story can barely drag its carcass from one song to the next, so shameless are the screenwriters.But the songs. They are exquisite, written by Sammy Cahn and Jule Styne, and the main reason for my rating. Sinatra is in fine voice, and Jimmy Durante has been irreplaceable on America's stellar list of entertainers. "Time After Time', "It's the Same Old Dream" are two of Frank's better numbers, but the piece de resistance is Sinatra and Durante doing, " It's Gotta Come From The Heart". Priceless. There are a couple of opera numbers for Kathryn Grayson, so there is something for everyone in this picture.It is a flag-waver and a preposterous tall tale, but it all works. All you have to do is wait for the musical numbers. And they are worth waiting for.

As it happens this writer made his earthly debut in 1947 in Brooklyn, so I have a soft spot for this film.Considering that this was all done in Hollywood, the film does have a nostalgic glow to it as it recaptures Brooklyn of 1947. Interspersed throughout the film are references to Brooklyn places and streets that a native would immediately know. There is a scene towards the beginning of the film when Frank Sinatra first meets Kathryn Grayson and she gives the newly discharged soldier a lift to the armory and in the background they pass shots of rows and rows of brownstone houses. Looks just like Park Slope on the way to the armory located there.Sinatra has his personal songwriting team of Jule Styne and Sammy Cahn come up with a good selection of tunes for him. Time After Time was the biggest hit out of this film and that song is also repeated in good style by Kathryn Grayson. He does I Believe with Jimmy Durante and young Bobby Long who sings and dances up a storm in number done at a school gymnasium. It's a philosophical song in the style that Sinatra's rival Bing Crosby normally would have sung. He also sings a song Brooklyn Bridge, dedicated to same, on the footpath across. The footpath is deserted which is impossible. And there's another ballad entitled It's the Same Old Dream.Jimmy Durante is the kindly school custodian who takes Sinatra in. I found this part of the picture sad. Durante has an apartment right on the public school premises and Sinatra moves in with him because he has no family at all. I guess he loved Brooklyn a lot because normally someone with no family and recently discharged from the service would have had the world to choose from in where to settle. Durante and Sinatra have a great old time with The Song Gotta Come From the Heart.They did love sopranos over at the Lion studio. In addition to Grayson at one time they had Jeanette MacDonald, Ann Blyth, and Jane Powell all at the same time. Grayson had a porcelain delicacy to her and her voice that was magnetic, never more so here. She sings the Bell Song from Lakme and makes it memorable. Sinatra shows some guts here also as he and Grayson tackle La Ci Darem la Mano from Don Giovanni. Grayson and Mozart took it easy on Frank. Grayson did three films with Sinatra and in only one did she wind up with him.Peter Lawford plays the shy gentlemanly scion of an aristocratic family who Sinatra befriends while in England. This was years before the Rat Pack was started and before Lawford married into the Kennedy clan. The role was no stretch for Lawford since that's what he was in real life. I wonder if Peter Lawford would still be here and have a career if the Kennedys and Sinatra had never entered his life.And there were only minimal references to the Dodgers for a film about Brooklyn in a year they won the pennant.

Very enjoyable musical romp. Wonderful songs and adaptations.The stars bring us much to smile about. JIMMY DURANTE steals every scene he's in - even when SINATRA is with him. A great tribute to the magnetic personality of the great and good-hearted "snoz".Young BOBBY LONG charms us with spectacular dancing and fresh voice in "I BELIEVE". Too bad we never saw him again. Show business is sure a tough business.In the world of colorful musicals, the quiet charm of this one never leaves you feeling cheated just because it's in B&W.